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Long committed to a free media, Mustafa Amin was imprisoned for six months in 1939 for an article in Akher sa‘a (Last Hour) magazine deemed critical of King Faruq. An advocate of democracy and Western liberalism, he was arrested in 1965, tried secretly in 1966, and convicted of being a spy for America and smuggling funds. Sentenced to a life sentence, he spent nine years in prison before being pardoned by Nasser’s successor, President Anwar Sadat. Ali Amin, accused by Heikal of working for British and Saudi intelligence, went into exile in 1965.

Room for expression existed mainly in the literary pages of al-Ahram, where writers under Heikal’s wings, like Naguib Mahfouz, could publish works of fiction that could be read as challenges to the status quo.[5] As far as the press was concerned, censorship was directed at politically oriented news and commentary rather than the literary sections

During the conflict, as the Egyptian army, under Field Marshal Abd al-Hakim Amer’s command, was hastily retreating from Sinai, broadcast outlets aired invented reports of fabulous victories against the Zionist foe. At no other moment did the state media prove so woefully deficient, contributing to a deep sense of public betrayal.

The speech was written for him by prominent journalist Mohamed Hassanein Heikal and tactfully framed a romp of Arab armies as a “setback,” displaying Heikal’s knack for being both a propagandist and political powerbroker.   It was a moment that brilliantly served to shore up Nasser’s support. Egyptians took to the streets demanding that their leader stay in power. “The People Say ‘No,’” declared Akhbar al-youm (News of the Day) in large red writing. In smaller black lettering the headline read, “The Leader Discloses the Whole Truth to the People.” It is difficult to say how populist and genuine the appeal was and how much of the public display of support for Nasser was behind-the-scenes political machinations of the regime and its media. While Nasser did stay in power, it was only later that Egyptians could comprehend the true extent of the defeat—especially in light of official propaganda—and the institutional failures that placed the whole of Sinai under Israeli control.

Student periodicals posted on the walls of the campuses emerged as the freest press in Egypt. Nasser for the first time became the object of direct criticism in the public space. A campaign against student unrest was waged in the state-owned media, which labeled the activists as provocateurs and counter-revolutionaries goaded by foreign elements

slogans shouted and scrawled on building walls that demanded: “Stop the Rule of the Intelligence,” “Down with the Police State,” and “Down with Heikal’s Lying Press.”

“A centralized editorial secretariat, called the Desk, was founded, as well as the Center for Strategic Studies and the Information Division. To his detractors, these innovations appeared to be spying sessions of an extensive empire dedicated to intelligence gathering

Nasser appointed Heikal to the post of minister of information and national guidance, a role he assumed for six months in 1970 until Nasser’s death. Yet the self-described journalist confided his frustration of being assigned a ministerial post, perhaps intended to distance him from the publishing empire he built, to a colleague, the leftist writer Lutfi al-Khouli, at his home. The encounter was surreptitiously recorded by the secret police, leading to the arrest and brief imprisonment of al-Khouli, and Heikal’s secretary and her husband, who were also present. “Now, Nasser’s regime had two aspects: it had great achievements to its credit but also it had a repressive side. I do not myself believe that the achievements . . . could have been carried out without some degree of enforcement,” Heikal wrote in The Road to Ramadan. “But after the 1967 defeat the positive achievements came to an end, because all resources were geared to the coming battle, while repression became more obvious. When Nasser died the executants of repression took it on themselves to be the ideologues of the new regime as well. They held almost all the key posts in the country. The people resented this and came to hate what they saw as their oppressors.”

after his increasing criticism of Sadat’s handling of the October 1973 War and appeals to the United States to address the impasse, Heikal was removed from al-Ahram in 1974. He remained a prolific author. In May 1978, Heikal was one of dozens of writers accused by the state prosecutor of defaming Egypt and weakening social peace and was subject to an interrogation that extended three months

Sadat attempted to bring the dissident cacophony into line through the mass arrest in September 1981 of more than 1,500 intellectuals, writers, journalists, and opposition elements of every stripe. Among those arrested were leading members of the Journalists’ Syndicate and prominent figures like the political writer Muhammad Hassanein Heikal and novelist Nawal El Saadawi. Sadat’s crackdown against his opponents culminated in his assassination by Islamic militants on October 6, 1981 during a military parade to commemorate the start of the 1973 War. Soon after Hosni Mubarak assumed power, Heikal was released from prison

When Dream aired the lecture Heikal gave at the American University in Cairo, direct pressure was placed on the owner’s business interests, and the veteran journalist found a new forum on pan-Arab satellite broadcasting. The influential writer has made opposition to Gamal Mubarak’s succession a staple of his newspaper columns.

