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Despite the presence of Al Jazeera, Qatar’s internal journalism suffers from a lack of protections for journalists, operating under a media law passed in 1979. A revised media law was discussed in 2012 but never passed after criticism that its broad language would stifle good journalism. The advocacy group Freedom House labels Qatar’s press freedom as “not free” and the country is ranked at No. 110 out of 179 in Reporter’s Without Borders’ press freedom rankings

Qatar’s Twitter community is relatively robust with many commentators taking to the social media platform to complain about aspects of government services. However, no one has directly questioned or challenged the emir’s rule. Unlike other Gulf countries, the Qatari government has not arrested anyone for their social media speech.

Just last week, two Emiratis were convicted for violating a law that made it a crime to “damage the national unity or social peace or prejudice the public order and public morals.” The government also convicted 69 citizens of sedition last year and prosecuted two Emiratis for spreading “false news” about that trial.

Qatar’s move to pass cybercrime legislation could also be a nod to assuage security concerns of its neighbors. Earlier in March, the UAE, Saudi Arabia and Bahrain withdrew their ambassadors from Qatar. They announced that country needed to “take the appropriate steps to ensure the security of the GCC states.”

The collective formed in the days following the January 2011 uprising when it set up a "human rights media tent" in Tahrir Square as "a point to collect footage that people had of police abuses".

The citizen journalists have licensed footage under creative commons on YouTube and Vimeo, where others can download the films. These can be used by broadcasters.

"We are both attacking state media and trying to push traditional media outlets into taking a stronger stance and backing them up in being able to show things that perhaps felt they were unable to show. "We are also empowering everyone that has a camera phone to make them feel like they can contribute to a wider narrative rather than just uploading it to YouTube."

Mosireen is therefore reaching out to those without internet access, which is "one of the big, big, big challenges". "It's very easy to forget how hyper-connected we are compared to most of the world," Hamilton said

Asked whether they see themselves as activists or journalists, Hamilton explained how they have a "definite journalistic push". "We have a decentralised approach. We don't have an editorial policy, we don't have an editorial meeting at the beginning of the day to tell people where to go." Anyone can contribute footage, creating an "almost infinite number of camera people" who can be out filming, using mobile phones, DSLRs and hand-held video cameras.

It is not the international audience the activists are focused on. "We are in a fight that is going to be settled, or won or lost, here [in Egypt], so we don't need to spend too much time talking to or addressing international audiences. "It's really much more about Egyptian public opinion and the narrative within Egypt that is important, and helping people get access to the truth."

Shaam News Network, which identifies itself as a "group of patriotic Syrian youth activists... supporting the Syrian people's efforts for democratic and peaceful change," has gained popularity for putting news and footage of the uprising online

But Assad's government has also launched a cold war on information and communications technology, with activists turning to satellite phones when Internet access is cut off and mobile phone networks jammed

Jasmine Revolution" report on protests and killings and sends it to journalists around the world

I wonder if it is being of mixed heritage that makes me feel more connected to my Alaskan community, because the perspectives of indigenous people today are inevitably those of mixed heritages; after colonisation we were all straddling two worlds, all putting effort into learning our own cultures and languages - and often feeling guilty about it.

“Typically somewhere between a tenth and a quarter of readers get that what they read was actually an advertisement.”

“the reason these advertorials exist is to fool at least some readers into thinking they are legitimate editorial content, or at least imbued with the rigor of Reuters reporting.”

News providers got 20 percent of their ad revenues from native content in 2017, according to a global study of 148 publishers by the Native Advertising Institute and the World Association of Newspapers and News Publishers. By 2021 executives expect that to increase to 36 percent

One potential benefit of publishing a counter message on the same platform where the bad publicity originated, Wojdynski says, is having positive content appear alongside negative stories in search results.

the fact that Reuters itself has covered this issue makes the ad even more noteworthy than other paid stories. He notes that early last year the agency’s charitable arm, the Thomson Reuters Foundation, published pieces pointing out that traffickers were still forcing people into the seafood industry despite reforms. “Publishing this sponsored content without the conflicting context provided by Reuters’s own reporting on this issue seems pretty unethical to me,”

The commotion over the sponsored piece raises questions not just about the ethics of native advertising, but about news providers’ broader relationships with governments. Where and how should publications draw the line when taking money from governments? Should certain clients be completely off limits, and if so how does one decide which ones?

deciding which messages are harmful requires making political and moral judgements, even if they’re unacknowledged

Foreign news coverage has been taking a hit for decades. According to a 2014 Pew report, American newspapers even then had cut their international reporting staff by 24 percent in less than a decade. Network news coverage of stories with a foreign dateline averaged 500 minutes per year in 2016, compared to an average 1,500 minutes in 1988, according to a study by Tyndall. “Clearly it’s harder for international stories to end up on front pages now,” says Ben Pauker, who served as the executive editor of Foreign Policy for seven years until the end of 2017. He is now a managing editor at Vox. From his own experience, Pauker says, it’s simply an issue of editorial bandwidth. “There’s only so much content an editorial team can process.”

In October 2017, Sulome thought she had landed the story of her career. The US had just announced a $7 million reward for a Hezbollah operative believed to be scouting locations for terror attacks on American soil—something it had never done before. Having interviewed Hezbollah fighters for the last six years, Sulome had unique access to the upper echelons of its militants, including that specific operative’s family members. Over the course of her reporting, Hezbollah members told her they had contingency plans to strike government and military targets on US soil and that they had surface-to-air missiles, which had not been reported before. Convinced she had struck gold, she was elated when the piece was commissioned by a dream publication she’d never written for before. But days later, that publication rescinded its decision, saying that Sulome had done too much of the reporting before she was commissioned. Sulome was in shock. She went on to pitch the story to eight other publications, and no one was interested.

