Before I get to the point of my article, if you want to argue the point that TV advertising is dead and TV in general is dead and we'll all be walking around on moving sidewalks like the Jetsons in the next 5-10 years, fine. Just leave your thoughts in the comment section and I will respond in kind with a reply which essentially says "you're out of your mind."
One of my favorite lessons I do is having my students work in groups to create TV commercials inspired by works. Check it out below. It never fails to be a fun time in the classroom!
The Big Book started with the Scouts-L Skits FAQ, and a few other small compilations of skits. People have sent me individual skits and groups of skits. My sincere thanks to Merl Whitebook, the most prolific contributor to this volume. My thanks also to Hans Hussman, Bob Jenkins, the US Scouting Service Project, the Australian Scouting Association, and a cast of other characters.
In this lesson, students discuss the meaning of clowns and explore the themes of spontaneity and laughter as well as vulnerability. Guided classroom discussions help students to explore misconceptions about clowns as well as how the clown could be a "master of failure." Reflective writing prompts are also included for students to demonstrate their understanding of the story.
This lesson uses video segments from Great Performances: The Little Mermaid from San Francisco Ballet to help students explore the role of the author in relation to his/her work. In the Introductory Activity, students discuss the structure of the original The Little Mermaid tale as they remember it. Students then read the original story and compare their memories to the original text. In the Learning Activity, students examine John Neumeier's artistic interpretation of the classic fairy-tale by looking at two video segments that feature the main characters of the ballet. Finally, for the Culminating Activity, students craft their own contemporary interpretation of a classic fairy-tale (e.g., Snow White, Beauty and the Beast, Sleeping Beauty).
As part of the Playworks Program here at the International Thespian festival, students have the opportunity to audition and rehearse one of the plays being workshopped. The audition day was very intense. We sat through auditions from 9:00 am straight through to 12:45 and then we have half an hour to cast the roles between five plays. Students were put in groups and performed in scenes from the individual plays with monologues, duets or trios. Over the course of the morning, we say 185 students and that doesn't count the students we saw twice who were called back. By 11 am we were starting to feel the time crunch. Call backs were discouraged, repeat reads had to be culled down, we had to see the groups and move on if we were ever going to make sure every students got their moment.
This narrative document outlines the philosophy, primary goals, dynamic processes,
structures
, and outcomes that shape student learning and
achievement
in dance, media arts,
music, theatre, and visual arts, as articulated in the National Core Arts Standards
.