Skip to main content

Home/ Media in Middle East & North Africa/ Group items matching "saied" in title, tags, annotations or url

Group items matching
in title, tags, annotations or url

Sort By: Relevance | Date Filter: All | Bookmarks | Topics Simple Middle
Ed Webb

Picking up the pieces - 0 views

  • Syrians have shown relentless ingenuity in adapting to every stage of a horrendous conflict, salvaging remnants of dignity, solidarity and vitality amid nightmarish circumstances
  • The decimation of Syria’s male population represents, arguably, the most fundamental shift in the country’s social fabric. As a generation of men has been pared down by death, disability, forced displacement and disappearance, those who remain have largely been sucked into a violent and corrupting system centered around armed factions
  • 80 of the village’s men have been killed and 130 wounded—amounting to a third of the male population aged 18-50. The remaining two-thirds have overwhelmingly been absorbed into the army or militias
  • ...29 more annotations...
  • “If you want to protect yourself and your family, you join a militia,” remarked a middle-aged man in the Jazmati neighborhood. “The area is infested with crime associated with the National Defense militias. Each group has control over a certain quarter, and they sometimes fight each other over the distribution of spoils. Shop owners must pay these militias protection. One owner refused, and they torched his store.”
  • Another resident of the same area explained that he and his family could scrape by thanks to his two sons’ positioning in the Iran-backed Baqir Brigade—which provides not only monthly salaries, but also opportunities to procure household items through looting.
  • Most who can afford to leave the country do so; others benefit from an exemption afforded to university students, while another subset enjoys a reprieve due to their status as the sole male of their generation in their nuclear family. Others may pay exorbitant bribes to skirt the draft, or confine themselves within their homes to avoid being detected—making them invisible both to the army and to broader society. Some endure multiple such ordeals, only to remain in an indefinite state of limbo due to the contingent and precarious nature of these solutions
  • I returned to my apartment just to retrieve official documents and some hidden pieces of gold. I did so, and then destroyed my own furniture and appliances because I don’t want these people making money at my expense. I was ready to burn down my own apartment, but my wife stopped me—she didn’t want me to cause harm to other apartments in the building.
  • Although virtually every problem that sparked Syria’s 2011 uprising has been exacerbated, society has been beaten down to the point of almost ensuring that no broad-based reformist movement will be able to coalesce for a generation to come
  • the unraveling of Syria’s productive economy, and its replacement by an economy of systematic cannibalization in which impoverished segments of Syrian society increasingly survive by preying upon one another
  • a new term—taafeesh—to describe a practice that goes far beyond stealing furniture to include extremes such as stripping houses, streets and factories of plumbing and electrical wiring
  • “I watched uniformed soldiers using a Syrian army tank to rip out electrical cables from six meters underground,” remarked a fighter with a loyalist Palestinian faction, who was scrambling to retrieve belongings from his apartment before it could be pillaged. “I saw soldiers from elite units looting private hospitals and government offices. This isn’t just looting—it’s sabotage of essential infrastructure.”
  • An industrialist in Aleppo put it simply: “I talk with factory owners and they say they want to reopen their factories, but they can’t find male workers. When they do find them, security services or militiamen come and arrest those workers and extort money from the owners for having hired them in the first place.” With no large scale returns on the horizon for local industries, this economic impasse will take years to resolve.
  • micro-economies in their own right—from the recycling of rubble to the proliferation of taafeesh markets, where people buy second-hand goods stolen from fellow Syrians. Many have no choice but to use these markets in order to replace their own stolen belongings
  • Syrians also dip into precious resources to pay officials for information, for instance on disappeared relatives or their own status on Syria’s sprawling lists of “wanted” individuals. For those wishing to confirm that they won’t be detained upon crossing the border to Lebanon, the going rate is about 10 dollars—most often paid to an employee in the Department of Migration and Passports.
  • This cannibalistic economy, which encompasses all those who have come to rely on extortion for their own livelihoods, extends to the cohort of lawyers, security officials and civil servants who have positioned themselves as “brokers” in the market for official documents such as birth, marriage and death certificates
  • Today, even the most senior lawyers in our practice are working as document brokers. A well-connected broker makes 30 to 40,000 pounds [60 to 80 dollars] per day; this roughly equals the monthly salary of a university-educated civil servant. As a result, many government employees resign and work as brokers to make more money.And this truly is a business, not a charity: Every broker takes money, even from his own brothers and sisters. Last week a colleague brought me his brother-in-law. I asked him why he needed me, when he could make all the papers himself. He explained that he can’t take money from his own brother-in-law, but I can do so and then give him half.
  • Multiplying forms of predation have accelerated the outflow of Syria’s financial and human capital, leaving behind a country largely populated by an underclass that can aspire to little more than subsistence
  • Syria’s predatory wartime economy is slowly but surely turning into a predatory economy of peace
  • As some Syrians put it, Damascus has been particularly effective in reconstructing one thing amidst the immeasurable destruction: the “wall of fear” which characterized the regime before 2011 and which momentarily broke down at the outset of the uprising
  • active surveillance, intimidation and repression are not the only contributors to this leaden atmosphere. A pervasive exhaustion has settled over Syrians ground down and immiserated by war, disillusioned with all those who purport to lead or protect them, and largely reduced to striving for day-to-day subsistence
  • At one level, the war has wrenched open social and economic fractures that existed long before the conflict. The city of Homs stands as perhaps the starkest microcosm of this trend. A Sunni majority city with sizable Christian and Alawi minorities, Homs was the first major urban center to rise up and the first to devolve into bitter sectarian bloodletting
  • While vast swathes of Syria’s Sunni population feel silenced and brutalized, Alawi communities often carry their own narrative of victimhood, which blends legitimate grievances with vindictive impulses vis-à-vis Sunnis whom they regard as having betrayed the country
  • crude divisions based on sect or class fail to describe a complex and fluid landscape. Some fault lines are less dramatic, all but imperceptible except to those who experience them first-hand. Neighbors, colleagues, friends and kin may have come down on opposing sides, despite having every social marker in common. Each part of the country has its own web of tragic events to untangle.
  • Many Islamic State fighters swapped clothes and joined the [Kurdish-led] Syrian Democratic Forces to protect themselves and their families. But they haven’t changed; those people are bad, and will always be bad. There will be vengeance. Not now, while everyone is busy putting their lives together. But eventually, everyone who suffered under ISIS, whose brother was killed by ISIS, will take revenge.
  • A native of a Damascus suburb remarked: “Charities typically want to help those who fled from elsewhere. So, when I go to a charity, I say I’m displaced.”
  • The divide between conservative and more secular Sunnis has calcified, manifesting itself even in differential treatment at checkpoints. “I have an easier time driving around because I don’t wear the hijab,” remarked a woman from the Damascus suburbs. “If you veil, security assumes you’re with the opposition.”
  • While dialogue is sorely needed, some Syrians warn against emphasising dialogue for its own sake—even at the cost of burying the most substantive issues at stake. A businessman from Damascus described his own abortive experience with talks proposing to link disparate elements of Syria’s private sector: “There’s this whole industry around ‘mediation,’ including between sides that don’t actually disagree on anything. Meanwhile, all the problems that caused the uprising have gotten worse.”
  • Just as Syrians are forced to be more self-reliant, they have also come to depend evermore on vital social support structures. Indeed, extreme circumstances have created a paradox: Even as society has splintered in countless ways, the scale of deprivation arguably renders Syrians more closely interdependent than ever before.
  • remittances from relatives who live abroad
  • The country’s middle and upper classes have long extended vital forms of solidarity to their needier compatriots, with Syria’s merchant and religious networks playing a leading role. What is unique, today, is the scale of hardship across the country, which is so vast as to have changed the way that Syrians conceptualize the act of receiving charity. A businessman from central Syria noted the extent to which dependency, which once demanded some degree of discretion, has become a straightforward fact of life. “People used to hide it when they were reliant on charity. Not anymore. Today you might hear workers in a factory wondering, ‘Where is the manager?’ And someone will say that he’s out waiting for his food basket. The whole country is living on handouts.”
  • People still do charity the Islamic way, based on the premise that you must assist those closest to you. If there’s someone you should help—say, a neighbor—but you’re unable, then it’s your responsibility to find someone else who can. These circles remain very much intact, and the entire society lives on this. Seven years of war didn’t destroy that aspect of Syrian culture, and that’s something Syrians are proud of.
  • There will be no nationwide recovery, no serious reform, no meaningful reconciliation for the foreseeable future.
Ed Webb

