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A leading Iranian cleric has urged authorities “to listen to the people”, as protests ignited by a young woman’s death in morality police custody show no sign of letting up.

“The leaders must listen to the demands of the people, resolve their problems and show sensitivity to their rights,” said Grand Ayatollah Hossein Nouri Hamedani in a statement posted on his website Sunday.

The powerful 97-year-old cleric has long been aligned with the country’s ultra-conservative establishment and strongly backed supreme leader Ayatollah Ali Khamenei on several occasions — notably during the 2009 protests against the reelection of former president Mahmoud Ahmadinejad.

On July 28, The Economist ran a story on what it said is why women are so much “fatter” than men in Arab countries. The story, titled “Why women are fatter than men in the Arab world,” laid the blame primarily on cultural restrictions on women that hinder their access to exercise and outdoor spaces. To accompany the short report, The Economist chose a photo of Enas Taleb during her performance at Iraq’s annual cultural Babylon Festival, thus portraying Taleb as an example of such overweight.

Taleb, 42, is a veteran of Iraqi TV dramas who began her career in locally produced shows at the age of 16. From 1996 to 2002, there were hardly any TV shows that did not include her as one of the main protagonists. She has appeared in ads and music videos in Iraq over the past two decades and is admired and respected among audiences and peers alike for her highly praised on screen performances and down-to-earth offscreen persona. Until The Economist used her image depicting “fat” Arab women, Taleb had largely remained distant from controversies, be they political, social or religious, unlike many other artists in Iraq’s entertainment scene. Also unlike many in the entertainment business, the married mother of two adolescent daughters has hardly changed her appearance over the years, eschewing the usual plastic surgeries that have become commonplace throughout the Arab world.

Also not properly examined in The Economist piece are other influences, like a culinary culture that encourages the overconsumption of carbohydrates, especially sweets and refined sugar, as exemplified by a rise of imported trends like junk food and sugary soda drinks that are not properly condemned by local health authorities. A general predilection for staying up late at night, which is common behavior throughout the Arab world, could also be an understudied factor contributing to the epidemic in the region.

The Biden administration is pressing Tunisia’s leaders to reverse steps weakening the country’s democracy, exposing friction with a nation once seen as the most promising of those who experienced Arab Spring revolutions.

talks between Saied and Barbara Leaf, the State Department’s top official for the Middle East. During a visit to Tunis last month, Leaf conveyed worries about a new constitutional framework “that weakens Tunisia’s democracy and how crucial going forward an inclusive and transparent reform process is to restore confidence of the Tunisian people,”

In July, Saied’s government reacted angrily to a statement by Secretary of State Antony Blinken raising questions about a constitutional referendum vote marked by low voter turnout.

the outbreak is linked to the presence of bacteria responsible for cholera in the waters of the Euphrates river, the river's water level has suffered a serious decline because of climate change and is, in many areas, transforming into swamp land.

“The lack of treated drinking water through water stations and the irrigation of vegetables from the Euphrates river were the main cause of cholera infecting my wife and child.”

"We do not have potable water because of the interruption of pipe water, which makes us buy water from tanks filled from surface wells, which are not subject to sanitary control at all,"

a film based on “The 1,001 Arabian Nights” is a risky venture. On the one hand, Hollywood Golden Age standards like “The Thief of Baghdad” (1924) and “Ali Baba and the Forty Thieves” (1944) get applause even from someone like Jack Shaheen, who in his book “Reel Bad Arabs” tries very hard to sniff out anti-Arab sentiment. On the other hand, Disney rolled the dice in 1992 and wound up with “Aladdin,” one of the most scandalous films ever made. This was thanks to an ill-advised song lyric about the Middle East: “Where they cut off your ear if they don’t like your face.” (The 1993 VHS version tossed out this carbuncle but kept the phrase “It’s barbaric, but hey it’s home.”) The 2019 Will Smith reboot of the same name, one of that year’s highest-grossing films, didn’t do much in the eyes of critics to update Orientalist caricatures. Teachers still use the 1992 version to show what not to say about Arabs and Islam. Another Disney production, 2010’s “Prince of Persia: The Sands of Time,” which was based on the Persian national epic “Shahnameh,” got panned for casting Jake Gyllenhaal, a white actor, to play a Persian character. And the list goes on.

both Byatt and Miller get much of the folklore right. Viewers learn that djinn come in many varieties, including those who fear God, like Alithea’s djinn insists he does, and those who don’t. Djinn are made of “smokeless fire” while humans are made from dust, based on the Quran’s chapter 55, “The Merciful.” Djinn can live for thousands of years, change size and shape, make love, eat and sleep (the djinn in the movie says his kind don’t do the latter). All this and more, drawn from Islamic folklore through Byatt’s story, makes Robin Williams’ blue meanie from the 1992 “Aladdin” look like the cardboard cutout he is

at a time of heightened sensitivity to who gets to tell stories, can Hollywood still celebrate the Middle East?

umrah

The man, who was wearing a generic white pilgrimage costume, held a banner handwritten in both Arabic and English saying, “Umrah for the soul of Queen Elizabeth II, may Allah grant her a place in heaven and accept her among the righteous people.”

People generally take photos while on pilgrimage in Saudi Arabia, and sometimes that includes shoutouts and banners with different messages, but security has been tightened after an Israeli journalist snuck into the Hajj, the major Muslim pilgrimage, in July.