Mimi Lien on the Set Design of "The Great Comet of 1812" - THE INTERVAL - 0 views
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Barrett Huddleston on 06 Jan 17I would say that for this piece I didn't do a lot of image research. I did a little bit, and that's what led to the paintings on the walls [of the set]. Because I was looking at period Russian rooms from the time, but they actually didn't influence the bones of the design from the beginning. I would say it was actually weirdly very intuitive.