Patriarchal pop: the latest sexist trend in Arabic pop music - The National - 0 views

  • a list of admonitions to females disguised as tips to achieve domestic bliss: “When the man speaks, the women shouldn’t argue back/ She shouldn’t say ‘yes sir’ and forget the next day/ She should understand and appreciate his value if she wants to continue the relationship with him.” And this is only the first verse. Sabry continues his diatribe with suggestions regarding a women’s modesty, private and public behaviour. Perhaps sensing such instructions are abusive, he ends the track by basically telling his prospective lover to keep his indiscretions private. “The woman who keeps her house, and its secrets, she’s perfection/ And the woman who accepts her lot will see a quick correction/ But the woman who causes problems will find nothing but rejection.”
  • Ever since its release in July, the title track of his album has amassed more than three million views on YouTube. in addition to being a mainstay of Arabic pop stations regionwide.
  • “Al Ragel provoked some females because of its lyrics,” he said. “But I ask, why don’t they take this song as form of advice for them?”
  • ...14 more annotations...
  • Lebanese bad-boy pop star Fares Karem has always had a more-direct approach. His testosterone-filled brand of thumping Lebanese folk is best exemplified in his 2005 hit El Tanoura (The Skirt), with lyrics that border on verbal stalking: “Her skirt is very short, a hand span and a half/ And her blouse is see-through.” Karam, who is no stranger to criticism regarding a body of work that includes other alpha-male anthems Neswanji (Player) and Shefta (I Saw Her), says that his songs merely reflect the conversations being conducted in society. “It is because I am talking about daring issues,” he told The National in May. “With respect to my peers, none of them are as direct as me. I talk about real-life situations that people face, but in a way they identify with.”
  • “This is something new. Arabic songs never really had songs with such hurtful meanings,” stated the Jordanian novelist Fadi Zaghmout on his popular Arabic popular-culture blog The Arab Observer.
  • “This only popped up in the past few years, where men seem to feel they have the right to be vocal about women’s behaviour, stating what seems to them be social criticism and disapproval on how modern women are claiming their independence and equal status.”
  • a growing list of patriarchal pop songs – let’s call it pat-pop
  • Mohamed Eskander’s 2010 hit Joumhoureyet Alby, in which he scuttles the notion of his wife (or daughter) getting a job: “Your work is my heart and my emotions/ You’re not going to have time for anything else/ It’s enough that you are the president of my heart.”
  • the May release of Te’rafy Teskoty by Medhat Saleh. It translates to Do You Know How to Shut Up? and the veteran Egyptian singer released a complementary video where he and partner get into a heated argument in an elevator. The reason behind the row is that she became jealous of Saleh taking selfies with young female fans. Saleh’s face is full of controlled rage throughout the elevator scene. He almost spits out the lyrics, which begin from the relatively benign – “Do you know how to shut up, stop getting ideas” – to the more unpleasant – “Do you know how to shut up or should I shut you up?”
  • Ghazi is not surprised by the seeming glut of misogynist Arabic pop songs. The notions expressed in these songs were always there, she says, but the explosion of privately owned television and radio stations have allowed these songs to find a home.
  • “You are seeing such misogyny also in western songs from pop to hip-hop music. But what happened in the region [is] before you only had access to state-run media. Now there are so many privately owned channels. “The fact that these songs are shown on these channels, which are for profit and with no regulation, points that there is a whole industry regarding these songs.”
  • the latest salvo in an ongoing struggle for gender equality in the region that came to the fore during the demonstrations
  • “What we seen from the Arab Spring is that when women are on the streets calling for change, they don’t just talk about politics. Everything is out in the open, from systemic privileges, marginalisations and all kinds of challenges. That’s because social diseases and politics are a reflection of each other,”
  • an added responsibility that Arab songwriters must now bring to their work, says Lebanese artist Tania Saleh. The indie singer-songwriter is one of the small contingent of female lyricists working in the Arabic music industry; her list of collaborations includes songs for Egyptian-Belgian singer Natacha Atlas and the soundtrack to Lebanese films Caramel (2007) and Where Do We Go Now (2011). Her five albums of Oriental folk have evocative lyrics dealing with societal issues from a female perspective, in songs such as Hal Ouyoun, Lezim and Reda.
  • the lack of artistic integrity caused by the demands of a profit-driven Arabic pop industry
  • decades ago during the apogee of the Arabic song, the 50s and 60s – you would never think about writing such things. Think of the classic songs of Umm Kalthoum and Mohammed Abdel Wahab. They sang about deep and sensitive emotions. And who wrote those songs: men.
  • Before pouring all that ugliness into society, artists should think about what they are producing and to whom.
Ed Webb

Where Countries Are Tinderboxes and Facebook Is a Match - The New York Times - 0 views

