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Ed Webb

Muzzled by the Bots - www.slate.com - Readability - 0 views

  • It's through such combination of humans and bots that memes emerge
    • Ed Webb
       
      Android meme production
  • with just some clever manipulation, bots might get you to follow the right humans—and it's the humans, not bots, who would then influence your thinking
  • The digitization of our public life is also giving rise to many new intermediaries that are mostly of invisible—and possibly suspect—variety
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  • a single Californian company making decisions over what counts as hate speech and profanity for some of the world's most popular sites without anyone ever examining whether its own algorithms might be biased or excessively conservative
  • It's the proliferation—not elimination—of intermediaries that has made blogging so widespread.  The right term here is “hyperintermediation,” not “disintermediation.”
  • this marriage of big data and automated content moderation might also have a darker side, particularly in undemocratic regimes, for whom a war on spam and hate speech—waged with the help of domestic spam-fighting champions—is just a pretense to suppress dissenting opinions. In their hands, solutions like Impermium's might make censorship more fine-grained and customized, eliminating the gaps that plague “dumb” systems that censor in bulk
  • Just imagine what kind of new censorship possibilities open up once moderation decisions can incorporate geolocational information (what some researchers already call7 “spatial big data”): Why not block comments, videos, or photos uploaded by anyone located in, say, Tahrir Square or some other politically explosive location?
  • For governments and corporations alike, the next frontier is to learn how to identify, pre-empt, and disrupt emerging memes before they coalesce behind a catchy hashtag—this is where “big data” analytics would be most helpful. Thus, one of the Russian security agencies has recently awarded a tender12 to create bots that can both spot the formation of memes and to disrupt and counter them in real-time through ”mass distribution of messages in social networks with a view to the formation of public opinion.” Moscow is learning from Washington here: Last year the Pentagon  awarded a $2.7 million contract to the San Diego-based firm Ntrepid in order to build software to create fake multiple online identities13 and “counter violent extremist and enemy propaganda outside the US.” “Big data”-powered analytics would make spotting such “enemy propaganda” much easier.
Ed Webb

Ukraine war: The stolen faces used to promote Vladimir Putin - BBC News - 0 views

  • The fake account is part of a network promoting Russian president Vladimir Putin on Twitter, which used the hashtags #IStandWithPutin and #IStandWithRussia on 2 and 3 March. This led to trending topics in different regions - particularly in the global south, apparently showing support for the war, in countries including India, Pakistan, South Africa and Nigeria.
  • many other profiles appear to have been inauthentic. They retweeted messages in high quantities, produced few original messages, and were created very recently. "They were likely produced by bots, fake profiles or compromised accounts, artificially amplifying support for Putin in these countries," says Carl Miller, co-founder of CASM Technology, a company that researches online harms and disinformation.
  • The accounts tweet a mixture of criticism of Western countries, express solidarity between the so-called Brics countries (Brazil, Russia, India, China, South Africa), and offer direct support to Mr Putin. "We default to the idea that information campaigns will be directed to the West. Yet none of the accounts were addressing the West nor claimed to be from the West," says Mr Miller.
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  • Twitter prohibits the impersonation of "individuals, groups, or organisations to mislead, confuse, or deceive others".The company told us that since the war began, it has removed more than 100,000 accounts for violations of its platform manipulation and spam policy, including the suspension of dozens of accounts connected with the hashtags #IStandWithRussia and #IStandWithPutin.
Ed Webb

Elon Musk: Good for MENA Twitter? - by Marc Lynch - 0 views

  • The MENA online ecosystem is not a good place for freedoms or civil debate right now, to say the least. The Digital Authoritarianism collection I edited last year makes for grim reading. Many MENA states have set in place legal frameworks criminalizing online dissent (and a lot more than just dissent). The pervasive use of Israeli-designed digital surveillance tools has turbocharged the ability of autocratic regimes to spy on their citizens (or on anyone else). Online discourse is plagued by armies of bots and trolls. And the suppression of Palestinian activist content shows how social media platforms have proven an uneven playing field when it comes to content moderation. Apocalyptic takes on what Musk might do really do need to grapple with how terrible things already are.
  • Musk explained his approach to free speech in a recent tweet: “By “free speech”, I simply mean that which matches the law.” That may sound good to some people in an American context, I suppose. But in the MENA, it would play directly into the hands of authoritarian regimes which have spent years constructing elaborate legal and normative frameworks to criminalize online dissent. Those laws don’t just ban violent hate speech, but range from political dissent, criticism of royal family members or the military, human rights monitoring, even dancing on TikTok. Following these cybercrime laws as a guide to content moderation would entail censoring a wide range of legitimate political speech - the opposite, presumably, of what an avowed free speech advocate would want to see.
  • If new Twitter policies drawn from the right wing understanding of the American online arena were applied consistently in the MENA context, it could potentially ease the suppression of Palestinian voices. I mean, that wouldn’t be the intention and it probably wouldn’t, but it’s worth thinking about.
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  • if he really means requiring users to authenticate their identity with some form of legal ID, that would mean a world of trouble for users in highly repressive MENA states. Many activists and dissidents face extreme consequences should their identities be discovered. So do many LGBTQ, atheist, or other users from marginalized or even criminalized communities
  • The bot armies really are annoying, and if Musk could figure out a way to remove them then the MENA region would benefit greatly. Disinformation, harrassment and abuse (especially of women), polluting hashtags to make conversation impossible, obnoxious trolling, intimidation… all of these have contributed to making MENA Twitter at worst almost unusable, and at best a highly distorted reflection of reality. Saudi Arabia, the UAE, and Iran are among the worst offenders among states, but the problem is endemic
  • Sure, if Musk actually does end up taking over and running Twitter (big ifs, still), he probably wouldn’t actually have those positive effects, at least not intentionally. But it’s still tempting to read some real significance into his intriguing little public spat with Waleed bin Talal, where he asked “What are the Kingdom’s views on journalistic freedom of speech?”
Ed Webb

Syria's Twitter spambots | Jillian C York | Comment is free | guardian.co.uk - 1 views

  • In Morocco, Syria, Bahrain and Iran, pro-revolution users of the site have found themselves locked in a battle of the hashtags as Twitter accounts with a pro-government message are quickly created to counter the prevailing narrative
  • Another set of accounts, however, managed to inundate the #Syria tag. Using a Bahraini company, EGHNA, bots are sending messages – sometimes several a minute – using various Syria-related search terms.Under the heading "Success stories", the EGNHA website says:"LovelySyria is using EGHNA Media Server to promote interesting photography about Syria using their Twitter accounts. EGHNA Media Server helped LovelySyria get attention to the beauty of Syria, and build a community of people who love the country and admire its beauty. Some of their network members started translating photo descriptions and rebroadcasting them to give the Syrian beauty more exposure.LovelySyria is using their own installation of EGHNA Ad Center to generate the Twitter messages, their current schedule is two messages every five minutes."Other accounts, such as @SyriaBeauty, @DNNUpdates and @SyLeague, perform similar functions. Their messages are sometimes political, sometimes not, but all were created recently and all serve the purpose of diverting attention from the Syrian protests.
  • although Twitter shies away from moderating content and removing users, the search functionality favours users with a complete username, profile and photograph, and users who automate their tweets can be removed from search.
Ed Webb

'The End': