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Any image of cigarettes in movies aired on television must be blurred, even the smoke. The censored imagery has come to include drinks and bare female breasts. Subscription TV channels have also adopted the practice, blurring images of tobacco, alcohol, breasts and buttocks, despite their subscribers paying for a private service.

let's entertain the idea that Erdogan may be justified in associating smoking and drinking with literature, poetry and cinema in Turkey. Not so, according to scholars in the field.

it seems like certain sources, namely academics, are a bit less likely to talk lately, which, if true, means the government has successfully accomplished its goal of silencing some of its most credible critics. More generally, the political situation has gotten much, much worse, and most of my Turkish and Kurdish friends have either been further radicalized or have simply given up and withdrawn from politics and following the news. There's a great feeling of helplessness. It's an exciting life for a journalist, but it's also just incredibly sad and often seemingly hopeless

Eissa is no stranger to controversy. Before El-Daif, he caused a stir with his first screenplay, for Mawlana (Our Grand Sheikh), about modern Muslim televangelists as well as the relationship between religion and the state.

"El-Daif has very well depicted taboos never discussed before in Egyptian cinema, showing how Islam is misinterpreted as a religion that forces a woman to cover herself from head to toe," said Nagwa Ali, 40, an accountant, as she was leaving a Cairo cinema.

other critics say the film is long-winded and static, although praising it for tackling taboo subjects otherwise ignored in Egyptian cinema

In the film, Yahia faces blasphemy charges due to his views about his interpretation of Islam and its teachings that have appeared in his books and articles. His life is at risk, which leads the government to assign policemen to protect him and his family against extremists. Ironically, the fierce debates and controversy portrayed in El-Daif are mirrored in real-life arguments around the film, leading to calls for it to be banned.

it also angered Islamic scholars, including Khalid El-Gindi, a prominent preacher and member of the Supreme Council for Islamic Affairs. "Six religious institutions including al-Azhar [the highest Islamic authority in Egypt and the region] have stipulated that hijab is a heavenly order. Nevertheless, Eissa comes with his film to simply try to convince people otherwise," El-Gindi said angrily in a telephone interview with TV host Sayed ali broadcast on Egyptian al-Hadath al-Youm satellite channel.

El Gindi also upbraided the Egyptian censorship authority which, although it took a few months to approve the film, surprisingly did not cut any scenes.

El-Daif avoids the stereotypical image of a religious fanatic, introducing a handsome light-bearded young man dressed in an elegant outfit who comes from a well-bred family and who has studied engineering in the USA.  He has managed to influence the intellectual's daughter to the extent that she agrees to wear the hijab despite her liberal upbringing. Many women in Egypt wear the hijab for social rather than religious reasons, submitting to social and family pressures while also seeking to avoid sexual harassment. However, the attire does not protect women from unwanted attention and abuse, as women who have spoken to MEE confirm.

Egyptian feminists and liberal thinkers have their own explanation of the hijab as being often associated with the rise of the conservative Saudi Wahhabi doctrine that emerged in Egyptian society in the mid-1970s.

In the first six weeks of screening, El Daif took around seven million Egyptian pounds (about $400,000) and remained in third place at the Egyptian box office. It is still showing at most Egyptian cinemas. "Deals are underway to screen the film in a number of Arab and European countries," said an official at the film's production company, iProduction.

al-Jazeera – which is now beIN Sports – agreed the secret deal to pay $100m if Qatar won the vote.

When asked about the payment by the Mail on Sunday in January, a beIN Sports spokesperson characterised the bonus as “production contributions” which were “standard market practice and are often imposed upon broadcasters by sports federations and sports rights holders”.

Mukalla’s residents accepted WaxOn and would offer them money to perform, allowing them sometimes to make as much as 40,000 Yemen rials ($160) for a 10-minute performance.He said the security forces had not moved against other bands performing traditional Yemeni dances on the square

one must go back to the outset of the crisis, nearly three years ago. Back then, there were over 30 series released every season, produced under a diverse range of production houses and addressing a wide array of subjects. The industry cycle was more or less stable, starting with producers in competition with each other, to satellite channels racing to purchase the best series’ screening rights and advertising revenues being the central source of profit. The main issues concerned increasing production budgets and the skyrocketing salaries of certain stars.

the state was preparing a plan to exert control over the entire market. The first signs of this plan emerged in June 2017, with statements by the president and a number of government officials voicing their displeasure with the content offered on Ramadan TV series, and their desire to remedy the situation. This remedy manifested in the form of extreme censorship measures, including the establishment of the Drama Committee within the Supreme Meda Regulatory Council, designed to monitor the TV drama industry.