With the rise of satellite television, Qatar’s Al Jazeera commanded audiences not only with news but with popular discussion programmed, like Ma‘ Heikal (With Heikal), a program by Heikal that began the year after the 2003 invasion of Iraq, and which was watched by the Arab public with eager interest. Seated behind a desk and looking into the camera, Heikal gave his narrative of historical events and commentary on Middle Eastern and world affairs, exposing the intrigues of regional and global powers from his perch, having privileged access to leaders, diplomats, and decision makers. He has been a critic of Saudi diplomacy, its ballooning regional influence given the power of petrodollars, and its confrontation with Iran. Saudi pundits have consistently taken potshots at Heikal.

A couple of months before Morsi’s ouster on July 3, 2013, Heikal was contacted by Morsi’s defense minister Abd al-Fattah al-Sisi for a meeting, which had led to speculation that the Heikal devised the behind-the-scenes scenarios for an elected president’s removal as the dominant political player, the Muslim Brotherhood, was sinking in popularity. After Morsi was expelled from office, Heikal suggested to the military leader that he seek a popular mandate to lead the country, mirroring Nasser-style populism. Attired in full military regalia, al-Sisi at a July 24, 2013 graduation ceremony of the naval and air defence academies, broadcast live, warned that national security was in peril and summoned nationwide rallies two days later. Heikal supported al-Sisi’s bid for the presidency viewing him as the candidate born of necessity.

Growing threats to press freedom in America have metastasized in the weeks since Oct. 7, with pressure not to make any controversial comments about Israel or Palestine causing some editors and reporters to get fired or resign, which has a chilling effect on others. And my bigger fear is that this growing climate of fear is bleeding into coverage of the 2024 election and the threat to democracy.

The world is staring into an abyss, much as it did in the 1930s. Now, as then, the global rise of right-wing authoritarians like Vladimir Putin in Russia and Benjamin Netanyahu in Israel is linked to aggressive militarism that targets civilians and risks a world war. Here at home, the growing sense of chaos abroad and a broken government on Capitol Hill, with Republican Johnson poised to make matters worse, has imperiled the flawed small-d democratic government of President Joe Biden and has primed too many voters to fall into the waiting arms of a wannabe dictator.

the institutional caution that frames their work has been getting a lot worse. Some of it is probably business-driven — to avoid offending readers who might cancel a subscription. A lot of it seems to be a desire in newsrooms, after Trump’s whirlwind, lie-filled first term, to return to normalcy and the kind of balance that treats the two parties equally, which means ignoring that one has become an authoritarian cult.

things will get worse in less than two years if journalists — as individuals, as newsrooms, and as a profession — can’t stop cowering and won’t adopt a much more aggressive posture in defending democracy, the only political system that makes a functioning news media possible. Some of it is basic stuff — more boldness in calling out a blatant lie, like Johnson’s IRS claim, or making it clear when someone is to blame, like Israel’s killing of journalists.

I’m terrified that many angry, apathetic, or ill-informed voters will wake up on Jan. 21, 2025, in a country they no longer recognize ... and didn’t see coming.

Visitors to Huffington's website last May could have seen  this page (preserved here by the Wayback Machine) which lists Narwani's articles. Look at the same page today and they have all been deleted except for one which she co-authored with someone else. It's as if the other articles never existed.

concern about Facebook's deletion of various pages connected with the Syrian opposition, possibly at the behest of pro-Assad elements. Some of them have been listed by Felim McMahon of Storyful and the blogger, Brown Moses. McMahon points out that some of these have helped Storyful to corroborate (or not) various claims about the Syrian conflict, while Brown Moses notes that "nearly every Facebook page" reporting on the chemical attacks in Damascus last August has now gone. Alongside the fighting on the ground, there's also a propaganda war being fought over Syria – mostly via the internet. At first sight this might seem like a sideshow but, as in all wars, it's an integral part of the conflict. One individual heavily involved in the Syrian propaganda war on the pro-Assad side, through Twitter and various websites, is Sharmine Narwani (who I have written about previously, here,  here, here, and here). Among other things, Narwani wrote a dozen highly contentious articles for Huffington Post, some of them about Syria. Whether you like them or agree with them is beside the point. Whatever their merits or de-merits, they were examples of the sort of arguments being used by Assad supporters and the fact that Huffington, a major American website, saw fit to publish them at the time is also interesting and relevant. 

I'm not suggesting that articles on the internet should never be deleted or changed but that it should not be done lightly, and when it does happen, publishers should be prepared to justify their decisions in public.