  • they had shared and could recite the viral Facebook memes constructing an alternate reality of nefarious Muslim plots. Mr. Lal called them “the embers beneath the ashes” of Sinhalese anger
  • the forces of social disruption that have followed Facebook’s rapid expansion in the developing world, whose markets represent the company’s financial future. For months, we had been tracking riots and lynchings around the world linked to misinformation and hate speech on Facebook, which pushes whatever content keeps users on the site longest — a potentially damaging practice in countries with weak institutions.
  • Time and again, communal hatreds overrun the newsfeed — the primary portal for news and information for many users — unchecked as local media are displaced by Facebook and governments find themselves with little leverage over the company. Some users, energized by hate speech and misinformation, plot real-world attacks.
  • ...23 more annotations...
  • Facebook’s newsfeed played a central role in nearly every step from rumor to killing
  • Facebook officials, they say, ignored repeated warnings of the potential for violence, resisting pressure to hire moderators or establish emergency points of contact
  • the imagined Ampara, which exists in rumors and memes on Sinhalese-speaking Facebook, is the shadowy epicenter of a Muslim plot to sterilize and destroy Sri Lanka’s Sinhalese majority
  • The mob, hearing confirmation, beat him, destroyed the shop and set fire to the local mosque.
  • As Facebook pushes into developing countries, it tends to be initially received as a force for good.In Sri Lanka, it keeps families in touch even as many work abroad. It provides for unprecedented open expression and access to information. Government officials say it was essential for the democratic transition that swept them into office in 2015.But where institutions are weak or undeveloped, Facebook’s newsfeed can inadvertently amplify dangerous tendencies. Designed to maximize user time on site, it promotes whatever wins the most attention. Posts that tap into negative, primal emotions like anger or fear, studies have found, produce the highest engagement, and so proliferate
  • in developing countries, Facebook is often perceived as synonymous with the internet and reputable sources are scarce, allowing emotionally charged rumors to run rampant
  • Last year, in rural Indonesia, rumors spread on Facebook and WhatsApp, a Facebook-owned messaging tool, that gangs were kidnapping local children and selling their organs. Some messages included photos of dismembered bodies or fake police fliers. Almost immediately, locals in nine villages lynched outsiders they suspected of coming for their children.
  • Near-identical social media rumors have also led to attacks in India and Mexico. Lynchings are increasingly filmed and posted back to Facebook, where they go viral as grisly tutorials
  • No organization has ever had to police billions of users in a panoply of languages.
  • Before Facebook, he said, officials facing communal violence “could ask media heads to be sensible, they could have their own media strategy.”
  • Desperate, the researchers flagged the video and subsequent posts using Facebook’s on-site reporting tool.Though they and government officials had repeatedly asked Facebook to establish direct lines, the company had insisted this tool would be sufficient, they said. But nearly every report got the same response: the content did not violate Facebook’s standards. Advertisement Continue reading the main story “You report to Facebook, they do nothing,” one of the researchers, Amalini De Sayrah, said. “There’s incitements to violence against entire communities and Facebook says it doesn’t violate community standards.”
  • Facebook still appears to employ few Sinhalese moderators. A call to a third-party employment service revealed that around 25 Sinhalese moderator openings, first listed last June, remain unfilled. The jobs are based in India, which has few Sinhalese speakers.
  • “We’re a society, we’re not just a market.”
  • Its gamelike interface rewards engagement, delivering a dopamine boost when users accrue likes and responses, training users to indulge behaviors that win affirmation.
  • the greatest rush comes by attacking outsiders: The other sports team. The other political party. The ethnic minority.
  • Mass media has long been used to mobilize mass violence. Facebook, by democratizing communication tools, gives anyone with a smartphone the ability to broadcast hate.
  • Mr. Weerasinghe posted a video that showed him walking the shops of a town called Digana, warning that too many were owned by Muslims, urging Sinhalese to take the town back. The researchers in Colombo reported his video to Facebook, along with his earlier posts, but all remained online.
  • the government temporarily blocked most social media. Only then did Facebook representatives get in touch with Sri Lankan officials, they say. Mr. Weerasinghe’s page was closed the same day.
  • officials rushed out statements debunking the sterilization rumors but could not match Facebook’s influence
  • Despite criticism and concerns from civil society groups, the company has done little to change its strategy of pushing into developing societies with weak institutions and histories of social instability, opening up information spaces where anger and fear often can dominate
  • From October to March, Facebook presented users in six countries, including Sri Lanka, with a separate newsfeed prioritizing content from friends and family. Posts by professional media were hidden away on another tab.“While this experiment lasted, many of us missed out on the bigger picture, on more credible news,” said Nalaka Gunawardene, a Sri Lankan media analyst. “It’s possible that this experiment inadvertently spread hate views in these six countries.”
  • government officials said, they face the same problem as before. Facebook wields enormous influence over their society, but they have little over Facebook.
  • Facebook had turned him into a national villain. It helped destroy his business, sending his family deeply into debt. And it had nearly gotten him killed.But he refused to abandon the platform. With long, empty days in hiding, he said, “I have more time and I look at Facebook much more.”“It’s not that I have more faith that social media is accurate, but you have to spend time and money to go to the market to get a newspaper,” he said. “I can just open my phone and get the news instead.”“Whether it’s wrong or right, it’s what I read.”
Ed Webb

Egypt protests: How cartoon of Sisi the cat burglar became face of a movement | Middle East Eye - 0 views

  • “I just wanted to pitch-in but I wasn't sure how,” says the 37-year-old street artist, who made his name in Cairo during the 2011 revolution against Hosni Mubarak.
  • “If I would were in Cairo now, I would have taken to the streets with graffiti, like I did in 2011. I kept on wondering: how can I participate in a concrete and positive way, and make it useful?"
  • On the morning of 20 September, Ganzeer woke up anxious. During the next few hours he drew the image that has quickly come to define a new wave of protests against the sitting president. In the illustration, Sisi is dressed in a striped jacket and tie, but drawn as a cartoonish cat burglar.
  • ...9 more annotations...
  • Activists and protesters have added their own slogans to the cartoon, as well as printing it out, cutting it up, and turning it into masks, banners and posters. It has popped up at protests in New York, Washington, Berlin, Paris and Oslo - and even in the back alleys of Cairo.
  • Egypt has seen an outbreak of protests against Sisi since 20 September, when protesters took to the streets of Cairo and other cities, calling for him to step down.
  • the most public show of opposition to the president since a crackdown on dissent after the 2013 military coup that brought Sisi to power. Hundreds of protesters were killed by security forces in Rabaa Square, with tens of thousands more arrested and imprisoned
  • A new wave of repression has followed this month's protests, with more than 2,200 people arrested, according to local activists. Last Friday Egyptian security forces locked down the centre of Cairo and other cities to deter crowds from taking to the streets.
  • Activists say Ganzeer's image not only plugged into the rising anger on the streets; drawing Sisi as a burglar fundamentally stripped the president down from a so-called statesman to an ordinary, petty thug who had literally stolen the presidency and now the coffers of the state.
  • Ganzeer’s Twitter account was among those briefly suspended earlier this week.
  • Middle East Eye asked Twitter why it had suspended the accounts of Egyptian activists and whether it was investigating the closures.
  • Ganzeer says his Twitter account was reactivated a couple of hours after he filed his appeal, but he told MEE he believed he had faced a coordinated online attack since publishing the image of Sisi. “Since I released the image, I have had to spend a lot of time just blocking [trolls]. It has been coordinated with a number of suspicious handles and accounts that clearly began in September.”
  • "Some back home are complaining that people are ignoring the deaths and detentions and crackdowns and his attempt to stay in power and now talking about corruption. "But if you ask me, I think this wave of protest is about exposing Sisi as a liar from the inside - and you could say it's a key to opening up all the other lies."
Ed Webb

Teaching Arabic to kids: How families are putting the fun back into reading | Middle East Eye - 0 views

  • There is no quicker way to suck all the fun out of reading than simultaneously translating each story page from formal Arabic into colloquial Arabic. 
  • Shendy translated some of her children’s favourite stories into colloquial Egyptian, painstakingly preserving the rhythm and rhyme. She then printed out her translations and glued them over the English in the book.
  • Marcia Lynx Qualey, a translator of Arabic children’s literature and co-founder of the World Kid Lit project, says that children's publishers are in a difficult position
  • ...7 more annotations...
  • “They may want to publish books in a’amiya, but they also want to sell into as large a market as possible. This means being able to sell across borders, particularly into wealthier Gulf countries, but it also means selling to schools and libraries. Generally, it's only the books entirely in Fusha that are seen as ‘properly’ educational.”
  • "I had to read the story in Fusha in my head, each page, and then translate it into colloquial Arabic so that she understood the spoken Arabic words. It really bothered me. It didn't feel natural. It cut the flow for me and for her.” 
  • The couple set up a publishing house they named Ossass Stories (Ossass means "stories" in Levantine dialect), learning the trade from scratch and financing it themselves. Makhoul would work by day as a journalist and then research the publishing industry by night, drawing up cost analyses and searching for illustrators and distribution outlets. 
  • The problem with reading material for very young children learning Arabic is universal. But the lack of age-appropriate learning resources is felt more keenly by parents raising their children outside the region.
  • “If it's nursery rhymes and cartoons, and things like that, they’re all dubbed into Standard Arabic, it's very frustrating.”
  • “The problem is Standard Arabic isn't spoken anywhere.” Khalil says. “It's an ideological or theoretical standard. And so that's where linguistically the problems occur and pedagogically, as well. You're kind of creating artificial material and scenarios.”
  • I'm not saying we should do a'amiya [spoken Arabic] forever for everyone. I'm just saying for the little ones
Ed Webb

A New History for a New Turkey: What a 12th-grade textbook has to say about Turkey's future - Nicholas Danforth : ΕΛΙΑΜΕΠ - 1 views

  • Rather than simply serving as crude propaganda for Erdoğan’s regime, Contemporary Turkish and World History aspires to do something more ambitious: embed Turkey’s dominant ideology in a whole new nationalist narrative. Taken in its entirety, the book synthesizes diverse strands of Turkish anti-imperialism to offer an all-too-coherent, which is not to say accurate, account of the last hundred years. It celebrates Atatürk and Erdoğan, a century apart, for their struggles against Western hegemony. It praises Cemal Gürsel and Necmettin Erbakan, on abutting pages, for their efforts to promote Turkish industrial independence. And it explains what the works of both John Steinbeck [Con Şıtaynbek] and 50 Cent [Fifti Sent] have to say about the shortcomings of American society.
  • Turkey has long had competing strains of anti-Western, anti-Imperialist and anti-American thought. In the foreign policy realm, Erdogan’s embrace of the Mavi Vatan doctrine showed how his right-wing religious nationalism could make common cause with the left-wing Ulusalcı variety.[5] This book represents a similar alliance in the historiographic realm, demonstrating how the 20th century can be rewritten as a consistent quest for a fully independent Turkey.
  • Ankara is currently being praised for sending indigenously developed drones to Ukraine and simultaneously criticized for holding up Sweden and Finland’s NATO membership. Contemporary Turkish and World History sheds light on the intellectual origins of both these policies
  • ...20 more annotations...
  • Among the 1930s cultural and intellectual figures given place of pride are Albert Einstein, Pablo Picasso and John Steinbeck. Guernica is reproduced in an inset about Picasso, illustrating the artist’s hatred of war. (47) A lengthy excerpt from the Grapes of Wrath concludes with Steinbeck’s denunciation of depression-era America: “And money that might have gone to wages went for gas, for guns, for agents and spies, for blacklists, for drilling. On the highways the people moved like ants and searched for work, for food. And the anger began to ferment.”
  • The book places added emphasis on the harsh terms imposed on Germany at Versailles. Prefiguring the later treatment of Al Qaeda terrorism, the intention appears not so much to justify Nazism, but rather to present injustice as the causal force behind violence and cruelty in world politics.
  • the Holocaust instead appears here as one among several examples of Western barbarity
  • The foundation of the UN is immediately followed by a discussion of Israel under the heading “Imperial Powers in the Remaking of the Middle East.” (80-81) The Palestine problem, students learn, is the principal cause of conflict in the region. It began when the Ottoman Empire, “the biggest obstacle to the foundation of a Jewish state,” grew weak, leading to the creation of Israel.
  • Next comes a discussion of the post-war financial order and the International Monetary Fund. Students learn that “the IMF’s standard formula, which recommends austerity policies for countries in economic crises, generally results in failure, chaos and social unrest.” (81-83) An excerpt, which students are then asked to discuss, explains how the IMF prescribes different policies for developed and developing countries.
  • only in the context of the Cold War origins of the EU does the book engage in any explicitly religious clash-of-civilizations style rhetoric. The idea of European unity is traced back to the Crusades, while a quote about the centrality of Christianity to European identity appears under a dramatic picture of Pope Francis standing with European leaders. (112) The next page states that the EU’s treatment of Turkey’s candidacy, coupled with the fact that “all the countries within it were Christian” had “raised questions” about the EU’s identity.
  • Early Cold War era decolonization also provides an opportunity to celebrate Atatürk’s role as an anti-imperialist hero for Muslims and the entire Third World. (122-123) “Turkey’s national struggle against imperialism in Anatolia struck the first great blow against imperialism in the 20th century,” the authors write. “Mustafa Kemal, with his role in the War of Independence and his political, economic, social and cultural revolutions after it, served as an example for underdeveloped and colonized nations.” Atatürk himself is quoted as saying, in 1922, that “what we are defending is the cause of all Eastern nations, of all oppressed nations.” Thus, the book explains that “the success of the national struggle brought joy to the entire colonized Islamic world, and served as a source of inspiration to members of other faiths.” The section ends with quotes from leaders such as Jawaharlal Nehru, Muhammad Ali Jinnah, and Habib Bourguiba about how Atatürk inspired them in their own anti-imperial struggles or was simply, in Nehru’s words, “my hero.” An accompanying graphic shows Atatürk’s image superimposed over a map with arrows pointing to all the countries, from Algeria to Indonesia, whose revolutions were supposedly influenced by Turkey’s War of Independence.
  • Amidst the polarization of the Erdoğan era, what is striking in this book is the authors’ efforts to weave together the conflicting strands of Turkish political history into a coherent narrative. Illustrating Ernst Renan’s argument about the role of forgetting in nation-building, this account glosses over the depth of the divisions and hostility between rival historical actors, presenting them as all working side by side toward a common national goal
  • The authors also offer a balanced treatment of the fraught domestic politics during the period from 1945 to 1960 when Turkey held its first democratic election and experienced its first coup. (138-142, 144-146) They focus their criticism on the negative impact of U.S. aid, arguing that Washington intentionally sought to make Turkey economically and politically dependent, then sponsored a coup when these efforts were threatened.
  • The narrative of national independence also helps smooth over Turkey’s Cold War domestic divides. Students are introduced to the ‘68 Generation and left-wing leaders likes Deniz Gezmiş as anti-imperialists protesting against the U.S. Sixth Fleet in support of a fully independent Turkey. (185-186)[9] In this context, Baskin Oran’s work is again cited, this time quoting Uğur Mumcu on the role of “dark forces,” presumably the CIA, in laying the groundwork for Turkey’s 1971 coup.
  • The book also offers a relatively neutral treatment of political activism during the ensuing decade, suggesting that rival ideological movements were all good faith responses to the country’s challenges. On this, the authors quote Kemal Karpat: “Both right and left wing ideologies sought to develop an explanation for social phenomena and a perspective on the future. A person’s choice of one of these ideologies was generally the result of chance or circumstance.” (202) Thus the authors imply that while foreign powers provoked or exploited these movements, the individual citizens who participated in them can be given the benefit of the doubt. Interestingly, the book takes a similar approach in discussing the 2013 Gezi protests: “If various financial interests and foreign intelligence agencies had a role in the Gezi Park events, a majority of the activists were unaware of it and joined these protests of their own will.”
  • Turkey’s real struggle in the 21st century, as in the 20th, is against dependence on foreign technology
  • a book which begins with a portrait of Atatürk ends with a photo of the Bayraktar TB2.
  • the book’s biases are less in the realm of wild distortion and more reminiscent of those that plague ideologically infused nationalistic history education in all too many countries
  • its exaggerated critique of European imperialism may be no more misleading than the whitewashing still found in some European textbooks
  • At moments, Contemporary Turkish and World History is better aligned with recent left-leaning scholarship than the patriotic accounts many Americans grew up reading as well
  • Selçuk Bayraktar, the architect of Turkey’s drone program, said that as a student “I was obsessed with Noam Chomsky.” [16] During the 1980s and 90s, America sold Ankara F-16 jets and Sikorsky helicopters that were used to wage a brutal counterinsurgency campaign in southeast Anatolia. No one was more critical of this than left-wing scholars like Chomsky.[17] Now, Ankara is selling Bayraktar drones to Ethiopia, where they are being used to kill civilians and destroy schools in another violent civil war.
  • Turkey’s marriage of power projection and anti-colonial critique have been particularly visible – and effective – in Africa. Ankara has presented itself as an “emancipatory actor,” while providing humanitarian aid, establishing military bases, selling weapons across the continent.[13] In doing so, Turkish leaders have faced some of the same contradictions as previous emancipatory actors. In August 2020, for example, members of Mali’s military overthrew a president with whom Erdoğan enjoyed good relations. Ankara expressed its “sorrow” and “deep concern.”[14] Then, a month later, Mevlüt Çavuşoğlu became the first foreign official to meet with the country’s new military leaders. “Like a brother,” he “sincerely shared” his hopes for a smooth “transition process” back to democracy
  • Throughout the 20th century, America defined itself as the world’s premier anti-imperialist power, all while gradually reproducing many of the elements that had defined previous empires.[11] Today, it often seems that Turkey’s aspirations for great power status reflect the facets of 20th century American power it has condemned most vigorously
  • certain themes dominate Contemporary Turkish and World History. At the center of its narrative is the struggle for global hegemony, in military, economic, technological and artistic terms
Ed Webb

