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Sue Maberry

Digital Stories :: Introduction - 0 views

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    This multimedia archive on digital storytelling provides:\n* A "research section" that addresses questions around digital storytelling and student learning in three major sections: Multimedia Distinctive, Social Pedagogy, Affective Learning\n* A grid as an alternative, condensed representation of our findings from this project\n * Video interviews with students and faculty as well as student produced digital stories\n * "Best practices":
Sue Maberry

From Narrative to Database: Multimedia Inquiry in a Cross-Classroom Scholarship of Teac... - 0 views

  • technologies of delivery and “technology protocols.”
  • defines “media as socially realized structures of communication, where structures include both technological forms [technologies of delivery] and their associated protocols.”
  • not merely a technological add-on
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  • This idea is useful for helping scholars of teaching and learning think through the impact of new media technologies on the practice of capturing and representing evidence of student learning and drawing conclusions from it.
  • Thinking with clarity about the role of technology is key when research focuses on the use of technology in the classroom and when the presentation of that research takes advantage of new media technologies.
  • The results of this study are available in print (see AHHE Forum on Digital Storytelling, Vol. 7.2, 2008) and also online at the Digital Storytelling Multimedia Archive.2
  • There is a somewhat familiar relationship between research and writing which underpins student work; however, because students are working towards a digital end, they are already thinking about their work as being different—more visual, more compressed, and more public than traditional writing products.
  • Thus, the grid designates a liminal space between the protocols of database and linear narrative in a multimedia environment.
  • The tension between grid and linear Web site as two related, yet fundamentally different ways to represent evidence of student learning is one of the most challenging aspects of our meta-study.
  • hese publications follow the hermeneutics of linear, hierarchical, cause-and-effect narratives.
  • the database is the privileged narrative of the computer age, and its logic is fundamentally different from that of linear print narratives
  • his absence of hierarchy is symptomatic of the database as “cultural form:”
  • reducing complexity through categorization works well only if certain criteria are met. First, in terms of the domain of knowledge to be organized, classification is dependent on a “small corpus, formal categories, stable and restricted entities, and clear edges.” Second, successful classification assumes “expert catalogers, an authoritative source of judgment,” as well as “coordinated” and “expert users.”8 One of our goals for this study is to make our findings publicly available in an online archive, accessible to the scholarship of teaching community and beyond. For such an environment, Shirky adds, reducing complexity through stable categories is a “bad strategy:”
  • Users have a terrifically hard time guessing how something they want will have been categorized in advance, unless they have been educated about those categories in advance as
  • Through collaborative coding/tagging and the production of further metadata in a collaborative effort with the academic community, we aim to push the limits of analyzing and representing student learning in Web 2.0 environments.
Sue Maberry

Digital Stories -Georgetown U project - 0 views

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    Great archive about pedagogy of the process. * A "research section" that addresses questions around digital storytelling and student learning in three major sections: Multimedia Distinctive, Social Pedagogy, Affective Learning * A grid as an alternative, condensed representation of our findings from this project * Video interviews with students and faculty as well as student produced digital stories * "Best practices": advice from students and faculty for working with digital stories
Sue Maberry

Multimedia as Composition: Research, Writing, and Creativity | Academic Commons - 0 views

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    EXCELLENT case study
Sue Maberry

Producing Audiovisual Knowledge: Documentary Video Production and Student Learning in t... - 0 views

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    interesting article about how to effectively use video/multimedia in LAS courses
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    pedagogy related to multimedia use in the classroom
Sue Maberry

MERLOT ELIXR - Sharing Faculty Stories about Exemplary Teaching - 0 views

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    Using Multimedia Cases to Change Pedagogical Strategies through Faculty Development Excellent site with many video case stories about how to teach better.
Sue Maberry

Multiple Media for Cultural Analysis and Critique - VKP - 0 views

  • We need to come up with a new set of terms to describe this and other mixed activities that emerge at the point of overlap between print and electronic scholarship.
  • Creating Visual Texts
  • Improvisatory reflective commentary - printed, posted, or performed out loud - is a necessary component of the type of assignment
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  • function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13472&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } archive screenshots + descriptions of student projects: viewI have been examining student work in three different modes (formal argumentative essay with bibliography; Flash movie; informal reflective commentary), performed in the course of a single assignment. The assignment called for students (working in groups) to interpret a literary text that was related to the core subject matter of the course. I drafted the assignment, then refined it following consultation with the class, in the context of the spring 2003 course. I repeated it with slight modifications in the fall 2004 course. function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13471&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } questions working questions1. Do distinct modes of apprehension and interpretive practice become visible when we examine student work in different media?2. If so, what are the relationships between or among these modes? 3. If not , what does that tell us about received notions about the relative efficacy of traditional and emergent forms of scholarly practice? function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13467&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } 472site course website for english 472: view&nbsp; function popEditor1(map) { if(!map || map == null || map == void(0)) var map = 'false'; var spanWidth = getObjectRef('box_1').offsetWidth; var boxWidth = spanWidth+30; if (boxWidth < 600) boxWidth = 600; popBox('box.textEditor', 'boxID=13469&spanWidth='+spanWidth+'&boxWidth='+boxWidth+'&displayMap='+map, 850, 650); } function getBoxStats1() { var spanWidth = getObjectRef('boxTable_1').offsetWidth; var spanHeight = getObjectRef('box_1').offsetHeight; alert('width = '+spanWidth+', height = '+spanHeight); } finally...
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