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The Thriving Cultures program is based on a belief that communities with robust arts and culture are more cohesive and prosperous, and benefit from the diversity of their residents. We know that artists and cultural organizations can help us explore shared values and spark innovation, imagination and advancement for our communities. Too often, however, arts and culture is undervalued as a catalyst for creating just and sustainable communities, which is a key priority for the Surdna Foundation. The Thriving Cultures Program seeks to create just and sustainable communities in four ways: Teens' Artistic and Cultural Advancement We support artistic training programs that help teens explore their cultural identity and equip them with the life-enhancing skills they need to achieve their educational and career goals. Community Engaged Design We support efforts to involve artists, architects and designers in community-engaged problem solving and development efforts. Artists and Economic Development We support efforts that provide artists with business training and financial resources that enable them to be, and create, valuable economic assets for their communities. Artists Engaging in Social Change We support the potential of artists to be catalysts for social change and to promote the cultural traditions of their communities. We seek organizations that: -Embrace artistic and design excellence; -Find innovative ways to use arts and culture to make communities more just and sustainable; -Prioritize the needs of low-income communities and people of color in their work; -Maintain sound financial practices and management; and -Demonstrate a capacity and willingness to share best practices and knowledge with their colleagues and others in the field.

The Native Arts and Cultures Foundation has issued a call for applications to established American Indian and Alaska Native artists to mentor an emerging American Indian and Alaska Native artist apprentice through its for its NACF Mentor Artist Fellowship program. Through the program, mentors will develop lesson plans intended to increase their apprentice's skill level, and provide an experience of intergenerational exchange of cultural knowledge within the apprentice's traditional arts or contemporary visual arts practice. To assist in developing lesson plans, awarded mentors and their apprentices are required to attend a training session before the mentorship begins. The training date will be announced upon notification of the awards. The fellowship provides a monetary award of $30,000 total - $20,000 for the mentor, $5,000 for the joint art project, and $5,000 for the apprentice's expenses.

Each year, the Rome Prize is awarded to thirty emerging artists and scholars in the early or middle stages of their careers who represent the highest standard of excellence in the arts and humanities. Prize recipients are invited to Rome for six months or eleven months to immerse themselves in the Academy community where they will enjoy a once in a lifetime opportunity to expand their own professional, artistic, or scholarly pursuits, drawing on their colleagues' erudition and experience and on the inestimable resources that Italy, Europe, the Mediterranean, and the Academy have to offer. Rome Prize winners are the core of the Academy's residential community, which also includes Residents and Visiting Artists and Scholars. Fellows are encouraged to work collegially within and across disciplines in pursuit of their individual artistic and scholarly goals. The Academy gratefully acknowledges the National Endowment for the Humanities for its support of the Rome Prize competition.

The Hodder Fellowship will be given to artists and writers of exceptional promise to pursue independent projects at Princeton University during the academic year. Potential Hodder Fellows are composers, choreographers, performance artists, visual artists, writers or other kinds of artists or humanists who have "much more than ordinary intellectual and literary gifts"; they are selected more "for promise than for performance." Given the strength of the applicant pool, most successful Fellows have published a first book or have similar achievements in their own fields; the Hodder is designed to provide Fellows with the "studious leisure" to undertake significant new work.

Emerging and established artists in the metro Detroit area are invited to apply for a 2019 Kresge Artist Fellowship. Fellowships are funded by the Kresge Foundation and administered by Kresge Arts in Detroit at the College for Creative Studies, with professional practice opportunities for the selected fellows provided by Creative Many Michigan. n each category, fellows are selected through a competitive review of all applications performed by independent panels of distinguished local and national artists and arts professionals. Previous applicants are strongly encouraged to re-apply. New panels are convened each year, bringing fresh perspectives to the review process.

Lighthouse Works, a nonprofit arts organization, is devoted to encouraging the development of artists through a fellowship program and to the enrichment of the year-round cultural and economic vitality of Fishers Island, New York. To that end, the organization is accepting applications for its fellowship program. Fellowships are six weeks in length and occur year-round. Fellows are provided with housing, food, studio space, a $250 travel allowance and a stipend of $1,500 to help defray the cost of shipping materials, the purchase of art supplies, and other expenses incurred in making artwork in a remote location. The organization's belief is that no artist should have to spend money to accept the opportunity of a fellowship. In addition, fellows have the chance (though they are not required) to teach workshops, mentor students, or invite them for studio visits.