Cinema and the Arab spring: the revolution starts here | Film | The Guardian - 1 views

  • "If you want to understand the emotive universe from which the Arab spring arose, cinema is a good place to start. Look at a film like Elia Suleiman's Divine Intervention: there the director spits out an apricot pit at an Israeli tank and blows it up. The scene is both fantasy and prophecy."
  • I don't think the idea of Islamic cinema even exists in the west. Islam is presumed not to have a modern culture. I'd argue it's important that these films don't insist on any kind of stylistic unity – and that in nearly all of them Islam is portrayed as quite marginal. They argue against religiosity as a determining force. They're all about change, too, about modernity, which neocons like Francis Fukuyama say the Islamic world is incapable of
  • "If you want to be thought of as an auteur, you don't want to be categorised according to ethnicity or religion," Ahmad says. "By calling someone 'Islamic', you're meant to be taking away from their universal appeal."
  • ...4 more annotations...
  • Some of the most provocative films owe more to pulp and lo-fi subcultures than to mainstream cinema: look at Omar Ali Khan's anti-yuppie, anti-fundamentalist horror flick Hell's Ground (2007), Halil Uysal's Tirej (2002), a mesmerising film about – and made by – Kurdish guerrilla soldiers, and Omar Majeed's Taqwacore (2009), about a bunch of dope-smoking Muslim punks in the US.
  • An alternative canon, curated by the Middle Eastern art magazine Bidoun, points to gems such as Peggy Ahwesh's Beirut Outtakes (2007), made up of film scraps from an abandoned cinema in the Lebanese capital; its combination of colour and decay, Hollywood and local celluloid, high and low culture captures the city's vivid history with panache.
  • Because the Arab spring was a revolution spread (if not created) by digital media such as mobile phones, Twitter and amateur video, it could be argued that more Muslims than ever before now associate political freedom with the moving image – rather than the printed word. What's more, the speed and sophistication of image-production by canny campaigners may also help to dispel some of the orientalist stereotypes that still circulate in the west.
  • "A lot of British Muslim kids are very keen to see themselves represented," he says. "They want to see they have a great culture. But often they go back to a glorious, nostalgic version of Islam that offers them only a narrative of cultural degeneration since the middle ages. Winds of Change should remind us that we have powerful and well-established critiques of religion from within our societies."
Ed Webb

Brian Whitaker's blog, April 2011 - 1 views

  • the Syrian Bar Association has "asked a legal committee to study the situation of crimes perpetrated by a number of Arab and international TV stations and individuals who have contributed to the media forgery and acts of instigation to destabilise Syria".
  • "Nasrallah spoke of the ongoing disinformation and fabrications campaign against Syria and of huge amounts of money paid by US bodies and by others to some Syrian figures and sections under the pretext of supporting democracy as to destabilise Syria."
  • a generous helping of foreign conspiracy theory from the Tehran Times in Iran. Quoting a Syrian writer, Colette Khoury, it says Syria is paying the price "for saying no to Israel and America for a long time". "We are proud of belonging to Syria, the only independent state that refused to give up resistance," Khoury says. "It isn’t a matter of reform, not any more. It is about Syria and the Syrian people."
Ed Webb

