With or against us | Mada Masr - 0 views
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With or against us http://t.co/oXIihNgeKU On the recent attacks against the #media. /by @sarahcarr #egypt
Erdoğan's Turkey and the Problem of the 30 Million - War on the Rocks - 0 views
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Erdoğan’s brand is waning in the cities, the coasts, and among young people. Neither the new Erdoğan-shaped presidential system, nor his expansionist foreign policy are popular in these parts. Even before the COVID-19 pandemic, chronic unemployment and inflation extinguished any hope of him bouncing back in the polls. Despite his total control over the state, mainstream media, and major capital groups, the president is unlikely to ever get much more than half of the popular vote.
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The Erdoğan government now faced a question that all successful populist regimes must solve: What to do with the minority? They certainly can’t be granted free and fair elections, lest they attain the means to exact revenge. Nor can they be deprived of all their rights of representation, lest they be driven to revolt or treason. So how does a very slim majority of a country suppress the other half indefinitely? How does it rest easy, knowing that its hegemony is locked in?
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The Erdoğan government surely knows that an attempt to “nationalize” all of the 30 million would be unrealistic. Rather, it seeks to separate the leftists and Kurds among them and brand them as terrorists, then turn around and securely pull the center opposition into the nationalist opposition.
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'Three Thousand Years' and the History of Middle East Tales - New Lines Magazine - 0 views
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a film based on “The 1,001 Arabian Nights” is a risky venture. On the one hand, Hollywood Golden Age standards like “The Thief of Baghdad” (1924) and “Ali Baba and the Forty Thieves” (1944) get applause even from someone like Jack Shaheen, who in his book “Reel Bad Arabs” tries very hard to sniff out anti-Arab sentiment. On the other hand, Disney rolled the dice in 1992 and wound up with “Aladdin,” one of the most scandalous films ever made. This was thanks to an ill-advised song lyric about the Middle East: “Where they cut off your ear if they don’t like your face.” (The 1993 VHS version tossed out this carbuncle but kept the phrase “It’s barbaric, but hey it’s home.”) The 2019 Will Smith reboot of the same name, one of that year’s highest-grossing films, didn’t do much in the eyes of critics to update Orientalist caricatures. Teachers still use the 1992 version to show what not to say about Arabs and Islam. Another Disney production, 2010’s “Prince of Persia: The Sands of Time,” which was based on the Persian national epic “Shahnameh,” got panned for casting Jake Gyllenhaal, a white actor, to play a Persian character. And the list goes on.
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both Byatt and Miller get much of the folklore right. Viewers learn that djinn come in many varieties, including those who fear God, like Alithea’s djinn insists he does, and those who don’t. Djinn are made of “smokeless fire” while humans are made from dust, based on the Quran’s chapter 55, “The Merciful.” Djinn can live for thousands of years, change size and shape, make love, eat and sleep (the djinn in the movie says his kind don’t do the latter). All this and more, drawn from Islamic folklore through Byatt’s story, makes Robin Williams’ blue meanie from the 1992 “Aladdin” look like the cardboard cutout he is
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at a time of heightened sensitivity to who gets to tell stories, can Hollywood still celebrate the Middle East?
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'Where Tunisia Leads, Britain Follows' - Byline Times - 0 views
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Fuelled by populist politics, a nationalistic press and the apparent desire to confront complex problems with ‘red meat’ and increased nationalism, Tunisia’s President has steered his country on a dark course.
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rather than address the core problems facing Tunisia, its President – buoyed by a supportive media – has embarked on a populist witch-hunt of his political opponents and now one of the country’s most vulnerable groups.
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As the UK Government focuses its efforts on pushing through an immigration bill that it itself admits has only a 50% chance of meeting international legal thresholds, there are parallels between both sets of leaderships. Like Tunisia’s President, Rishi Sunak Government is attempting to use populist nationalism and the wilful demonising of migrants as cover for its own gross economic mismanagement and flailing popularity.
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