The effects of these directives became apparent last year in the striking similarity of the content of the series released, as well as the ubiquity of police and army officers as characters in most of them

satellite channels, many of which — including ONtv and Al Hayah — are currently controlled by EMG, owned by Eagle CapitAl for FinanciAl Investment, a private equity fund founded by Egypt’s GenerAl Intelligence Services (GIS)

Television channels, sources say, will fill up the remaining airtime — previously overflowing with series — with variety television shows, including talk and game shows, instead. Tawfiq Okasha, the controversial media personality who made his comeback in March — courtesy of  Synergy Productions and EMG — recently dedicated a segment on his show (which airs on al Hayah) to criticizing actors and “the obscene sums of money they demand.” Okasha then proceeded to discuss a plan to bring down the number of series airing this Ramadan to 18, with each television channel airing only three.

as a result of this monopoly, many producers are out of work this year, including Beelink’s Mohamed Mashish, El Adl Group’s Maha Selim, and producer Ahmed Al Sobky, when the three of them combined had eight series screening last Ramadan

The initial outcome of Morsy’s monopoly over the Egyptian drama market became clear last year with the elimination of certain series from Egypt’s Ramadan season, including El Adl Group’s We Have Other Statements (starring Youssra) and Land of Hypocrisy (starring Mohamed Heneidy), which were only aired on non-Egyptian channels, as well as Beelink Productions’ What Came to Pass (starring Ruby), which was not broadcast at all. Now, with Morsy’s newly acquired control over more channels, in addition to EMG’s acquisition of shares in the CBC television network and Morsy’s partnership with D Media, it appears that other producers will no longer have access to air their series in Egypt. Both D Media and DMC, another prominent television network, are owned by the GIS.

difficulties the company faced when filming last year’s Eagle of the South, as a result of excessive military intervention in the series’ content and production process. Members of the Armed Forces were often present on set and would interfere in most details during the shoot, not to mention that the show’s star, Mohamed Ramadan, would often miss shoots because his military conscription service overlapped with shooting times. Sometimes, he would arrive to the shooting location in a military vehicle

Shaaban believes that the current setback in television production has been primarily brought on by declining economic conditions, which have led to a decrease in advertising budgets. The industry, he says, is built on the flow of money from advertising agencies to satellite channels to production companies. If channels were reaping advertising revenues, they would be able to buy series from producers, who in turn would be able to produce more series, and so on. However, given the current economic climate, corporations haven’t been spending as much on advertising as they used to, and this has definitely affected the production cycle.

prominent actor Adel Imam, who could potentially miss his first Ramadan season in seven years, due to alleged censorial objections to the subject matter of his new series, in which he was reportedly set to play the president’s physician

most seem to attribute it to the president, who appears to be irked by the scale the industry had come to operate on and the high salaries paid to TV stars

It is possible that, for the first time in history, the Egyptian drama sector will produce less work than its counterparts in Lebanon, Syria and Kuwait, who produce 10 to 20 works on average each Ramadan season.

2 million Egyptian workers of all stripes who contribute to and depend upon this industry, patiently waiting for the Ramadan season from year to year

Medhat estimates that the industry spends about LE2 billion annually and brings in about LE4 billion in revenue — all of which, in the 2019 season, will go almost entirely to one entity

One interpretation of these recent developments is that the Egyptian state — nostalgic for the heyday of state television, when the state alone was in control of all television productions — is planning a comeback under new terms, tailored to fit the demands of the current moment. After exerting its control over satellite TV channels, it now seeks to control production as well, in order to keep the media and entertainment sectors securely under its wing, only for the state to emerge once again as the only player on the local scene.

“What I fear is that this pool of currently unemployed talent will switch careers, which will come at the longtime expense of the industry since these are trained professionals. I do not believe that the military [Synergy] sees this; they simply have one clear goal: to control the industry. The government has effectively, through the institutions it runs, carried out the first monopolization process in the history of neoliberalism.”

