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New Media Regulations Enforced Within Days: On March 21, the Supreme Media Regulatory Council issued its first penalty for violating the new bylaws regulating the media that were introduced last week against Al-Mashhad newspaper. According to Al-Mashhad’s Editor in Chief Magdy Shendy, the newspaper was fined 50,000 Egyptian pounds ($2,890) and will be blocked by Egyptian internet providers for six months for “violations of ‘public morals,’ ‘ethics,’ and ‘written traditions’” for a “pornographic picture” and “offensive comments” related to coverage of a female TV presenter. Shendy argues, however, that “the only reason for the decision is our [Al-Mashhad’s] stance on the constitutional amendments,” which would allow President Abdel Fattah al-Sisi to stay in power until at least 2034. According to Mada Masr, Al-Mashhad published [Ar] a report documenting police officers bribing Egyptians with Ramadan meals in exchange for votes in the expected referendum on the amendments. The new media regulations enable the Supreme Media Regulatory Council to block and fine websites and social media accounts it believes has published “offending material” including “anything inciting violating the law, public morals, racism, intolerance, violence, discrimination between citizens or hatred.”

Tearing down pillars of modern Egyptian history can be lethal, as author and screenwriter Ahmed Mourad and director Marwan Hamed recently discovered with “Diamond Dust,” a political thriller dealing with the Free Officers Movement and the coup that dethroned King Farouk on July 23, 1952

“Diamond Dust” the book, published six months before the 2011 revolution, became a best-seller that year, but was not a source of controversy. Its adaptation for the stage in 2016 premiered without event. This August, however, when the film adaptation by Hamed, known for the daring drama “The Yacoubian Building” (2006), arrived in Egyptian cinemas, it created a stir.

“Diamond Dust” is the first Egyptian movie to describe the 1952 change in government as a coup, rather than a revolution, as the state officially recognizes the event. In fact, the film is unapologetically critical of the whole movement. Egyptian cinematic works have criticized the politics of President Gamal Abdel Nasser, one of the leaders of the Free Officers, and of his successors' regimes, but the Free Officers Movement itself had apparently been off-limits.

not necessary for a newspaper to run images of the dead and injured in a manner that seemed blatantly disrespectful and dehumanising

Part of the issue people had with the editorial response was that it seemed to imply that the images were published because the attack in Nairobi was a "special" isolated incident, one that required especially gruesome images to depict "the truth" of what happened. 

Kenyans were neither fooled nor placated. Many others in the Global South agreed, as they, too, had experienced - many times over - how powerful news organisations from the geopolitical West present what happens in their communities and countries in two-dimensional ways, often with little regard for how their words and images would affect those who were depicted

Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.

Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.

YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site

many Americans’ memories of Rabin have long been colored by a relentless media narrative that deprived them of critical perspectives on his life and legacy. In fact, looking back at the Oslo years, the voices of Palestinians — the victims of Rabin’s decades-long career — rarely made it into the pages of influential U.S. publications. Had they been featured, many Americans may have had a more informed opinion about why Palestinians would oppose honoring Rabin.

I focused on opinion pieces for two reasons. First, scholarly analysis of major U.S. outlets has already demonstrated that their news coverage is heavily shaped by pro-Israel biases. Second, opinion pieces are playing a stronger role than ever in shaping our understanding of the news. As one newspaper editor explained, “In a 24/7 news environment, many readers already know what happened; opinion pieces help them decide how to think about it.”

It is unsurprising, then, that most readers of the mainstream U.S. press would not understand that Rabin only recognized the PLO as “the representative of the Palestinian people,” but did not recognize Palestinians’ right to establish a state along the 1967 lines. They would not know that illegal Israeli settlements continued to expand under Rabin’s watch.

The British government ran a secret “black propaganda” campaign for decades, targeting Africa, the Middle East and parts of Asia with leaflets and reports from fake sources aimed at destabilising cold war enemies by encouraging racial tensions, sowing chaos, inciting violence and reinforcing anti-communist ideas, newly declassified documents have revealed.

The campaign also sought to mobilise Muslims against Moscow, promoting greater religious conservatism and radical ideas. To appear authentic, documents encouraged hatred of Israel.

The Information Research Department (IRD) was set up by the post-second world war Labour government to counter Soviet propaganda attacks on Britain. Its activities mirrored the CIA’s cold war propaganda operations and the extensive efforts of the USSR and its satellites.