Free Jazz | Top 10 Albums | 2010 - 0 views
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Wacław Zimpel, Paweł Posteremczak, Ksawery Wójciński, Paweł Szpura - Hera The Vandermark 5 - The Horse Jumps/The Ship Is Gone Wadada Leo Smith & Ed Blackwell - The Blue Mountain's Sun Drummer Adam Lane's Full Throttle Orchestra - Ashcan Rantings Jason Ajemian & Daydream Full Lifestyles - Protest Heaven AMM - Sounding Music Harris Eisenstadt - Woodblock Prints Jean-Marc Foltz, Matt Turner & Bill Carrothers - To The Moon Angles - Epileptical West/Live In Coimbra Nobu Stowe - Confusion Bleue Ken Vandermark & Paal Nilssen-Love - Milwaukee Volume Kirk Knuffke - Amnesia Brown Mural - Nectars Of Emergence Andreas Schmidt, Samuel Rohrer, Thomas Heberer - Pieces For A Husky Puzzle
100 Greatest Rock 'n' Roll Songs of the '60s - 0 views
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1. Respect - Aretha Franklin 2. Louie Louie - Kingsmen 3. I Heard It Through The Grapevine - Marvin Gaye 4. (I Can't Get No) Satisfaction - Rolling Stones 5. Like A Rolling Stone - Bob Dylan 6. Hey Jude - Beatles 7. Good Vibrations - Beach Boys 8. You've Lost That Lovin' Feelin' - Righteous Brothers 9. My Girl - Temptations 10. Light My Fire - Doors 11. She Loves You - Beatles 12. You Really Got Me - Kinks 13. In The Midnight Hour - Wilson Pickett 14. Sunshine Of Your Love - Cream 15. Purple Haze - Jimi Hendrix 16. A Day In The Life - Beatles 17. Papa's Got A Brand New Bag - James Brown 18. Whole Lotta Love - Led Zeppelin 19. My Generation - The Who 20. All Along The Watchtower - Jimi Hendrix 21. Mr. Tambourine Man - Byrds 22. Proud Mary - Creedence Clearwater Revival 23. Dock Of The Bay - Otis Redding 24. When A Man Loves A Woman - Percy Sledge 25. I Want To Hold Your Hand - Beatles 26. A Whiter Shade Of Pale - Procol Harum 27. House Of The Rising Sun - Animals 28. Yesterday - Beatles 29. Be My Baby - Ronettes 30. Where Did Our Love Go - Supremes 31. Somebody To Love - Jefferson Airplane 32. I Saw Her Standing There - Beatles 33. Green Onions - Booker T. & the MGs 34. The Sounds Of Silence - Simon & Garfunkel 35. I Want You Back - Jackson 5 36. Soul Man - Sam & Dave 37. I Get Around - Beach Boys 38. Reach Out, I'll Be There - Four Tops 39. Gimme Some Lovin' - Spencer Davis Group 40. Ain't Too Proud To Beg - Temptations 41. All Day And All Of The Night - Kinks 42. Mony Mony - Tommy James & the Shondells 43. Jumpin' Jack Flash - Rolling Stones 44. Born To Be Wild - Steppenwolf 45. Oh, Pretty Woman - Roy Orbison 46. White Room - Cream 47. Sympathy For The Devil - Rolling Stones 48. Ticket To Ride - Beatles 49. The Tracks Of My Tears - Miracles 50. California Dreamin' - The Mamas & the Papas 51. Eight Miles High - Byrds 52. For What It's Worth - Buffalo Springfield 53. Strawberry Fields Forever - Beatles 54. Nights In White Satin - Mo
Russell, W: Three Cuban Pieces, on CD - Buy CDs & DVDs online from Presto Classical - 0 views
William Russell - Made In America: The Complete Works for Percussion (1993) in AvaxHome - 0 views
The Music of Jeff Harrington - 0 views
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"(Harrington) utilized the entire ensemble in an alternately dark and rhythmic collage of styles, textures and bits and pieces from all over the world." - R.L. Ragsdale, Riverfront Times, St. Louis, Mo. Electronic music that is tonal and intensely contrapuntal, inspired by New Orleans and classical music traditions. "Harrington is the most intriguing new figure I've discovered on the Web..." Kyle Gann, Village Voice, July 7, 1999
Tsegué-Maryam Guèbrou | Piano Solo - 0 views
The guqin and earth's greatest hits by Peter Micic - 0 views
taqasim oud ud - 0 views
Iranian Classical Music :: An Introduction - 0 views
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Characteristics The following characteristics are shared between Iranian and other Central Asian music: * The music is mainly monophonic, with each instrument in an ensemble following one melodic scheme. * The music is based upon a modal system; with each mode engendering different melodic types, called gushehs in Farsi. The execution of the melodic types are left up to the musician. * The use of microtones divides the scales into more than twelve semi-tones. * A priority is given to ornamentation. * There are a number of substantial pauses in each piece. The following are characteristics which distinguish Persian music from other Central Asian music: * Melodies are concentrated on a relatively narrow register. * Melodic movement occurs by conjunct steps. * Emphasis is on cadence, symmetry, and motivic repetition at different pitches. * Rhythmic patterns are kept simple. * The tempo is often rapid, and the ornamentation is dense. * Vocal parts are often decorated with Tahrir, a vocal ornamentation similar to yodeling. * Also, Iranian music is unique in the Middle Eastern tradition in that the different melodic phrases, or gushes are supposed to model the rhythmic stamp and melodic pattern of poetry.
Dave Douglas & Keystone / Jazz Trumpet 4tet / Jazztronica / Ambient Jazz / Avant Jazz ... - 0 views
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Dave Douglas - Trumpet, Adam Benjamin - Rhodes, Gene Lake - Drums. Marcus Strickland - Saxophones, Brad Joes - Bass, DJ Olive - Turntables. Moonshine, the newest album from trumpeter/composer Dave Douglas' Grammy-nominated band Keystone, is an album that moves musical genres forward into uncharted territory. The evolutionary/revolutionary aspect is found in the vibrant alchemy between Douglas' avant-garde leaning compositions, the relentless, polyrhythmic funk of drummer Gene Lake and bassist Brad Jones, the Sun-Ra-esque sonics of Adam Benjamin who plays a highly modulated Fender Rhodes and the post-post blowing of the front line featuring Douglas and saxophonist Marcus Strickland. But what puts this one over the top is the true integration of a DJ, in this case DJ Olive, into the constantly shifting improvisations of a cutting edge band. Rolling Stone called Keystone's 2005's self titled album, "a modernist requiem." Moonshine takes it a step further: a modernist recipe for the future sound of electronics, jazz, and new composition. "I think of it as Green Beat," says Douglas with a grin, referring to the organic way that the rhythms of vinyl, laptop, and drum set coalesce in this infectious, grooving new album. One forgets all the elements that go into this hybrid music, as each piece amounts to a masterpiece of modern jazz-informed composition and performance. There are many details buried in these tracks, and perhaps the most remarkable thing is that the basis for this recording was a single performance in front of a live studio audience. The state-of-the-art mutli-track recording of this session makes possible a hybrid of the best parts of studio isolation and live excitement. It allowed Greenleaf Music to raise to the highest level the post-production of these recordings.
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