Group items tagged

Features Details Include: Interior etched floor boards, interior wall framing, ore bin, platforms, stairs, a grizzley, stamp frames, removable roofs, plank siding that is engraved on the interior and exterior wall surfaces, boiler room, windows and doors that can be positioned open or closed and include laser-cut glazing, and can be built with the metal siding or without! ■Out trademark EASY to follow FULLY Illustrated Step-By-Step instructions make building easy! ■Precision Laser cut wood construction. ■Includes our corrugated material, "metal" siding, and tar paper roofing. ■Footprint N = N/A ■Footprint HO = 5.0" x 8.3" ■Footprint S = 6.8" x 11.3" ■Footprint O = 9.0" x 15.0" ■Based on measurements by Joe Crea and Mike Pyne. Additional material provided by Keith Pashina. ■With all of kits, we include some way for you to customize our structures right out of the box. This allows you to add you own personal touch to fit your layout. See "The Design" section below for some of the included options. History (continued...) The "Little Red Mill", like many other mine and mill structures in this area, is constructed of rough-sawn wood sheathing over a heavy timber frame. This was then covered at some point with flat metal siding and painted to further repel the harsh weather. No machinery remains inside, only timbers that once supported the mill's operations. (red-iron oxide paint was commonly used to repel the elements because it was both economical and provided the longest protection-the reason we call it the "Little Red Mill!) Today, the hillsides of Gilpin County, once stripped of their wood for the mines, have regrown with pines and aspen trees, and the mill silently weathers away in the sun. But someday, this mill will succumb, like many others, to time, the elements, and/or progress of the area. The Design: Today, the existing structure has been converted to a storage/junk building on the

Taylor swift continues to step a notch everyday, country-pop singer started at a very young age and from then on she struggled on her way up. Her hardships didn't last long. She found her big break and here she is as how we know her. Hardships are really paying off, singer's album "Red" topped the U.S. album chart for a second week despite a big percentage drop. Singer-songwriter Swift has undoubtedly paved the way to stardom on her own. She gained the respect of her fans by being one of them. Teen girls idolize her by being her, she's reasonably gorgeous even in ballet flats. She's awkward but speaks her mind through her song. She's a geek chic oozing with sex appeal. And above all, she's a star but she is approachable. It was not a surprise that her forth album "Red" is another big hit. Released October 22, 2012 through Big Machine Records, Red is the fourth studio album by singer-song writer Taylor Swift. According to Nielsen SoundScan data for the week ending Nov. 4, "Red" retained the apex with 344,000 copies sold, may sound much but actually it has a decline of 72% from 1.21 million sales on the first week. Despite the big difference in terms of sales, Red maintained to be on top on the second week and until now on its third week. There is no stopping "Red", industry forecasters put forward that the album will spend a third straight week atop the Billboard 200 chart next week. The new Billboard 200 chart's top 10 will be revealed on the morning of Wednesday, Nov. 14. Red is a 16-song geyser of willful emotions, Swift's songs grows with her as well. As she ages her songs matures with her. Album includes songs entitled, 1. "State of Grace" - a not typical Taylor at all is what you will see in this song, she was blindsided by love. Lush and dreamy, a drum driven song is what you can expect in "State of Grace". 2."Red"- this song is a different shade for Taylor, it talks about how impossible it is moving on from a

Comments: Features Details Include: Interior etched floor boards, interior wall framing, ore bin, platforms, stairs, a grizzley, stamp frames, removable roofs, plank siding that is engraved on the interior and exterior wall surfaces, boiler room, windows and doors that can be positioned open or closed and include laser-cut glazing, and can be built with the metal siding or without! ■Out trademark EASY to follow FULLY Illustrated Step-By-Step instructions make building easy! ■Precision Laser cut wood construction. ■Includes our corrugated material, "metal" siding, and tar paper roofing. ■Footprint N = N/A ■Footprint HO = 5.0" x 8.3" ■Footprint S = 6.8" x 11.3" ■Footprint O = 9.0" x 15.0" ■Based on measurements by Joe Crea and Mike Pyne. Additional material provided by Keith Pashina. ■With all of kits, we include some way for you to customize our structures right out of the box. This allows you to add you own personal touch to fit your layout. See "The Design" section below for some of the included options. History (continued...) The "Little Red Mill", like many other mine and mill structures in this area, is constructed of rough-sawn wood sheathing over a heavy timber frame. This was then covered at some point with flat metal siding and painted to further repel the harsh weather. No machinery remains inside, only timbers that once supported the mill's operations. (red-iron oxide paint was commonly used to repel the elements because it was both economical and provided the longest protection-the reason we call it the "Little Red Mill!) Today, the hillsides of Gilpin County, once stripped of their wood for the mines, have regrown with pines and aspen trees, and the mill silently weathers away in the sun. But someday, this mill will succumb, like many others, to time, the elements, and/or progress of the area. The Design: Today, the existing structure has been converted to a storage/junk building on the -