Each year the Flaherty offers fellowships to graduate students and emerging and mid-career filmmakers and media professionals. The fellowship program is led by an academic who has attended previous Flaherty Seminars and is designed to further your knowledge of cinema through participation in an array of unique activities. Besides interacting with the group at large, Flaherty fellows take part in private meetings and discussions with the featured artists and other special guests in attendance, including programmers, writers, and academics and participate in a mentorship program. The program is rigorous and rewarding; Fellows arrive on campus a day before the Seminar begins to learn about the history of the Seminar, discuss pre-assigned readings relating to the theme, and watch and discuss each other's films, by way of an informal Fellows' film screening. Fellows will be able to return home with creative inspiration, experiences and connections, which will aid them in furthering their own careers and artistic endeavors.

This project takes as its focus the documentation and dissemination of performance art from the former communist and socialist countries of Central, Eastern and Southern Europe, from the period of c. 1960-1989. Performance art in the West emerged as a self-conscious genre, and a deliberate alternative to the production of painting and sculpture for display in the gallery space. However, in Eastern Europe, artists such as Jiří Kovanda (Czechoslovakia), Andris Grīnbergs (Latvia), and Ion Grigorescu (Romania) often created performance art for a select group of friends and colleagues, and even sometimes only for themselves. If in the West, documentation was often an essential component of performance art, and necessary to exhibit the work in the gallery, in the East, the recording of performances, by video or photography, was more haphazard. At times, artists were intent on documenting their work for posterity, in the hope that someday, somewhere (outside of the totalitarian regime) it would have an audience. At others, photographs were taken simply as a record, without any thought that they would ever be seen.

Located on the former country estate of architect Howard Van Doren Shaw in Lake Forest, Illinois, Ragdale, a nonprofit artists community, offers nearly two hundred residencies and fellowships annually to creative professionals of all types. During each residency session, thirteen artists-in-residence enjoy uninterrupted time for work, a supportive environment, dynamic arts exchanges, fifty acres of idyllic prairie, and a family-style dinner each evening. The foundation has numerous upcoming fellowship opportunities. Please view the RFP website for more information.

The colony currently is accepting applications from emerging and established artists for its fall fellowship program in the following disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theater, and visual arts. The fellowship includes exclusive use of a private studio, accommodations, and three prepared meals a day for a period of two weeks to two months.

FilmWatch grants support curated screening programs at North America-based film festivals, film societies and other film-related organizations. Targeted programs include those that create culturally diverse viewing experiences, promote motion pictures as an art form, provide a platform for underrepresented artists, and cultivate new and dedicated audiences for theatrical film. Grants typically range from $5,000 to $20,000. FilmCraft grants support high-quality educational programs that identify and empower future filmmakers from nontraditional backgrounds. Targeted programs include those that encourage an appreciation of film as both a vocation and an art form, and those that provide direct, hands-on opportunities for participants to gain the filmmaking skills they need to tell their stories. Grants typically range from $5,000 to $20,000. The program also supports the Academy's commitment to diversity in the industry. Diversity encompasses artists as well as audiences; the cultural and geographic communities to which they belong; their age, gender, race, ethnicity, disabilities, religious beliefs, sexual orientation, and gender identity. The Academy seeks to fund proven and rising institutions that open pathways for storytellers from a wide range of backgrounds, and especially those from underserved communities.

The Bridging Cultures through Film: International Topics program supports documentary films that examine international and transnational themes in the humanities. These projects are meant to spark Americans' engagement with the broader world by exploring countries and cultures outside of the United States. Proposed documentaries must be analytical and deeply grounded in humanities scholarship. The Division of Public Programs encourages innovative nonfiction storytelling that presents multiple points of view in creative formats. The proposed film should range in length from thirty minutes to a feature-length documentary. We invite a wide range of approaches to international and transnational topics and themes, such as * an examination of a critical issue in ethics, religion, literature, or history, viewed through an international lens; * an exploration of a topic that transcends a single nation-state; * a biography of a foreign leader, writer, artist, or historical figure; or * an exploration of the history and culture(s) of a specific region, country, or community outside of the United States.

Bridging Cultures films will spark Americans' engagement with the wider world through the exploration of countries and cultures outside of the United States, and/or across nations. Films might take a wide range of approaches to international and transnational topics: * an examination of a critical issue in ethics, religion, or history, viewed through an international lens; * an approach to a topic or subject that transcends the idea of traditional nation statehood and explores it across borders; * a biography of a foreign leader, writer, artist, or historical figure; or * an exploration of the history and culture(s) of a specific region, country, or community outside of the United States. Projects must be analytical and deeply grounded in humanities scholarship. We encourage innovative nonfiction storytelling and creative formats that will reach broad audiences. Films must range in length from a stand-alone broadcast hour to a feature-length documentary. Applicants should demonstrate international collaboration by enlisting U.S.-based and non-U.S.-based scholars and/or by working with an international media team.