Donald Trump's Media Attacks Should Be Viewed as Brilliant | Time.com - 0 views

  • the central idea of journalism — the conviction, as my old boss Peter Kann once said, “that facts are facts; that they are ascertainable through honest, open-minded and diligent reporting; that truth is attainable by laying fact upon fact, much like the construction of a cathedral; and that truth is not merely in the eye of the beholder.”
  • the responsibility to separate truth from falsehood, which is never more important than when powerful people insist that falsehoods are truths, or that there is no such thing as truth to begin with
  • a period in which the executive branch of government is engaged in a systematic effort to create a climate of opinion against the news business
  • ...17 more annotations...
  • Ideologically, the president is trying to depose so-called mainstream media in favor of the media he likes — Breitbart News and the rest. Another way of making this point is to say that he’s trying to substitute news for propaganda, information for boosterism.
  • “Many people say” is what’s known as an argumentum ad populum. If we were a nation of logicians, we would dismiss the argument as dumb.We are not a nation of logicians.
  • The president is responding to a claim of fact not by denying the fact, but by denying the claim that facts are supposed to have on an argument
  • This is a version of Thrasymachus’s argument in Plato’s Republic that justice is the advantage of the stronger and that injustice “if it is on a large enough scale, is stronger, freer, and more masterly than justice.”
  • Truth is what you can get away with.
  • The interesting conversation concerns how we come to accept those lies.
  • If a public figure tells a whopping lie once in his life, it’ll haunt him into his grave. If he lies morning, noon and night, it will become almost impossible to remember any one particular lie. Outrage will fall victim to its own ubiquity. It’s the same truth contained in Stalin’s famous remark that the death of one man is a tragedy but the death of a million is a statistic.
  • explanation becomes rationalization, which in turn becomes justification
  • Here’s a simple truth about a politics of dishonesty, insult and scandal: It’s entertaining. Politics as we’ve had it for most of my life has, with just a few exceptions, been distant and dull.
  • it’s exhilarating. Haven’t all of us noticed that everything feels speeded up, more vivid, more intense and consequential? One of the benefits of an alternative-facts administration is that fiction can take you anywhere.
  • we adopt new metrics of judgment, in which politics becomes more about perceptions than performance—of how a given action is perceived as being perceived. If a reporter for the New York Times says that Trump’s press conference probably plays well in Peoria, then that increases the chances that it will play well in Peoria.
  • Some people became desensitized by the never-ending assaults on what was once quaintly known as “human decency.” Others seemed to positively admire the comments as refreshing examples of personal authenticity and political incorrectness.
  • anxiety and anger are their own justifications these days
  • In his 1953 masterpiece, “The Captive Mind,” the Polish poet and dissident Czeslaw Milosz analyzed the psychological and intellectual pathways through which some of his former colleagues in Poland’s post-war Communist regime allowed themselves to be converted into ardent Stalinists. In none of the cases that Milosz analyzed was coercion the main reason for the conversion.They wanted to believe. They were willing to adapt. They thought they could do more good from the inside. They convinced themselves that their former principles didn’t fit with the march of history, or that to hold fast to one’s beliefs was a sign of priggishness and pig-headedness. They felt that to reject the new order of things was to relegate themselves to irrelevance and oblivion. They mocked their former friends who refused to join the new order as morally vain reactionaries. They convinced themselves that, brutal and capricious as Stalinism might be, it couldn’t possibly be worse than the exploitative capitalism of the West.
  • I fear we are witnessing a similar process unfold among many conservative intellectuals on the right. It has been stunning to watch a movement that once believed in the benefits of free trade and free enterprise merrily give itself over to a champion of protectionism whose economic instincts recall the corporatism of 1930s Italy or 1950s Argentina. It is no less stunning to watch people once mocked Obama for being too soft on Russia suddenly discover the virtues of Trump’s “pragmatism” on the subject.
  • George Orwell wrote, “To see what is in front of one’s nose needs a constant struggle.”
  • Not to look around, or beyond, or away from the facts, but to look straight at them, to recognize and call them for what they are, nothing more or less. To see things as they are before we re-interpret them into what we’d like them to be. To believe in an epistemology that can distinguish between truth and falsity, facts and opinions, evidence and wishes. To defend habits of mind and institutions of society, above all a free press, which preserve that epistemology. To hold fast to a set of intellectual standards and moral convictions that won’t waver amid changes of political fashion or tides of unfavorable opinion. To speak the truth irrespective of what it means for our popularity or influence.
  •  
    Helpful in thinking about how people adapt to authoritarian regimes and societies, or don't
Ed Webb

BBC News - Morocco: Should pre-marital sex be legal? - 0 views

  • The editor of Morocco's Al-Ahdath Al-Maghribia daily newspaper, Moktar el-Ghzioui, is living in fear for his life after he expressed support for pre-marital sex during a local television debate. "The next thing there was a cleric from Oujda releasing a fatwa that I should die," he says.
  • Imam Hassan Ait Belaid who preaches at a mosque in the commercial capital Casablanca says article 490 is part of the culture of a non-Western society. "If the code is removed, we will become wild savages. Our society will become a disaster," he says.
  • Critics of the Islamists argue that the strict sex laws merely increase the harassment of women.
  • ...1 more annotation...
  • that the issue is for the first time a hot topic of debate shows that long held taboos are slowly being broken
Ed Webb

Syria uprising, Twitter, and social-media revolution fatigue. - Slate Magazine - 0 views

  • As we can see from these estimates below, the volume of Syria-related tweets (as a percentage of overall tweets) appears considerably lower than the volume related to the uprisings in Egypt and Iran. The estimates were constructed using multiple published Web sources reporting on number of tweets for the observed events as well as total Twitter traffic over time, including Twitter's blog, Customer Insight Group, Mashable, the Sysomos blog, and a dataset acquired via Twapperkeeper.
  • The Iranian protests in 2009 marked the first time that social media let us witness this kind of protest in a closed society from the citizens' point of view. The world watched, transfixed, as the death of protester Neda Agha-Soltan was caught on video. Now, these kinds of horrifying images have become alarmingly common.
  • The revolution in Egypt was relatively short, fast, and explosive. The Syrian uprising, by contrast, has been going on for 11 long months. Certain moments have refocused the world's attention, such as the siege of Homs in early February or the deaths of journalists Anthony Shadid, Marie Colvin, and Rémi Ochlik. Otherwise, much of the Syrian uprising has tragically resembled, as NPR's Andy Carvin puts it, "the proverbial boiling of the frog." While Carvin and others have been devotedly tweeting about Syria, he acknowledges that the length of the uprising might deter some news coverage. "I could imagine editors saying, what's the new angle here?" he says.
  • ...3 more annotations...
  • social media and mainstream media tend to be mutually reinforcing, so the dearth of one affects the other
  • for the average observer, the Syrian uprising lacks a clear and consistent narrative. The Assad regime's brutal repression is plain to see, but other aspects of the 11-month uprising are less clear. Some ask: Who exactly is the opposition, and what do the majority of Syrians actually want? Jillian York of the Electronic Frontier Foundation says that this confusion and lack of context spreads to the Twittersphere. With some exceptions, the Syrian tweeps who "are tweeting in English are not tweeting in the same way as Egyptians. They are not providing accuracy and context, nor is it really specific or retweetable."
  • there is no clear or easy solution to Syria's suffering
Ed Webb

