Group items tagged

Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.

Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.

YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site

There’s a cutting-off-the-nose-to-spite-the face aspect to a Saudi plan to turn Qatar into an island by digging a 60-kilometre ocean channel through the two countries’ land border that would accommodate a nuclear waste heap as well as a military base. If implemented, the channel would signal the kingdom’s belief that relations between the world’s only two Wahhabi states will not any time soon return to the projection of Gulf brotherhood that was the dominant theme prior to the United Arab Emirates-Saudi-led imposition in June of last year of a diplomatic and economic boycott of Qatar.

The message that notions of Gulf brotherhood are shallow at best is one that will be heard not only in Doha, but also in other capitals in the region

the nuclear waste dump and military base would be on the side of the channel that touches the Qatari border and would effectively constitute a Saudi outpost on the newly created island.

Despite the emphasis on the Islamic coda that prohibits discrimination against fellow black Muslims and Act 21 of the national constitution which emphasizes that all Tunisians are “equal before the law without any discrimination,” racism against its black citizens permeates the social, institutional, and political strata of Tunisia.

“the level of interaction between Sub-Saharan in general and the Tunisian population is negligible.”

Maha Abdelahmid, co-founder of l’Association de défense des droits des Noirs (ADAM or the Tunisian League for the Defence of the Rights of Blacks) states that birth certificates delivered to black Tunisians who are born in Djerba (in the south east of Tunisia, known for its large black community) still carry the title “freed slaves.”

A Twitter account has been attacking journalists, professors, analysts, activists and human rights advocates who do not share its operators' strong views against the Iranian government. It has a modest reach of about 1,650 followers, but until Friday it was funded by the US State Department.

US government suspended funding for the account, IranDisinfo

"They're creating their own echo chamber, and it appears that they're funding it," said Ryan Costello, policy director at the National Iranian American Council (NIAC). NIAC, which advocates an anti-war position with Iran but also denounces human rights abuses by the Islamic Republic, has received the lion's share of the account's attacks on critics of President Donald Trump's hardline Iran policies.

The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 

Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.

an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities

A Saudi preacher with more than 2 million Twitter followers has been banned from tweeting by a court that convicted him of jeopardizing public order.The cleric, previously accused of links to the banned Muslim Brotherhood, was also fined SR100,000 ($27,000)

convicted the preacher of spreading content on Twitter that “could jeopardize public order and provoke public opinion.”

Al-Qarni has often been criticized in the local press and on social media for his radical views about scholars who disagree with his interpretation of religion.

nothing seems to disturb Egypt’s ruling cadres more than the written word. The recent litany of bans and shutdowns, including blocking hundreds of web pages online, illustrates what Cambridge University’s Khaled Fahmy, a prolific historian of the Middle East, called “an alarmist moment of crisis,” one in which Egypt’s authoritarian state of emergency laws have turned something as simple as reading into a dangerous act. “Free press and freedom of information … are essential ingredients of any democratic system. The regime and many segments of society do not see it this way—they see the exact opposite. They see at times of crises we have to have absolute unity,”

sentenced to five years in jail under a counter-terrorism law for possessing a copy of Karl Marx’s Value, Price and Profit

Sisi prefers conservative Islamists who he can control over secular dissidents—chiefly writers—who threaten his rule.

Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.

reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict

The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.

In 1992, Mazrui had a proposal: “The French once examined their special relationship to Africa and came up with the concept EURAFRICA as a basis of special cooperation. We in turn should examine the even older special relationship between Africa and the Arab World and call it AFRABIA.”

The project of “Afrabia,” as I interpret, would allow Africans to revisit a long history of the Islamic empire in Africa, its intersecting points with colonial projects subcontracted to Arab and South-Asian masters, as well as a shared history of decolonial struggles and anti-capitalist ambitions. For Arabs, it would mean a much-needed and long-overdue revision of their history, as well as of language and artistic expression that deal with Africa, blackness, and Afro-Arabs in reactionary, racist, and apolitical terms

Arabs, like their western teachers, when discussing anti-black racism and black issues, seem fixated on skin color, ideals of beauty, and visual representations; in a sense they express their own racial anxiety. It is as if anti-black racism has no history, trajectory, or realities beyond the stigma assigned to it, or the rhetoric surrounding it.