The Arts Envoy Program annually enables approximately 200 American artists and cultural experts (known as Arts Envoys) to travel abroad for individual programs or as part of an ensemble or group to engage and consult with key foreign audiences through performances, workshops, meetings, seminars, and appearances in foreign media. By addressing topics identified and developed by U.S. Missions (generally U.S. Embassies and Consulates) worldwide in cooperation with ECA, the program promotes an understanding of U.S. policies and institutions, and the political, economic, social, and cultural context from which they arise. Arts Envoy individuals and groups are programmed in one or more countries with a variety of audiences from a wide range of disciplines in the cultural arena, including in the performing and visual arts, and in arts management, as well as with museum professionals and other cultural experts. Arts Envoy programs range from five days to six weeks in length. For more information, please see the full announcement.

Established in 2012, the fellowship enables seven to ten practitioners of historical dialogue and accountability from conflict, post-conflict and post-dictatorial societies to engage in both training and academic study at Columbia University. Practitioners of historical dialogue include representatives of civil society organizations, journalists, filmmakers and artists. The aims of the Fellowship are to build a network of historical dialogue advocates, to foster a dynamic academic environment for Fellows to initiate and develop new projects, and to facilitate discussion about the past in their respective societies.

The Arts Endowment's support of a project may start on October 1, 2015, or any time thereafter, and extend for up to two years.OUR TOWN: Grant Program DescriptionArt works to support creative, economically-competitive, healthy, resilient, and opportunity-rich communities. Excellent art is an essential part of building a strong community, as important as land-use, transportation, education, housing, infrastructure, and public safety. Artists and community development practitioners across our nation --sometimes one and the same, sometimes working together -- are striving to make places more livable with enhanced quality of life, increased creative activity, a distinct sense of place, and vibrant local economies that together capitalize on their existing assets. The NEA defines these efforts as Creative Placemaking.Through Our Town, subject to the availability of funding, the National Endowment for the Arts will provide a limited number of grants for creative placemaking projects that contribute towards the livability of communities and help transform them into lively, beautiful, and resilient places with the arts at their core. Our Town prioritizes partnerships between arts organizations and government, private, and nonprofit organizations to achieve livability goals for communities.Our Town offers support for projects in two areas:* Arts Engagement, Cultural Planning, and Design Projects that represent the distinct character and quality of their communities* Projects that Build Knowledge About Creative Placemaking

Fellowship applications are accepted from both tenured and untenured faculty as well as from recent Ph.D.'s without a tenure-track position and professors emeriti. Where appropriate, applications are accepted from independent artists, documentary film-makers, and writers.

Grant Program Description "The Arts . . . belong to all the people of the United States" * Art Works is the National Endowment for the Arts' principal grants program. Through project-based funding, we support public engagement with, and access to, various forms of excellent art across the nation, the creation of art that meets the highest standards of excellence, learning in the arts at all stages of life, and the integration of the arts into the fabric of community life. Projects may be large or small, existing or new, and may take place in any part of the nation's 50 states, the District of Columbia, and U.S. territories. We encourage applications for artistically excellent projects that address any of the following activities below: *Honor the 2020 centennial of women's voting rights in the United States (aka the Women's Suffrage Centennial). *Engage with Historically Black Colleges and Universities (HBCUs); Hispanic or Latino organizations; or the Native American, Alaskan Native, and Native Hawaiian arts. *Celebrate America's creativity and cultural heritage. *Invite a dialogue that fosters a mutual respect for the diverse beliefs and values of all persons and groups. *Enrich our humanity by broadening our understanding of ourselves as individuals and as a society.

The Afro-Anglican conferences The histories of black Episcopal parishes Networking and mentorship among black clergy The history of the Union of Black Episcopalians The history of the Conference of Church Workers Among Colored People The history of the Bishop Payne Divinity School that educated African Americans for the priesthood during the late nineteenth and early twentieth centuries The editing of the Lift Every Voice and Sing hymnal The work of artist Allan Rohan Crite The Episcopal Society for Cultural and Racial Unity The contributions of various individuals to the Episcopal Church, such as The Rt. Rev. John Thomas Walker, The Rt. Rev. Walter Decoster Dennis, Ms. Verna Dozier, The Rev. Canon Harold T. Lewis, The Rev. Canon Thomas W. S. Logan, Sr., and Canon Diane Porter.

As part of this mission, the foundation is accepting applications from nonprofit performing ensembles for general operating support or special project support. For the 2019 funding cycle, support will be given to projects that take place between September 2019 and August 2020. (The foundation will only consider projects that fall outside that window under extraordinary circumstances.) In general, grants will range between $1,000 and $7,500, although larger grants may be awarded to larger performing organizations with an extraordinary commitment to contemporary concert music or a particularly significant project. To be eligible, applicants must be a nonprofit amateur choral ensemble or youth choir performing contemporary classical music at an exceptionally high artistic level.