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Chinese citizens are busy dissecting and taunting the meeting on social media. While Premier Wen Jiabao was pledging that the government would “quickly” reverse the widening gap between rich and poor—last year he said it would do so “gradually”—Chinese Web users were scrutinizing photos of delegates arriving for the meeting, and posting photos of their nine-hundred dollar Hermès belts and Birkin and Celine and Louis Vuitton purses that retail for car prices. As Danwei points out, an image that has been making the rounds with particular relish shows the C.E.O. of China Power International Development Ltd, Li Xiaolin, in a salmon-colored suit from Emilio Pucci’s spring-summer 2012 collection—price: nearly two thousand dollars. Web user Cairangduoji paired her photo with the image of dirt-covered barefoot kids in the countryside and the comment: “That amount could help two hundred children wear warm clothes, and avoid the chilly attacks of winter.” And it appended a quote from Li, of the salmon suit, who purportedly once said, “I think we should open a morality file on all citizens to control everyone and give them a ‘sense of shame.’” (This is no ordinary delegate: Li Xiaolin happens to be the daughter of former Premier Li Peng, who oversaw the crackdown at Tiananmen Square.)

Another message making the rounds uses an official high-res photo of the gathering to zoom in on delegates who were captured fast asleep or typing on their smart phones.

A man was caught with more than 500 offensive photos in his mobile phone. This happened after a woman complained against him taking a picture of her chest at a shopping centre.

"My husband and I were shocked when we were shown the data because there were more than 500 pictures of various women that this man took. All the pictures were of their chests and breasts. From the angle of the shots, I could see that the women in these pictures were not aware that they were victims."

According to the law, anyone who takes offensive photos of a woman in a public place without the lady's prior consent can be charged for outrage of modesty. If found guilty, the persons involved faces a fine, up to a year in jail or both.

A Quebec woman on long-term sick leave is fighting to have her benefits reinstated after her employer's insurance company cut them, she says, because of photos posted on Facebook.

The Eastern Townships woman was receiving monthly sick-leave benefits from Manulife, her insurance company, but the payments dried up this fall.

She said her insurance agent described several pictures Blanchard posted on the popular social networking site, including ones showing her having a good time at a Chippendales bar show, at her birthday party and on a sun holiday — evidence that she is no longer depressed, Manulife said. Blanchard said she notified Manulife that she was taking a trip, and she's shocked the company would investigate her in such a manner and interpret her photos that way.

“I’ve climbed Everest five times, and I would rather do that again than reach some of these photo points,” Mr. Breashears said. “Climbers, they choose good routes. A photographer chooses a position; a vantage point.”

n the present era with the ubiquitous cellphone camera and rapid distribution channels that are well beyond blogs, such as twittering and Facebook, the old editorial policy is no longer viable. Even Straits Times’ journalists have said as much. If the newspaper does not publish such pictures, others will, and its credibility can only suffer.

Here is the front page for Friday 29 April 2011:

Yes, you will notice that there is a wide-angle photo of the crowd at the Workers’ Party rally the previous night that was held at exactly the same location as the iconic rally in 2006.

A button called "See Friendship" aggregates onto a single page all of the information that two friends share: photos both people have been tagged in, events they have attended or are planning to attend, comments they have exchanged, etc. To see this stuff, you need only be "friends" with one of the people. So let's say I've turned down an ex-boyfriend's request for friendship; he can still peruse my pictures or trace my whereabouts by viewing my interactions with our mutual pals.

The "See Friendship" feature was launched by Facebook developer Wayne Kao, who credited his inspiration to the joy of browsing through friends' photos. "A similarly magical experience was possible if all of the photos and posts between two friends were brought together," he wrote on the Facebook blog. "You may even see that moment when your favorite couple met at a party you all attended."

