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kamancheh, kamencheh, kamānche, kamāncha or qyamancha (Persian: کمانچه ), a Persian bowed stringed instrument related to the bowed rebab, historical ancestor of the kamancheh...The Turkish and Armenian kemenche or kemençe is a bowed string instrument with a very similar or identical name -- but it differs significantly in structure and sound from the Persian kamancheh.

Approximately 30 full tracks of Persian classical/Sufi music.

The term kemenche (Turkish: kemençe, Laz: Ç'ilili - ჭილილი, Persian: کمانچه, Greek: κεμεντζές) is used to describe two types of three-stringed bowed musical instruments: 1. a bottle-shaped lute closely related to the Persian Kamanche, found in the Black Sea region of Asia Minor, it is also known as the "kementche of Laz" or Pontic kemenche and 2. a pear-shaped lute closely related to the Byzantine lyra, found mainly in Instabul and the Eastern regions of Turkey, known as Classical kemenche.

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Today, Turkish music is a fusion of classical art music, folk songs, Ottoman military music, Islamic hymns and the norms of western art music. Classical Turkish music is the courtly music of the Ottoman sultans that is an offspring of the Arabic and Persian traditions. This music is not written down in scores; with only the maquam, which is a similar pattern of major-minor scale system, being marked down. Improvisation (taksim) is a traditional variation technique

A member (kb7clx) has compiled 49 streamable musicians/musical groups doing 'persian traditional.'

This is a song based on the rodaki's famous poem. The importance of rodaki's poems is that it shows the correct usage of the Persian language.

The name of this percussion instrument - the derbukka - comes from the arab root verb "derb" which means "to beat". Hence the persian name of the instrument "zarb" as the z is pronounced somewhere between the z and the d. The player of a darabukka is called derebki.

Characteristics The following characteristics are shared between Iranian and other Central Asian music: * The music is mainly monophonic, with each instrument in an ensemble following one melodic scheme. * The music is based upon a modal system; with each mode engendering different melodic types, called gushehs in Farsi. The execution of the melodic types are left up to the musician. * The use of microtones divides the scales into more than twelve semi-tones. * A priority is given to ornamentation. * There are a number of substantial pauses in each piece. The following are characteristics which distinguish Persian music from other Central Asian music: * Melodies are concentrated on a relatively narrow register. * Melodic movement occurs by conjunct steps. * Emphasis is on cadence, symmetry, and motivic repetition at different pitches. * Rhythmic patterns are kept simple. * The tempo is often rapid, and the ornamentation is dense. * Vocal parts are often decorated with Tahrir, a vocal ornamentation similar to yodeling. * Also, Iranian music is unique in the Middle Eastern tradition in that the different melodic phrases, or gushes are supposed to model the rhythmic stamp and melodic pattern of poetry.

Iran, Persian art, Singing, Radif, Avaz, Shour, Abou Atta, Bayat Tork, Afshari, Dashti, Homayoun, Bayat Esfahan, Mahour, Segah, Chahargah, Rast Panjgah, Nava, Ney, Santour, Tar, Setar, Tonbak, Daf...

The nomadic Roma are known as musicians wherever they travel. Their music incorporates a multitude of influences: Indian roots, and then Greek, Arabic, Persian, Turkish, Czech, Slavic, Romanian, German, French, Spanish and Celtic touches.

Yasmin Levy (b. 1975) is a singer of Sephardic music born in Jerusalem. She has brought a new interpretation to the international Ladino song scene by returning to original instruments like the Persian oud, violin, cello, percussion, and piano.

Persian / Iranian Music

Persian / Iranian Music

Persian / Iranian Music

Persian / Iranian Music

Persian / Iranian Music

Persian / Iranian Music