AP Interview: Egypt's top satirist prepares return - seattlepi.com - 0 views

  • "We never self-censor," Youssef told The Associated Press in an interview from his Cairo studio. "It's not what we say about the government or don't say, it is how to make people laugh and have a good time. In times like these this is a huge challenge.
  • "If people laughed, if people think we are respecting their mentality that would be great. Given the circumstances, the panic, the violence, the hatred, the split (in the country), everybody wants you to say exactly what they want. It's very difficult." CBC said the satirist had violated its editorial policy and contractual obligations, and that he upset Egyptian sensibilities by attacking "symbols of the state." Government and presidential officials at the time said the decision was a private issue between Youssef and the station.
Ed Webb

Turks intolerant of religious diversity, says poll - 1 views

  • Turks intolerant of religious diversity, says poll A survey conducted by a private research company has shown that a great majority of the public does not want atheists, Jews or Christians for neighbors and also disapproves of their employment at top state institutions, the Radikal daily reported yesterday.
  • Fifty-seven percent of 1,108 people surveyed in the poll said they did not want to have atheist neighbors, while 42 percent said they did not want Jewish neighbors and 35 percent of respondents were reluctant to have Christian neighbors
  • When participants were asked whether they have close friends who are Alevi, Kurd, atheist, Greek, Armenian or Jewish, 64 percent stated that they had a Kurdish friend, while 53 percent said they had a friend from the Alevi community.
sean lyness

Al Qaeda fighters move into Horn of Africa, officials say - CNN.com - 0 views

  •  
    Al Qaeda operatives are leaving the battle zones along the Afghanistan-Pakistan border and heading for Somalia and Yemen, where they have set up training camps, according to U.S. intelligence officials."> text/html; charset=iso-8859-1
Ed Webb

Al-Qaida Media Blitz Has Some On Alert : NPR - 0 views

  • While certainly any message from bin Laden is parsed for information and intelligence, it was a third video — that was released from one of al-Qaida's media arms — that made counterterrorism analysts sit up and take notice. The video came out of Somalia last week, and it was a slick recruitment tape complete with its own original rap music score that played under the opening sequence of the half-hour-long film. The production was made by a Somali militia group called al-Shabab, which has ties to al-Qaida.
  • In one part of the video he appears to be preparing recruits — who also speak English — for battle.
  • During the battle, Abu Mansour orders the small group of fighters who are with him to retreat. But here's what's important: He says it in English. "Let's go, let's go," he yells as a shaking video camera appears to record their retreat.
  • ...1 more annotation...
  • "It'll be interesting to see the extent to which al-Qaida spins this phenomenon," said Bill Braniff, who works at West Point's Combating Terrorism Center. He says al-Qaida would love people to believe there is a connection between the missing boys and the video. "What we are seeing is al-Qaida trying to control the propaganda output," he says. "They are not trying to control the activity on the ground to the same extent as they are trying to control the propaganda about the activity on the ground."
Jim Franklin

BBC NEWS | Middle East | Jewish-Arab crime film captures tensions - 1 views

  • Next year, the gritty tale about mafia-style murders will become the first Arabic language film to represent Israel at the Oscars.
  • Impoverished Israeli Arabs shooting one another in the shadow of the gleaming towers of Tel Aviv is far from Israel's preferred international image.
  • dark underside to the ideal of coexistence sometimes touted in mixed Jewish-Arab areas like Jaffa.
  • ...6 more annotations...
  • "It's nothing but shooting and drugs, shooting and drugs - it's true, but it will ruin our reputation," says one youth.
  • Until the war which led to Israel being founded broke out in 1948, Jaffa was the considered the cultural capital of what was then British Mandate Palestine.
  • A young man in Ajami "doesn't know if he's Palestinian or Israeli, he's confused, he doesn't know what he is, what he wants to do," says Ms Rihan.
  • "I'm shocked that Jews like the film more than Arabs, even though it shows that we are like this because of them!", she adds.
  • The actors were not given the script, just thrown into scenarios and told to react.
  • Over seven years, Mr Shani learnt Arabic and says he spent more time in Ajami with Mr Copti than with his own wife, immersing himself in "a totally different world".
Ed Webb

Is interest in African art on the rise in the Middle East? | The Art Newspaper - 0 views

  • a budding taste among Middle Eastern collectors for Modern and contemporary African art—and not only by artists from North Africa, which has historically identified with the Middle East
  • “There is a growing interest overall in African art and this seems relatively strong in the Middle East,” he says. He notes that while there are far fewer active collectors and museums than in the United States, they are often better funded.
  • Rakeb Sile, the co-founder of Addis Fine Art, the first Ethiopian gallery to exhibit at Art Dubai, agrees that there has been a “huge swell” in Middle Eastern interest in sub-Saharan art, and that demand is growing. Being so near the Gulf, the Horn of Africa has long-standing cultural and economic links with the United Arab Emirates, putting Addis Fine Art in a strong position to attract new buyers. (The UAE has invested heavily in Ethiopia in recent years in an effort to strengthen bilateral ties.) Sile estimates that around 20% of her collectors are from the Middle East.
  • ...3 more annotations...
  • A recent spate of exhibitions at institutions such as the Sharjah Art Foundation has contributed to a growth in demand for contemporary African art
  • So, who is acquiring African art in the Middle East? Pablo del Val says buyers’ tastes are increasingly catholic. “Middle Eastern collectors don’t tend to focus exclusively on African art, but regional collecting is becoming more international,” he says. With less of a “white, Western-centric focus” than other fairs, Art Dubai is the perfect crucible of cultures, Del Val adds.
  • Rakeb Sile argues that the label “African art” is dated, but sees it as probably necessary for this “bridging time”. She adds: “African art might be the last frontier in terms of discovery and value, but, quite soon, we would like our artists to simply be considered mainstream contemporary artists.”
Ed Webb

Sisi's final act: Six years on, and Egypt remains unbowed | Middle East Eye - 0 views