Barry Wellman, a University of Toronto professor who studies social networks and real-life relationships, thinks Facebook developers don't understand the fundamental difference between life online and offline. "We all live in segmented, diversified worlds. We might be juggling girlfriends, jobs or different groups of friends," he says. "But [Facebook thinks] we're in one integrated community."

Criticalist wrote in a comment to Effect on election advertising amendments on non-party netizens: I can’t help but wonder why the rules have been relaxed, specifically what advantages would accrue the dominant political party? In the past, alternative media was largely the domain of opposition parties and discourse critical of the government, hence the need to impose restrictions on them.

My default mode is to assume that the liberalisation — incomplete though it is — is designed to serve the ruling People’s Action Party’s (PAP) interest, and that it is not altruistic.

PAP rally in Tampines, 2006 general election. Photo by SunsetBay If I were the People’s Action Party (PAP), I wouldn’t even bother to hold a single rally this time around. Does one seriously believe that their poorly-attended rallies ever gained them more than a handful of extra votes? Workers' Party rally in Hougang, 2006 general election After my iconic photo from 2006 (above) broke the convention of mainstream media never to publish wide-angle pictures of rally crowds, the PAP will obviously have reconsidered the merits of holding rallies in future unless they can ensure sizeable crowds for themselves.

Moral naturalists, on the other hand, believe that we have moral sentiments that have emerged from a long history of relationships. To learn about morality, you don’t rely upon revelation or metaphysics; you observe people as they live.

By the time humans came around, evolution had forged a pretty firm foundation for a moral sense. Jonathan Haidt of the University of Virginia argues that this moral sense is like our sense of taste. We have natural receptors that help us pick up sweetness and saltiness. In the same way, we have natural receptors that help us recognize fairness and cruelty. Just as a few universal tastes can grow into many different cuisines, a few moral senses can grow into many different moral cultures.

Paul Bloom of Yale noted that this moral sense can be observed early in life. Bloom and his colleagues conducted an experiment in which they showed babies a scene featuring one figure struggling to climb a hill, another figure trying to help it, and a third trying to hinder it. At as early as six months, the babies showed a preference for the helper over the hinderer. In some plays, there is a second act. The hindering figure is either punished or rewarded. In this case, 8-month-olds preferred a character who was punishing the hinderer over ones being nice to it.

David Breashears is one of America’s legendary mountain climbers, a man who has climbed Mount Everest five times and led the Everest IMAX film team in 1996.

These days, Mr. Breashears is still climbing the Himalayas, but he is lugging more than pitons and ice axes. He’s also carrying special cameras to document stunning declines in glaciers on the roof of the world.

he dug out archive photos from early Himalayan expeditions, and then journeyed across ridges and crevasses to photograph from the exact same spots. The pairs of matched photographs, old and new, are staggering. Time and again, the same glaciers have shrunk drastically in every direction, often losing hundreds of feet in height.

how many adult women actually take the images in fashion magazines — artificial as they are, feats of makeup and lighting and camera angles, even without retouching — at face value? “Our readers are not idiots,” Christine Leiritz, editor of French Marie Claire, told the New York Times last year, “especially when they see those celebrities who are 50 and look 23.” Most of us who read fashion magazines don’t feel we’re confronting reality when we see a photograph of a grown woman with preteen thighs. (We certainly see enough countervailing tabloid shots to know exactly what celebrity thighs look like.) If such photos enrage us, and often they do, it’s not because they damage our self-esteem, nor — let’s be honest — because we’re constantly fretting, like some earnest psychologist or crusading politician, about the emotional repercussions for adolescent girls. Our interest in altered images is not purely moral; it’s also aesthetic. We believe that a picture should convey, “objectively,” without undue intervention, what the lens originally captured. But these days, come to a fashion, consumer, or celebrity magazine with this quaint puritanical notion in mind, and you’re bound to be disappointed: Many contemporary images are illustrations masquerading as photographs, cartoons composed with a computer rather than a pen.

