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Algeria's 19-year state of emergency will be lifted in the "very near future", state media has quoted Abdelaziz Bouteflika, the president, as saying.During a meeting with ministers on Thursday, the president also said Algerian television and radio, which are controlled by the state, should give airtime to all political parties.He added that protest marches, banned under the state of emergency, would be permitted across the country of 35 million except in the capital. His comments come as anti-government protests escalate in Egypt and follows a wave of similar uprisings in other Arab states including Tunisia and Yemen

over 250,000 people joined the biggest demonstration in the capital since protests against war in Iraq in 2003

Next year, the gritty tale about mafia-style murders will become the first Arabic language film to represent Israel at the Oscars.

Impoverished Israeli Arabs shooting one another in the shadow of the gleaming towers of Tel Aviv is far from Israel's preferred international image.

dark underside to the ideal of coexistence sometimes touted in mixed Jewish-Arab areas like Jaffa.

"We felt it was important for an Arab country to join and because other Arab countries were not involved militarily, we felt we should," Gen. Mubarak al-Khayanin, the Qatari Air Force chief of staff, said in an interview Sunday at Souda."We are physically small country, but with leadership comes responsibility," he said. "Certain countries like Saudi Arabia and Egypt haven't taken leadership for the last three years. So we wanted to step up and express ourselves, and see if others will follow."

The decisions by Qatar and UAE to join the coalition in Libya reflect their strong traditional ties to the United States and their desires to play a more active role internationally.

Qatar's rulers bankrolled the launch of Al Jazeera, arguably the Arab world's most influential news channel and a lightning rod for criticism from the region's autocrats. The network covered the recent Arab uprisings earlier and more extensively than Western news channels, and is renewing its push to get the channel's English-language division onto U.S. cable systems.Qatar has acted as peace broker in Lebanon and Sudan, and has sent humanitarian aid to both Chile and Haiti after earthquakes there in 2010. Qatar's capital, Doha, hosts several branches of American universities and the Middle East headquarters for the U.S. Army's Central Command.Karasik said the Libya intervention is yet another example of Qatar's desire to become "a foreign policy powerhouse."

 text messages buzzed between mobiles in quick succession, drawing woops of joy and thumbs up from astonished Syrians

"Perhaps the Saudis will have to build a whole village for Arab presidents once they run out of villas," joked a taxi driver

the usual babble of conversation was subdued as customers sat quietly but intently watching the TV broadcasting images of flames pouring from Egypt's ruling party's head office, a Soviet-era building much like many of those that house the state institutions in their own capital

it’s not just Kremlin-produced disinformation that Americans may have stumbled upon recently. Browsing Facebook and Twitter — and even just perusing the magazine rack at their local Walmart — they may have also been exposed to propaganda supporting the ambitious goals of two oil-rich Arab Gulf countries

when Saudi Arabia and the UAE launched a boycott and blockade of the tiny peninsula state of Qatar last year, organizations with ties to Riyadh and Abu Dhabi tried something new: They worked to sway American public opinion through online and social media campaigns, bringing a complicated, distant conflict among three Washington allies to US shores

As they took steps against Doha, Saudi Arabia and the UAE also initiated propaganda efforts in the US aimed at weakening Washington’s alliance with Qatar — which hosts the largest American military base in the Middle East — while also enhancing their own images.

the people originally prosecuted over the 2013 protests - which began against the redevelopment of central Istanbul’s Gezi Park and grew into nationwide anti-government unrest - were acquitted.

But in November, Yigit Aksakoglu was detained and is now facing trial with 15 other civil society figures, writers and actors. For a while Aksakoglu’s family hoped he would soon be released, but then on March 4, a 657-page indictment was released saying they had masterminded an attempt to overthrow Erdogan’s government.

Supporters of the detainees say the indictment contains no evidence and many bizarre accusations, and marks a new low for a country where 77,000 people already been jailed in a crackdown following a failed military coup in 2016.

Syrians have shown relentless ingenuity in adapting to every stage of a horrendous conflict, salvaging remnants of dignity, solidarity and vitality amid nightmarish circumstances

The decimation of Syria’s male population represents, arguably, the most fundamental shift in the country’s social fabric. As a generation of men has been pared down by death, disability, forced displacement and disappearance, those who remain have largely been sucked into a violent and corrupting system centered around armed factions

80 of the village’s men have been killed and 130 wounded—amounting to a third of the male population aged 18-50. The remaining two-thirds have overwhelmingly been absorbed into the army or militias

This time of year, the offices of TV production companies are usually bustling with stars conducting meetings in preparation for the upcoming Ramadan television season (which falls in May this year)

The local television scene is rife with talk about the implications of recent developments in the field, which entail an effective halt in almost all TV drama production

What we’re witnessing this year is not a marketing crisis, or a weakness in screenplays, or any of the other issues that have ailed the drama industry in the past; rather, the very existence of the industry is under unprecedented threat. The number of series being produced has plummeted, and is expected to amount to 18 series at most, the majority of which are  to be produced by Synergy, the production house owned by Tamer Morsy, head of the intelligence-affiliated Egyptian Media Group (EMG). It is the newest step in the state’s ongoing bid to monopolize all forms of media and artistic production in Egypt.