  • For three weeks Sisi’s image has been trashed by an insider turned whistleblower whose videos from self-exile in Spain have gripped and paralysed Egypt in turn. 
  • Mohamed Ali is, by his own admission, no hero. One of only 10 contractors the army uses, he is corrupt. He also only left Egypt with his family and fortune because his bills had not been paid. Ali is no human rights campaigner. 
  • Egypt’s new folk hero likes fast cars, acting, film producing, real estate developing.
  • ...15 more annotations...
  • when he talks he talks the language of the street and the street listens to him. That's Sisi's problem.  
  • Most Egyptians have seen their real incomes fall, while Egypt under its IMF-backed austerity programme is racking up huge foreign debts. It was $43bn during Morsi’s presidency. It is $106bn now. Seventy per cent of taxes now goes into paying these debts off. Internal debt is over 5 trillion Egyptian pounds ($306bn).
  • Ali listed them: a luxury house in Hilmiya ($6m), a presidential residence in Alexandria ($15m), a palace in the new administrative capital, and another one in the new Alamein city west of Alexandria.
  • A report published by the World Bank in April calculated that "some 60 percent of Egypt’s population is either poor or vulnerable". 
  • Sisi  was a "failed man", a "disgrace", a "midget" who uses make up and hitches his trousers up too high, Ali told Egypt. Sisi was a con man who lectured you on the need to tighten your belt while building palaces for his wife Intissar.
  • "Now you say we are very poor, we must be hungry. Do you get hungry? You spend billions that are spilt on the ground. Your men squander millions. I am not telling a secret. You are a bunch of thieves."
  • Every Egyptian remembers the lectures Sisi gave them on the need to tighten their belts. When the IMF forced the state to reduce subsidies, Sisi’s response was: "I know that the Egyptian people can endure more... We must do it. And you’ll have to pay; you’ll have to pay," Sisi said in one unscripted rant a year into his presidency.
  • Ali’s YouTube channel has done more in three weeks to destroy Sisi’s image than the Brotherhood, liberals and leftists, now all crushed as active political forces in Egypt, have done in six years of political protest. 
  • To their credit the opposition did not crumble, paying for their stand with their lives and their freedom. To their shame the Egyptian people did not listen.
  • Sisi thinks he can ride this out, as he has done challenges in the past. Hundreds of protesters have been arrested since last Friday.
  • The initial demonstration in Tahrir Square in January 2011 was smaller than the ones that broke out in Cairo, Suez and Alexandria last Friday. They called for reform, not the overthrow of Hosni Mubarak. Last Friday, Sisi’s portrait was torn down. “Say it, don’t be afraid, Sisi has to leave!” they shouted on day one of this fresh revolt. 
  • the "opposition" is everybody - ordinary Egyptians, disaffected junior ranks in the army, Mubarak era businessmen. This is a wide coalition of forces. Once again Egypt has been reunited by a tyrant
  • unlike 2013, Sisi’s bankers  - Saudi Arabia and the UAE - have run out of cash for Egypt. Today each has its own problems and foreign interventions which are all turning sour - Yemen and Libya.
  • The steam is running out of the counter-revolution.
  • popular protest is re-emerging as a driver for change across the region. We have seen it topple dictators in Sudan and Algeria. Both have learned the lessons of failed coups in the past and have so far managed the transition without surrendering the fruits of revolution to the army. This, too, has an effect on events in Egypt.
Ed Webb

Meet the new vanguard of Moroccan photography | Middle East Eye - 0 views

  • 14 emerging Moroccan photographers recently decided to form Noorseen, an art collective they hope will help them harness resources and share insights through the collaborative process
  • “A lot of visible works of photographers on Morocco have similar tropes; the picturesque medina, the traditional costumes, the portrait of an elder,” says 22-year-old Noorseen member Mehdi Aït El Mallali. “We want to show the other side, which is an expression of the Moroccan youth. We show Morocco through our own eyes, as a member of this society.”
  • “Throughout national and international exhibitions or festivals, the same few names represent Moroccan contemporary photography. Why can't we? Young photographers could take over, and we want to amplify our voice."
  • ...3 more annotations...
  • “Instagram trivialised photography,” Beslem says. “It became a consumable product. Yes, it is a powerful tool. But when people judge a photograph based on likes, they end up reproducing popular gimmicks. This kind of conformism levels down the local scene. We want to stand out from it.”
  • By taking control of the narrative, Noorseen is breaking away from stereotypical depictions of Morocco that draw on a folkloric vision recreating a tourist’s fantasy.  “We take Iran as an example, a country that is riddled with stereotypes,” Moumou says. “But when you look at the works of young Iranian photographers, you discover how multifaceted and rich contemporary Iran really is, and you see unexpected images that only young Iranians could produce.
  • we’re always represented by others. We will be representing ourselves
Ed Webb

Journalist's phone hacked by new 'invisible' technique: All he had to do was visit one website. Any website. | The Star - 0 views

  • The white iPhone with chipped paint that Moroccan journalist Omar Radi used to stay in contact with his sources also allowed his government to spy on him.They could read every email, text and website visited; listen to every phone call and watch every video conference; download calendar entries, monitor GPS coordinates, and even turn on the camera and microphone to see and hear where the phone was at any moment.
  • Forensic evidence gathered by Amnesty International on Radi’s phone shows that it was infected by “network injection,” a fully automated method where an attacker intercepts a cellular signal when it makes a request to visit a website. In milliseconds, the web browser is diverted to a malicious site and spyware code is downloaded that allows remote access to everything on the phone. The browser then redirects to the intended website and the user is none the wiser.
  • “The Moroccan authorities are buying every possible and imaginable surveillance and espionage product. They want to know everything.”
  • ...8 more annotations...
  • While Amnesty could not definitively state that the Moroccan authorities were behind the attack, the group was able to use forensic evidence to conclude this was very likely the case.
  • The spyware they found — commonly known as “Pegasus” — can be traced back to the Israeli cyber surveillance company, NSO Group.
  • Radi is an investigative journalist who co-founded the local news site Le Desk, a partner with the Star in the International Consortium of Investigative Journalists. He specializes in the connections between politicians and business people as well as social movements and human rights. In other words, he’s a thorn in the government’s side and a prime target for surveillance, hacking and harassment.
  • NSO Group, which was valued at $1 billion USD last year, sells surveillance software to governments and law enforcement agencies intended to combat terrorism. Over the last several years, however, reports from around the world have implicated NSO Group’s spyware in the targeting of journalists and human rights activists.
  • A recent report by The Citizen Lab at the University of Toronto’s Munk School identified 13 journalists, including a reporter for the New York Times, targeted by Pegasus software employed by the Mexican and Saudi Arabian governments.
  • what makes Radi’s case unique is that he was infected last September, only three days after the Israeli company issued a policy that vowed the company would cut off clients if they were found to misuse the surveillance technology to target journalists and human rights activists
  • Amnesty’s new report notes that the NSO server used to hack Monjib and El Bouchattaoui was shut down shortly after the previous report was made public. Shortly afterward, a new server that operated in the same manner was set up and used to hack Radi’s phone, the report said.
  • This month, an article on the Moroccan news website Chouftv reported that Radi was part of a group of journalists organizing a support campaign for an imprisoned colleague. Radi says the article contained details taken from conversations he had on the encrypted apps Signal and WhatsApp, and he suspects government intelligence officers leaked the information gleaned from his phone.“It’s a way of saying: ‘You are being watched,’ ” he said.Radi’s sources have grown more reluctant to talk as it has become evident that journalists’ phones are being tapped.
‹ Previous 21 - 40 of 326 Next › Last »
Showing 20 items per page