In June 2018, the authorities banned a film examining a love affair between a Muslim man and a Christian woman before it hit the cinemas, although director Khaled Youssef said he obtained the necessary licenses. The decision was later revoked, but was alarming to many given rising censorship levels

While over fifty shows typically aired during the peak Ramadan season, even during economically turbulent years as in 2017 and 2018, only twenty-four shows aired last Ramadan, and over two-thirds of them are produced by Synergy. Production powerhouses like El Adl Group and Beelink Productions were notably absent this season from their regular Ramadan run, while regionally acclaimed megastars like Yossra, Adel Imam and Laila Elwy uncharacteristically did not star in any shows during the peak season either, likely due to the dramatic, forced budget cuts which make casting an A-lister virtually impossible. Compensation levels for many of these lead faces could often be as high as EGP 50 million (~USD 3 million), the currently imposed budget cap for aggregate production costs of a Ramadan soap opera’s full season

“For a producer, the direct client of drama series is television channels, and several factors have negatively impacted their purchasing power. The GCC-owned channels are struggling in light of the economic difficulties there, primarily due to the war in Yemen, so the main overseas market for selling television series is not that great. Add to this that privately owned channels in Egypt were never highly profitable, and media budgets generally were slashed with Egypt’s high inflation levels [during the past couple of years], and you have a situation where many production companies are struggling to stay afloat.”

Over the course of the past year, EMC CEO Tamer Morsy also gradually gained majority ownership of key television networks such as CBC, ONTV, DMC and al-Hayat, a move facilitated through the recent launch of EMC affiliate United Group for Media Services. Moreover, state-owned entities effectively gained control of both the production and purchasing sides of the business as these unprecedented levels of regulation and government ownership were put in place.

in early May United Group for Media Services launched paid streaming app WatchiT and prohibited the longtime convention of shows airing online on YouTube for those who couldn’t catch them on satellite television channels. Widely accessed streaming app EgyBest, among other free online streaming services, were also blocked to allegedly mitigate “piracy”, granting government intelligence-affiliated WatchiT a monopoly over streaming services. Since digital finance and financial inclusion levels are low in the most populous Arab country, the decision came to the dismay of throes of viewers regardless of political affiliations or regulation concerns. For those following television series on satellite channels, short broadcast announcements interrupt episodes to denounce a May 28 Human Rights Watch report on enforced disappearances, killings and torture in North Sinai. Other broadcasts order audiences to pay heed to “threats to terrorism and national security.”

“Because these people [Synergy and EMC] are military men, their mentality is to cut off what doesn’t work, with little concern for the consequences. The military don’t understand or love the arts; they see it as just another industry they can profit off by minimizing losses.”

“It’s understandable that they [the military] would be more concerned with penetrating television production as opposed to the cinema industry, because viewership numbers are higher for television series in comparison to films. Not everyone can afford a cinema ticket, but most Egyptians, be they rich or poor, have access to a television set. There’s nothing to stop them from gaining as much control of the film industry as they have with television, but I believe they’re not investing in it [as much] because it isn’t as lucrative,”

Saudi Arabia is once again opening cinema theaters following a 35-year ban, creating a significant potential box office market for Egyptian films, particularly since plans for the inauguration of 2,000 theatres in the kingdom before 2020 are in the works

our country was once the Hollywood of the Middle East,”

There was a time when everyone in the Arab world recognized Umm Kalthoum and Ismail Yassin, even more so than [our own president] Nasser. We need to work towards reestablishing that, and understanding how entertainment can be used as a tool for soft power

PLP graduates have effectively become the editorial decision-makers for TV channels owned by GIS

the full confidence of the security apparatus in the graduates to oversee the media based on how they were selected and trained, including training on national security

As punishment for not following orders, the channel fired not only Kamal, but his entire production team was as well, the source said, despite mediation efforts by several senior staffers at the channel to keep some members of the team on board. The hasty dismissals appear to be a clear message to people working at other channels to not deviate in the slightest from the programming instructions handed down to them.

daily editorial instructions sent by PLP graduates

the ideas and policies of young people who have no media experience, which is reflected in their choices of topics and guests

this new system is the main cause of the recent mass layoffs taking place at various TV channels.