Plans to make a movie about Rumi, a 13th-century Persian Sufi poet, have once again revived an old quarrel between two currents among Iranian clerics — one that celebrates him as a great mystic and another that opposes his teachings as deviation and heresy.

nearly 750 years after Rumi's death, award-winning Iranian director Hassan Fathi, known in Iran for the hit series “Shahrzad,” announced Sept. 22 that he would produce a movie titled “Drunk on Love” about the much-speculated relationship between Rumi and Shams.

The project is to be an Iranian-Turkish production.

the State Department suspended its funding for a mysterious website and Twitter account, IranDisInfo.org and @IranDisInfo, after the project attacked human rights workers, journalists and academics, many of whom are based inside the U.S. But the role of the U.S. government in financing IranDisInfo’s criticisms of Human Rights Watch and the National Iranian American Council (NIAC), a group that has been outspoken in warning about the Trump administration’s increasingly aggressive military posture towards Iran, appears to have been in collaboration with the Foundation for Defense of Democracies (FDD). FDD pushes for military confrontation with Iran and has received funding from some of Trump and the GOP’s biggest campaign megadonors. While simultaneously denying their support for a war with Iran, FDD’s scholars have repeatedly urged U.S. military action against the Islamic Republic.

Dubowitz and his FDD colleagues have been advising the Trump White House on their regime change strategy in Iran.

FDD’s involvement with IranDisInfo was thinly concealed.  The website and Twitter account heavily promoted Mark Dubowitz and FDD advisor Saeed Ghasseminejad. Buried on FDD’s website is an “Iran Disinformation Project” that publishes the identical content from Ghasseminejad that was cross-posted on IranDisInfo’s website. And on at least five occasions FDD’s Twitter account promoted articles by Ghasseminejad “in @IranDisInfo.” Except the links didn’t send users to IranDisInfo’s website. Instead, the links were to FDD’s own “Iran Disinformation Project,” hosted on FDD’s website.

The End (El-Nehaya), the Egyptian dystopian science fiction thriller series, has captured the imagination of audiences throughout the Arab world this Ramadan TV season. It is ranked the third most popular series this season, and has generated a lot of discussion in social media about its futuristic technology and debt to Hollywood science fiction and dystopian films.The End was also lumped into the debate over normalisation in this year’s Ramadanic TV programming and was attacked by the Israeli Foreign Ministry for its anti-normalisation stance. The End is premised on the fictional idea that the Arab world would become a superpower and that Israel would be destroyed less than a century into its establishment — that is, in less than thirty years. In its place, Al-Quds conglomerate will be created and will be under total Arab control.

Some contrasted the daring futuristic scenario with the utter impotence of the Arab world today, to offer any viable solution to the Palestinian struggle for freedom and the ongoing Nakba. Others thought it was enough that the series managed to provoke and infuriate Israel.

The series does not only substitute one form of domination in Al-Quds conglomerate for another. More importantly, the Palestinians are completely erased from Al-Quds conglomerate itself.

The people of Iran are months into nationwide protests demanding fundamental change to the way their country is ruled. At its heart, what’s happening in Iran is an equality movement. Protesters’ goals are in line with U.S. ideals and liberal values generally, and their success would be a major blow to the worldwide authoritarian wave of recent years. This moment deserves attention, and no global stage is bigger than the World Cup. Billions will be watching. The longer Iran stays in, the more recognition its people and their movement will receive.

Should this movement in Iran dissipate without real alterations to the ruling system, the cost for participants will be tragic. At least 450 people, including dozens of children, have already been killed, and thousands more have been arrested and imprisoned. Some protesters have already been sentenced to death for simply exercising their universal right to peacefully assemble.

Those calling on social media for a boycott of Iran’s team say the players haven’t been sufficiently supportive of the protests and that they are owned and operated by the regime. But the team’s words and actions in Qatar tell a different story. The best thing Iranians — and the free world — can do is wish this team success.