I’ll go back to the Middle East on trips if I find someone who wants a story, but I’m not going to live there and do this full-time, because it’s really taking a toll on me

According to Nathalie Applewhite, managing director of the Pulitzer Center on Crisis Reporting, the lack of international coverage has become a real problem for Pulitzer grant recipients. Those grants, she says, were established to address the earlier crisis in which news organizations were closing foreign bureaus and could no longer fund big foreign reporting projects. “Now we’re seeing an even bigger challenge,” she says. “We’re providing the monetary support, but the problem is finding the space for it.” Grant applicants, Applewhite adds, are finding it harder to get commitments from editors to publish their work upon completion of their reporting. And stories that already have commitments are sitting on the shelf much longer, as they are continuously postponed for breaking Trump news.

As the daughter of two former Middle East-based journalists, Sulome knows what it used to be like for people like her. “I grew up surrounded by foreign correspondents, and it was a very different time. There was a healthy foreign press, and most of them were staff. The Chicago Tribune had a Beirut bureau for example. So when people say we’re in a golden age of journalism today, I’m like, Really?”

The divestment from foreign news coverage, she believes, has forced journalists to risk their lives to tell stories they feel are important. Now, some publications are refusing to commission stories in which the reporter already took the risk of doing the reporting on spec. Believing that this will discourage freelancers from putting their lives in danger, this policy adds to the problem more than it solves it.

“When people lose sight of what’s going on around the world, we allow our government to make foreign policy decisions that don’t benefit us. It makes it so much easier for them to do that when we don’t have the facts. Like if we don’t know that the crisis in Yemen is killing and starving so many people and making Yemenis more extremist, how will people know not to support a policy in which we are attacking Yemenis?”

“Whether it’s environmental, ethnic or religious conflict, these are issues that may seem far away, but if we ignore them they can have a very real impact on us at home. International security issues, global health scares, and environmental crises know no borders, and I think we ignore them at our own peril.”

Salahi and countless non-Western others have long known and written about torture at Guantánamo or Bagram or any of the many places where it occurred. But it only becomes a literary, notable, and prize-worthy truth when it flows from the pen of a foreign correspondent at a prestige publication like The New Yorker.

“If you say that you are angry,” Salahi tells the two white men, “it is understood as an emotion. If I say that I am angry, it is seen as a threat to national security.”

Salahi’s words underscore the truth Taub has not told: that writing an article about torture that does nothing to disrupt a worldview that has left brown men forever suspect is not getting anywhere at all.

Weak mobile and internet penetration, though increasing, stifles the ability of the industry to flourish

in Africa, podcasts are produced in many of the native languages, including Arabic, and thus reach audiences that are otherwise ignored by podcasters who reside outside of the Global South

globally, including in Africa, traditional radio is tethered to governments in terms of regulation and licensing and thus subject to various levels of censorship. On the other hand, podcasting is more rogue, with niche non-standard formats and topics. As a result, there is an exciting variety of podcasts, including emerging podcasts in true crime, wellness, history, and identity and culture. There is also a reciprocal relationship between the content podcasters are creating and what podcast listeners are interested in; meaning there is a focus on audience engagement. Buoyed by the growth in African podcasts that speak to the African experience, African podcast listenership has expanded.

PodFest Cairo is Egypt and Africa’s first podcasting conference, bringing podcasters and podcast listeners together to share experiences. Africa Podfest is a Kenyan, woman-led company which founded Africa Podcast Day (February 12) and whose primary objective is to cultivate the African podcasting community through networking and sharing resources. 

in Africa, where it’s estimated that there are at least 1500 languages, podcasts are produced in many languages

Aaisha Dadi Patel, a writer and journalist at the Wall Street Journal Africa bureau, says audiences are more likely to listen to the radio as opposed to undertaking the added burden of trying to find, download, and then listen to a podcast, not to mention the exorbitant cost for data

Just as the podcast medium’s presence is increasing in Africa, so too is research in the field. South African podcasters have seen their community grow and firms, like Edison Research, have taken notice by collecting data on the region, releasing their first report on South Africa in 2019. Scholarly research has also increased

Africa is the continent with the youngest population worldwide, with around 40 percent of the population aged 15 and under compared to the global average of 26 percent

Africa Podfest reports dating back to 2018 indicate that the types of podcasts released in Africa are consistently hyperlocal

News about politics is viewed as particularly suspect and platforms are seen by many as contentious places for political conversation – at least for those most interested in politics. Rates of trust in news in general are comparatively higher than trust in news when it pertains to coverage of political affairs.

Negative perceptions about journalism are widespread and social media is one of the most often-cited places people say they see or hear criticism of news and journalism

Despite positive feelings towards most platforms, large majorities in all four countries agree that false and misleading information, harassment, and platforms using data irresponsibly are ‘big problems’ in their country for many platforms

In this democratized media environment, where the authoritative is drowned out by the masses, and immediacy and transparency trump objectivity, videos documenting demolitions and disfigurements expose enough in real time for us to grasp the reality based on sheer volume, even when what we are seeing is not instantly verifiable

Al Jazeera, like social media, played a crucial role in amplifying and accelerating the voices of those protesting in the streets

the fallacy of objectivity and how transparency, participation and empowerment can trump that calling