Klezmer (from Yiddish כּלי־זמיר, kley - instrument and zemer - song; etymologically from Hebrew k'li zemer כלי זמר, "musical instrument") is a musical tradition which parallels Hasidic and Ashkenazic Judaism. Around the 15th century, a tradition of secular (non-liturgical) Jewish music was developed by musicians called klezmorim or kleyzmurim. They draw on devotional traditions extending back into Biblical times, and their musical legacy of klezmer continues to evolve today.
Habib Koité & Bamada
Habib comes from a noble line of Khassonké griots, traditional troubadors who provide wit, wisdom and musical entertainment at social gatherings and special events. Habib grew up surrounded by seventeen brothers and sisters, and developed his unique guitar style accompanying his griot mother. He inherited his passion for music from his paternal grandfather who played the kamele n'goni, a traditional four-stringed instrument associated with hunters from the Wassolou region of Mali. "Nobody really taught me to sing or to play the guitar," explains Habib, "I watched my parents, and it washed off on me."
Today, Turkish music is a fusion of classical art music, folk songs, Ottoman military music, Islamic hymns and the norms of western art music. Classical Turkish music is the courtly music of the Ottoman sultans that is an offspring of the Arabic and Persian traditions. This music is not written down in scores; with only the maquam, which is a similar pattern of major-minor scale system, being marked down. Improvisation (taksim) is a traditional variation technique
music turkish turkey sufi tekbilek rumi erguner folkloric traditional classical halk klassik muzigi turkiye baglama kemence zurna davul darbuka saz ney
the musical brilliance of the qin tradition lies in the pieces as composed and reinterpreted by generations of performers, not in the kind of modal, melodic, or harmonic theory we see used so successfully elsewhere.
Serbian Music CD: The guys from Palanke. Let's all go to Dukati. Tamburaski orchestra. tamburaski tambura tamburica doczok serbia serbian suboticka subotico orchestra music tambura prim guitar violin strings stringed instruments traditional folkloric musicians friends blip.fm
Dhrupad was structured originally around the poetic and melodic- rhythmic material from the tradition of devotional music practiced in the Vaishnava temples. Its entry into a secular environment paved the way for the acceptance of appropriate changes in poetic content, and mode of presentation.
Most of the music is original, written by the band members themselves, who all without exception contribute musically to an ever-growing melting-pot of infectious Balkan/Gypsy/Klezmer cross-over grooves. AKZ wants to breathe new life into the Eastern-European Balkan, Klezmer and Gypsy music tradition. Passionate performances!
Studio Almaya is a studio for music studies founded by Yair Dalal, who dedicates himself to
continue the Jewish-Arabic musical heritage, and pass it to the future generations. His
Goals are to connect and advance young musicians towards the ethnic musical branch, encouraging ethnic
music creativity, and establishing an archive for ethnic music. Almaya became a meeting
Point for people from all ages and origins, which find the studio the only place in Israel
Where they can enrich themselves musically and intellectually in this unique tradition of Jewish-Arab music.
Studio almaya is located in the old Jaffa Port , Almaya means The Universe in Aramaic and On the Water in Arabic.
The classes and topics of the lessons are:
Middle eastern music
Rhythm
Scales
Tonality
Instrumentation:
Oud
Violin
Ney
Percussion
Vocal
Theory and practice
The Maqam phenomena and its philosophy
The history of Judeo- Arab music :
Composition
Songs
Composers and Singers as well as secular and religious songs
Project Spirit IsReal is about taking ancient Hebrew prayers and combining them with music & rhythms from all over the world: Indian Varanassi, Middle Eastern Sufis, trance traditions, chants from Brazil... Just a small portion of the musical influences in this project.
Wild! Brazilian Gal Costa performs a rather progressive interpretation of Taureg music. It's strange; I hear the traditional intstrumentation and rhythm, but there's a "snake charmer's oboe" that doesn't seem quite right. And mixing in some free-jazz-like melody/harmony; it's very odd...and oddly likeable!