Taylor Swift walks around with a constant expression of shock at her swell luck and good fortune. As well she should, as the pitch-challenged, confessional sweetheart is doing phenomenally well in the singing business. She doesn't do as well in the relationship business, but her prolific taste in celebrity men has served her and supermarket magazines fine. "Love is a ruthless game, unless you play it good and right," she sings on State of Grace. I would argue that Swift plays the game ruthlessly - "good and right" being adverbs open to interpretation, or even meaningless to a doe-eyed pop careerist whose open-book romantic life is grist for the mill, an attention-getting supply of gotcha-good inspiration. Red, her fourth album, is full of big, errorless music - arena-pop that is just country enough to keep the CMT crowd happy. But even if there are very few missteps, excitement and soul are decidedly lacking. Swift's lyrical style lacks for ambition; someone like Canada's Liam Titcomb, a complete unknown in comparison, has much more of a clue how to write a poppy relationship song with wordy charisma. The pigtailed set will enjoy the 22-year-old woman-child who giggles at the end of the plucky-cute Stay, Stay, Stay. "Before you I only dated self-indulgent takers, who took all of their problems out on me," she sings, resisting the urge to rhyme "Jake Gyllenhaal" with "darn it all" or "John Mayer" with "hey, that's not fair." The album's catchy first single We Are Never Ever Getting Back Together is Avril-bratty, complete with a resolute girlie army on the chorus. But beyond the adolescent stuff, the platinum-selling Kennedy-clan befriender branches out - sometimes moving in less-than-mysterious U2 ways. While State of Grace uses chiming guitars and bold dynamics, All Too Well doesn't at all try to hide its With or Without You tension-building methods. Lyrically it represents Swift's best work, involving broken p

et's predict the future by analyzing culture and trends today. Last year has been the year for the solo female pop vocalists like Rihanna, Nicki Minaj, Katy Perry, Taylor Swift, Lady Gaga, etc. Solo male vocals were also hit last year like Psy, Eminen, Bruno Mars, Chris Brown, Justin Bieber, etc. These guys churning out all Top 20 hits all over the world. There has been much collaboration with featured singers, with all the rapping, dub step and dance music. But what genre or style of music will be dominant this 2013. If 2012 meant to the dub step it is not the case this year because 2013 cannot come quick enough. Although it will just be a passing phase this year because the lasting strong points of the year seem to be turning to the indie alternative gone pop. It seems that 2013 will focus more on the artist which made 2012 only its transition. Some made the prediction that guitar music may return to radio playlist in the near future. It is expected that new guitar music is to be a fusion of something that will be playing in the radio stations this year. This is actually already been starting. More attention seems to be leaning towards the young singer-songwriter who plays the instrument and the hot tween pre-made dance talent is slowly vanishing. This could mean Justin Bieber may be on his way out sooner than expected. May this be a warning for him so that he can mature in terms of his music. Songs like his built trend for the next wave and pop music could use some wake-up call wit more artist that could make a mainstream impact. 90's R&B will go even more mainstream, this is due to almost every artist feels compelled to reel off their R&B influences. When you go night out, you will never fail to endure repeated plays of R Kelly's She's Got That Vibe. With many artists sprouting in every corner, attention span grows short regarding the choice or artist that listeners will listen to. Those who cannot reinvent

Let's predict the future by analyzing culture and trends today. Last year has been the year for the solo female pop vocalists like Rihanna, Nicki Minaj, Katy Perry, Taylor Swift, Lady Gaga, etc. Solo male vocals were also hit last year like Psy, Eminen, Bruno Mars, Chris Brown, Justin Bieber, etc.

If you're an artist, and you've spent at least five minutes looking for ways to advance your career, chances are you have already encountered a wide variety of music services displayed to you through ads. They're highly prevalent on any website related to music, on Google searches, in Gmail (if any of your emails are music-related), on YouTube, and in physical sources like print magazines or classified ads. Isn't it great that in an industry that is seeing the entry of tens of thousands of new musicians every year, there are so many nice businesses out there looking to help them? Yeah, right! The truth is, there are plenty of sleazy individuals and business entities that have been observing the decline of the traditional recording industry. They have noticed all the new artists cropping up, looking for fame and fortune. They smile when they see the common portrayal of artists on MTV and VH1 as rich, living extravagant and glamorous lifestyles, getting huge "record deals", and so on - even though that image is extremely distorted. All of this has created a prime market for services and products targeted towards musicians who want to make it big, and unfortunately for us, the majority of these are scams. So, what are you supposed to do? Ignore any seemingly-pleasant emails from important-sounding people that are "interested in your music"? Definitely not. While illegitimate organizations looking to take advantage of artists are prevalent, there are still honest people in the business, and some of them really might be interested in you, personally. Since that's the case, if you're interested in maximizing your opportunities and minimizing the time and money spent on potentially useless services, it's important to learn how to detect and avoid scams. As you read all of the points below, do keep in mind that just because some factors may warrant more caution, you should always evaluate opportunities thoroughly. An offer might have one or two red f

If you're an artist, and you've spent at least five minutes looking for ways to advance your career, chances are you have already encountered a wide variety of music services displayed to you through ads. They're highly prevalent on any website related to music, on Google searches, in Gmail (if any of your emails are music-related), on YouTube, and in physical sources like print magazines or classified ads. Isn't it great that in an industry that is seeing the entry of tens of thousands of new musicians every year, there are so many nice businesses out there looking to help them? Yeah, right! The truth is, there are plenty of sleazy individuals and business entities that have been observing the decline of the traditional recording industry. They have noticed all the new artists cropping up, looking for fame and fortune. They smile when they see the common portrayal of artists on MTV and VH1 as rich, living extravagant and glamorous lifestyles, getting huge "record deals", and so on - even though that image is extremely distorted. All of this has created a prime market for services and products targeted towards musicians who want to make it big, and unfortunately for us, the majority of these are scams. So, what are you supposed to do? Ignore any seemingly-pleasant emails from important-sounding people that are "interested in your music"? Definitely not. While illegitimate organizations looking to take advantage of artists are prevalent, there are still honest people in the business, and some of them really might be interested in you, personally. Since that's the case, if you're interested in maximizing your opportunities and minimizing the time and money spent on potentially useless services, it's important to learn how to detect and avoid scams. As you read all of the points below, do keep in mind that just because some factors may warrant more caution, you should always evaluate opportunities thoroughly. An offer might have one or two red f