The truth is that most retouched photos fail as aesthetic objects, not because they’re deceptive, but because they’re timid, feeble, and inhibited. Constrained by their origins as photographs, they stop short of embracing full stylization. They force themselves to walk a very fine line: romanticize without being preposterous, improve upon nature without grossly misrepresenting a famous physique with which viewers are familiar. When an apparently hipless Demi Moore graced the cover of W last year, readers blanched. Likewise when Gwyneth’s Paltrow’s head appeared oddly detached from her body on the May 2008 cover of Vogue, giving her an upsetting alien-from-outer-space vibe. What were the editors thinking? That we wouldn’t notice? And yet perversely, artificial as these images are, they’re actually not artificial enough. It would be better, perhaps, if art directors just went all the way, publishing, without apologies, pictures of incarnate Betty Boops or Jessica Rabbits. Too many magazine images nowadays are neither fish nor fowl, neither photographs of integrity nor illustrations of potency. They’re weird in-between creatures, annoying and unsettling.

Writing at MIT's Knight Science Journalism Tracker, Charles Petit breathlessly announces to journalists that the scientific community has now given a green light to blaming contemporary disasters on the emissions of greenhouse gases

We recently published a paper showing that the media overall has done an excellent job on its reporting of scientific projections of sea level rise. I suspect that a similar analysis of the issue of disasters and climate change would not result in such favorable results. Of course, looking at the cover of Nature above, it might be understandable why this would be the case.

WorldNetDaily regularly publishes falsehoods (e.g. about Obama's birthplace) and wild conspiracy theories (e.g. about Democratic plans to create concentration camps) that have earned the site criticism even on the right. The organizers of the Conservative Political Action Conference, for example, rejected Farah's request to host a Birther panel at the annual event in 2009. That said, WND is influential. Its stories regularly find their way onto the big cable channels (Trump's "$2 million" claim is a good example) and even get picked up by members of Congress.

I wrote back to Farah with just one example, the latest, of WND's credibility problem. That would be this column by WND's Jack Cashill on "Barack Obama's missing year." The lead of the column aimed to debunk a famous photo of a young Obama flanked by his grandparents on a bench in New York City. As proof, Cashill embedded a YouTube video that purported to show that Obama had been photoshopped into the picture, and that the real image included only Obama's grandparents.

Unfortunately for Cashill the supposed "genuine" image -- the one without Obama -- was itself a sloppy photoshop job that still included part of Obama's knee between his grandparents. This was pointed out by Media Matters about eight hours after Cashill's column was published on WND.

Hari admits to substituting his interviewees’ written words for their spoken words, quoting from their books and pretending that they actually said those words to him over coffee. But that is okay, he says, because his only aim was to reveal “what the subject thinks in the most comprehensible possible words” and to make sure that the reader “understood the point”.

The nub of Hari’s argument is that reality and truth are two different things, that what happens in the real world – in this case a chat between a journalist and some famous author or activist – can be twisted in the name of handing to people a neat, presumably preordained “truth”. It is a cause for concern that more journalists have not been taken aback by such a casual disassociation of truth from fact.

the sad fact is that the BS notion that it is okay to manipulate facts in order to present a Greater Truth is now widespread in the decadent British media. Mark Lawson once wrote a column titled “The government has lied and I am glad”, in which he said it was right for the British authorities and media to exaggerate the threat of AIDS because this “good lie” (his words) helped to improve Britons’ moral conduct. When Piers Morgan was sacked from the Mirror for publishing faked photos of British soldiers urinating on Iraqi prisoners he said it was his “moral duty” to publish the pictures because they spoke to an ugly reality in Iraq. When this month it was discovered that the Syrian lesbian blogger was a fake, some in the media who had fallen for “her” made-up reports said the good thing about the blog is that it helped to “draw attention to a nation’s woes”. And now Hari says it doesn’t matter it he invents a conversation because it helps to express a “vital message” in the “clearest possible words”.