PLP graduates’ role is not only restricted to managing the editorial content filling Egypt’s airwaves. During the last youth conference, the graduates had final say over all aspects of the event, including the list of presenters and guests. They also arranged all the themes and prepared all the questions and warned presenters not to deviate from the script

Dickens & Madson is instructed to lobby the United States, Russia, the European Union and the United Nations in view of “attaining the presidency of the Republic of Tunisia.” It calls on Dickens & Madson's president, Ari Ben-Menashe, to secure meetings with Trump and other senior US officials before the elections. He’s also to arrange face time with Russia’s president, Vladimir Putin, to obtain “material support for the push for the presidency.”

statement noted that Karoui would seek legal redress against those who portrayed him “in such a despicable manner.” It closed by referring to Karoui’s “principled and consistent position in supporting the Palestinian cause.” The party apparently felt compelled to emphasize their leader’s pro-Palestinian stance in response to critics’ claims he was colluding with Israeli agents. Ben-Menashe is a former Israeli intelligence officer

The media magnate has cast himself as the champion of Tunisia’s poor through his popular Nessma TV channel and his charity organization, Khalil, named after his 18-year-old son who died in a car crash. Critics disparage him as “Karoui Macaroni” because his charity has donated large amounts of pasta, among other things, to Tunisia’s swollen underclass.

Anger over widespread corruption, joblessness and rising food prices helped Karoui pull in second behind law professor Kais Saied in the Sept. 15 presidential primary, which saw voters rebuff establishment hopefuls, including Chahed and Abdelfattah Mourou of the pro-Islamist Ennahda party.

Some draw parallels between Karoui and Trump, both wealthy populists who have taken on the establishment and whose supporters are apparently immune to allegations of wrongdoing, putting it all down to “fake news.” Chaouachi agreed there may be some similarities. “They are both leaders who think outside of the box, who challenge convention.” She added, however, that “they are fundamentally different, and Mr. Karaoui is unique.”

the imperative to document and preserve the heritage of the Middle East, as it goes through another decade of dramatic aesthetic and political change. The stakes involved in these transformations are highlighted by the saddening example of Khaled Assad, director of antiquities at Palmyra Museum in Syria. Assad went to his grave in 2015 protecting the location of priceless artifacts under his care from ISIS

The ACOR Photo Archive also depicts the very forces threatening cultural heritage in the region. For example, it includes photographs of the archaeological digs of 1982 and 1983, in which the Ayn Ghazal statues – among the earliest large-scale depictions of human forms in the world (from the mid-7th millennia) – were unearthed in Jordan. As the photographs illustrate, the excavation site lay mere feet from the highway, highlighting the threats to physical cultural heritage posed by routine urbanization. Archeologist Gary Rollefson, a key member of the team that discovered the Ayn Ghazal statues, has participated in the digitization project, providing extensive background information on the digs catalogued in the archive.

By encouraging people to see their old family photographs as intimately connected to the public history of Jordan, Palestine, and the rest of the region, the archive aims to encourage citizens to take steps to preserve and digitize their own personal collections.

a dangerous pattern

little has been constructed, but large sums have been paid to consultants and increasingly outlandish plans revealed. Yet Saudi authorities have sought to clear areas along 170km of Tabuk province of its residents, many of whom belong to the Howeitat tribe.

Since December, Howeitat tribespeople have reported the Saudi authorities' campaign to drive them from their land has escalated. New measures include cutting water and electricity supplies, and deploying surveillance drones above residences

among 150 Howeitat who have been imprisoned over their resistance to the Neom project

Abdul Rahim al-Howeiti, a 43-year-old Tabuk resident who was shot dead by Saudi special forces in April 2020 after protesting the government's eviction orders

drones are being flown regularly over Tabuk province, and that they believe their mobile phone and social media accounts are closely monitored.

water and electricity has been cut off from an estimated 15,000 people in an attempt to force them from the region

The new Saudi megacity - which organisers claim will be 33 times the size of New York City - is planned to include a 170km straight line city, an eight-sided city that floats on water, and a ski resort with a folded vertical village, among other grandiose and architecturally challenging projects.

A lesser-noticed tribute also arrived from the separatist leader of Aden, the southwestern port city and the seat of the British colony that later became South Yemen until unification with North Yemen in 1990.

Aidarus al-Zubaidi, president of the Southern Transitional Council, tweeted that he was "deeply saddened" by the queen's death and extended his "heartfelt condolences".The sentiments were incongruous in a city that, nine years after the young queen's visit, orchestrated an armed revolution that eventually won independence in 1967, an uprising that is celebrated each October 14.

"Those who glorify the period where the British were in Aden, either are young and are unaware of the reality of what was happening in Aden and in the south back then, or are old people reacting to the reality we are living right now which is very tiring,"

There was never a form of colonialism that respected humanity,

the policies "didn't focus on the aspirations of Adeni people"

Aden bears the scars of conflict. Homes are pockmarked by bullet holes, buildings lie in rubble and water and electricity are intermittent, the result of infrastructure trashed by fighting.