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hjmartin0422

Tips on Teaching Intonation (from 50+ Band Directors) - Band Directors Talk Shop - 1 views

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    This page lends itself as a particularly valuable resource, especially for those whose weakness is intonation. In it, you will find philosophies, phrases, analogies, activities, and what the author terms "common threads" for approaching the aforementioned topic with your students. Among the most popular suggestions are singing, practicing characteristic tone quality, and listening down, or back, to the tuba section--all of which can and should be practiced in the early stages of a student's musical development.
dluddy

IMSLP/Petrucci Music Library: Free Public Domain Sheet Music - 0 views

shared by dluddy on 09 Feb 19 - No Cached
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    This website contains PDFs of music that is available for free to download in the United States. The music is public domain or available via a Creative Commons license. There is also an option to purchase some music. While bandmusicpdf.org is strictly for wind band music, IMSLP contains music for band and orchestra, as well as vocal and other instrumental works. This is very helpful with finding older music or replacing parts, especially with music that is out of print.
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    The International Music Score Library Project (IMSLP) is a great site to find timeless works of instrumental and vocal music. The site is free to use, but membership is available. The public domain site is easy to navigate and provides scores and recordings out thousands of composers and their music. Make sure not to click on advertisements and download something on accident in the free version. This site is a great resource for educators to find musical works from great composers that are no longer in print, and they is free.
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    IMSLP is a website where anyone can search music that is no longer under copyright law. Here you can find music from a symphony score to a Beethoven piano piece. This resource can be used by growing student-run ensembles that wish to perform classical music. I use this website when I want to practice bassoon repertoire or when I need to find another piece to practice on piano. This is also a great resource to show students how to properly find music with educated keyword searches through a public domain.
edwardwhiteuf

Jazz Improvisation techniques, tips, & inspiration - JazzAdvice.com - 0 views

shared by edwardwhiteuf on 25 Sep 15 - No Cached
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    This site provides a plethora of jazz education advice. This is made by either professional jazz musicians or educators. It covers topics as style, improvisation and jazz history. This type of information would be useful to jazz educators.
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    This site provides a plethora of jazz education advice. This is made by either professional jazz musicians or educators. It covers topics as style, improvisation and jazz history. This type of information would be useful to jazz educators.
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    Excellent resource for tips on improving as a jazz musician.  This can be used by both educators and students. Covers many topics like practice habits and tips for transcribing music.
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    This resource offers advice on a range of jazz improvisation topics for the aspiring jazz musician. The writer brakes down common problems an improvising musician faces and offers structured exercises and ideas to overcome particular musical issues.
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    This resource offers advice on a range of jazz improvisation topics for the aspiring jazz musician. The writer brakes down common problems an improvising musician faces and offers structured exercises and ideas to overcome particular musical issues.
s61white

Social Media in Music Education.pdf - 0 views

  • Integration of social media in music education classes can help facilitate learning experiences that would be less likely to happen in a brickand-mortar setting.
  • Researchers have recently examined how students use social media to create and join online communities of practice that support music learning of various genres, such as Irish and banjo music. 13
  • how educators can use various social media platforms and sites to create personal learning networks 15 and podcasts.
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  • connect individuals with a common interest and therefore are well suited for connecting members of ensembles or other types of music classes and facilitating group discussions and peer learning
  • community:
  • practice:
  • Music educators can use social networks to create online communities of practice that support student
  • learning within their classes and ensembles
  • ome schools are providing laptop or tablet computers to students, known as a “one-to-one” programs. 33 Schools also are allowing students to use their own laptops, tablets, or mobile phones in school to access the Internet for in-school assignments. 3
  • Ethics and Privacy on Facebook
  • Suggested Social Media Resources Books:
  • rather than using technology to drive instruction and enhance student learning. Music educator Peter Miksza stated that simply letting students use social media platforms will not automatically lead to improved student learning. 4
  • n other words, use of the social media platform should complement instruction and assist with student learning.
  • With precautions and imagination, the inclusion of social media in the music education classroom can appeal to students and assist with making formal music education an even richer learning experience.
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    Article written to support the use of technology to compliment instruction and enhance student learning instead of technology for technology sake. Teachers should use social media cites, e.g., blogs, to facilitate discussion and feedback from students, create online PLNs. The cross curricular benefit is increasing writing facility and literacy. A couple of concerns are cyberbullying and parents who may question how much learning is taking place with social media. Educators can help others, including students, understand that music learning can take place outside of the classroom through social media and broaden the audience.
s61white

Jazz | Music 101 | Ken Burns - 0 views

  • "Composition is slowed down improvisation," and both disciplines deal with the same challenge — how to organize and present ideas in a coherent fashion.
  • One of the most common misconceptions about jazz is that it is spun out of the air in a totally impromptu manner. This notion exists because many small jazz groups do not read music when they play. The truth of the matter is that what those musicians are actually doing is spontaneously creating a very sophisticated form of theme and variations
  • The framework is flexible so that the soloists may shorten or lengthen their improvisations depending on the inspiration of the moment. The other players, then, have a responsibility to react to what has preceded them
    • s61white
       
      Creativity in music research offers a great deal of insight on this idea in improvisation that can be applied to more idioms than jazz.
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  • To many, composed music and improvised music seem to be opposites, but in jazz, they merge in a unique fashion.
  • But improvisation is not the be all and end all of jazz. Composers such as Duke Ellington and Eddie Sauter wrote, on occasion, jazz compositions practically devoid of improvisation. But the real challenge comes when a composer integrates improvisation into a
bakerdaniel91

Ars Nova - Music Instruction & Music Education Software - 1 views

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    Also known as Practica Musica, this is a well rounded course in music education and composition.
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    Ars Nova is a music software publisher that offers a number of excellent resources to sharpen one's proficiency in theory, part-writing, and counterpoint. Their software can be useful tools to recommend to advanced high school/undergrad students.
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