There’s a cutting-off-the-nose-to-spite-the face aspect to a Saudi plan to turn Qatar into an island by digging a 60-kilometre ocean channel through the two countries’ land border that would accommodate a nuclear waste heap as well as a military base. If implemented, the channel would signal the kingdom’s belief that relations between the world’s only two Wahhabi states will not any time soon return to the projection of Gulf brotherhood that was the dominant theme prior to the United Arab Emirates-Saudi-led imposition in June of last year of a diplomatic and economic boycott of Qatar.

The message that notions of Gulf brotherhood are shallow at best is one that will be heard not only in Doha, but also in other capitals in the region

the nuclear waste dump and military base would be on the side of the channel that touches the Qatari border and would effectively constitute a Saudi outpost on the newly created island.

Liao Liang's mission in the Kenyan capital is hardly confidential: As a senior editor of the China Global Television Network (CGTN), a subsidiary of Chinese state television, his task is that of shining a positive light on his country's ambitious activities -- particularly those in Africa, where China's reputation has suffered as its footprint has grown.

"It's an apartheid system," he says, with the Chinese at the top, then the whites, then the blacks and at the very bottom are the Kenyans. "We have to let the Chinese go first in the restrooms and we're only allowed to eat in the cafeteria after 1 p.m., after they have eaten. They treat us like their inferiors." Sometimes, James M. says, he only receives half of his contractual editor's salary of 2,000 euros per month. He says he is penalized 2,000 shillings - around 17 euros - for every mistake in his stories, including typos.

CGTN journalists aren't just there to ward off criticism of China's expansion in Africa but also to break the West's media dominance. The broadcaster has a similar mission in Africa as Russia's state broadcaster RT does in Europe.

How has the political culture changed in Egypt due to the emergence of political memes and the influencers behind them?

President Abdel-Fattah Al-Sisi also recently laughed when he was shown some of the memes referencing the most recent spike in petrol prices, telling the first session of the seventh National Youth Conference held in the New Administrative Capital last month that when the government tackles vital issues it takes into consideration the reaction of people on social media. He said that the government routinely gauges the possible reaction of the people before taking difficult decisions. This demonstrates how the country’s political culture has evolved in the digital age, since physical banners, such as those that were once used in demonstrations, have now often been replaced by digital memes, with the government closely monitoring the Internet in order to gauge the state of public opinion.

Khaled Al-Baramawi, a media commentator, said that Egyptians had always been known for their wit and satire, particularly on political issues. “With the rise of social media, Egyptians have become top producers of digital content,” he said. “When you combine Egyptian humour and online activity, you can understand why digital satire is so popular among Egyptians, including on Facebook, Twitter, WhatsApp and other platforms. Politics is a conversation staple, and memes are often produced based on statements by officials.”

For three weeks Sisi’s image has been trashed by an insider turned whistleblower whose videos from self-exile in Spain have gripped and paralysed Egypt in turn. 

Mohamed Ali is, by his own admission, no hero. One of only 10 contractors the army uses, he is corrupt. He also only left Egypt with his family and fortune because his bills had not been paid. Ali is no human rights campaigner. 

Egypt’s new folk hero likes fast cars, acting, film producing, real estate developing.

Last week, two bloggers were detained and are facing several criminal charges of "insulting state officials", "causing disturbances to the public" and defamation. They have been charged for posting videos on social media alleging that the government has failed to provide adequate compensation to people struggling financially and address shortage of basic food supplies in the market amid COVID-19 pandemic.

Within the region, Tunisia enjoys a relatively high degree of political freedom. However, the past two years have seen a number of criminal prosecutions related to freedom of expression – many of which have used outdated laws from the era of ousted President Ben-Ali to prosecute critics for defamation and insulting state officials and institutions.

On 13 April, blogger Anis Mabrouki posted a video on his Facebook page showing a crowd of people standing in front of the building of the closed mayor's office in Tebourba (a town 30 km from the capital Tunis), demanding financial aid which had been promised by the government amid the COVID-19 lockdown. The next day he received a summons letter from the authorities after the mayor pressed charges against him.

For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.

reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict

The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.

Because these films are set in America, race and gender sometimes conceal the class tensions.

Because of its title, American viewers will likely assume that Atlantics, the new film from the French Senegalese director Mati Diop, is about either slavery or refugees. Even after seeing it, they may assume it is about love or ghosts or exoticized life on the west coast of Africa. But Atlantics is fundamentally about class. Despite the familiar trappings of esteem—like Parasite, it won a prestigious award at Cannes, and Diop’s family background suggests that she is the epitome of an Afropolitan elite—the way it reckons with capital and labor is far more interesting than this recent spate of class warfare films. Atlantics cannot overthrow film as an institution, but it does overthrow many of film’s formal conventions. In so doing, it wreaks havoc with the interlocking hierarchy of class, race, and gender that most of these other films assume, leaving in its wake a startling study of power in the raw.

Labor drama, love story, surrealist film, crime thriller, zombie flick—these shifts are both smooth and unsettling, just like that train in sudden reverse. They keep us on edge but never just for the sake of it. And they continually bring us back to the central question of class, even as they keep us from mapping it onto a single hero or plot or genre.