Youssef, who has drawn inspiration from U.S. comedian Jon Stewart, rose to fame with a satirical online show after the 2011 uprising that toppled autocrat Hosni Mubarak. His popularity skyrocketed when his TV program took aim at Mursi, drawing the ire of his government. Youssef was investigated on allegations of insulting Islam and the president. Critics of the Mursi government saw this as an attempt to stifle dissent. The charges were ultimately dropped. Egypt's army-backed leaders now face even harsher criticism from local and international human rights groups. Whether Youssef will be allowed to stay on air if he keeps up his sharp commentary was another topic of the broadcast. "Second episode?" Youssef asked before bursting into laughter.

Meanwhile, the Syrian government's daily Al-Thawrah sees the situation as chickens coming home to roost for US President Barack Obama's foreign policy. "Perhaps it has not crossed America's mind that the terrorism it manufactures and exports to the rest of the world, including to Syria as is the case today, will in the end bounce back. But lately, this fact started to rob Obama's administration's sleep," they write. "Amid the feverish US -Western race to target Syria, developments in Ukraine have started to steal attention as the eyes of the world turn to the Russian Caesar and wait for his final decision on the issue."

In Turkey's Hurriyet Daily News, Verda Ozer notes comparisons between the Ukrainian uprising and her nation's Gezi protests, but she contends that there are "many differences". She calls Ukraine an "authoritarian democracy" without Turkey's record of recent stability. Turkey's government, she writes, has been in an ongoing dialogue with protesters, which has prevented the sort of escalation that happened in Kiev.

Published in the first few months after the 2011 uprising, Ben Mhenni’s book is the most euphoric of the four testimonies. Much of the narrative is a celebration of the power of cyber dissidence, which Ben Mhenni defines as a combination of citizen journalism (blogging and filming events) and on-the-ground activism

While acknowledging how her parents’ history of resistance as members of the UGTT prepared her for a life of activism, Ben Mhenni attributes much of her political development to the “real-world” friendships she established with cyber dissidents in the Tunisian blogosphere.

This testimony is more chronological and personal than Ben Mhenni’s. It constructs the author’s life teleologically as a journey from bourgeois indifference in suburbia to grassroots activism in the country’s downtrodden interior. It also documents Ben Mbarek’s co-founding of the civil rights network, Dostourna, which marked her renewed faith in “the power of citizens.”

Like Ben Mhenni, Ben Mbarek celebrates the politicizing power of social media, crediting Facebook for encouraging the rise of citizen journalism, which sparked her political (re)awakening. As she argues, it was thanks to citizen journalists from besieged cities that she finally felt connected to the leftist cause long championed by her father.

Convinced that the stultifying bureaucracy of political parties made them incapable of meeting the demands of the leaderless Arab Spring revolt, Ben Mbarek sought to create autonomous regional cells of civil rights activists throughout the country. Their job would be to address each region’s specific political needs

As a professor of philosophy, Belhaj Yahia champions the values of the Enlightenment and believes in the vital importance of dialogue. Accordingly, her text probes the origins of the discord between Islamists and secularists, in order to understand the tensions marking the post-Ben Ali period

she analyzes the “schizophrenic” discourses of her diasporic family members and the “narcissistic wounds” of old dissidents, who are now mimicking Ben Ali’s authoritarianism. She also critiques the regional and class disparities perpetrated by the old regime

Belhaj Yahia believes she is the product of a moderate and worldly national education, which is currently under threat in Tunisia. She locates this threat in the state’s gradual abandonment of public education and the resurgence of conservative ideologies

Her book ends with a call for other Tunisians to publish their own self-reflections, in the belief that writing and reading autobiographical accounts can pave the way for more understanding between the different factions comprising Tunisian society.

Fakhfakh’s book is a fictionalized diary written between January 14, 2011, the day of Ben Ali’s ouster, and May 18, 2015

Each diary entry is comprised of two parts. The first part is a summary of national and regional events with a brief commentary from the author; the second part is a biography of a pioneering Tunisian woman

As the author notes throughout the book, state attempts to propagate an institutional-form of feminism have devalued women’s history

The author worries that women’s achievements are constantly erased, in order to accommodate the ego of male leaders, like Bourguiba. She is also concerned that the rise of political Islam may eventually obscure Tunisian women’s “legacy of freedom” even further

Fakhfakh embraces the narrative of “Tunisian exceptionalism,” in which Tunisian women are presented as the most progressive in the Arab and Islamic world. This nationalist mythology about Tunisian women is common, even among Tunisian intellectuals, and is used as a means of differentiating and elevating Tunisian women above Arab and Muslim women more broadly. The inherent divisiveness of this narrative is problematic, and is left unexamined in Fakhfakh’s book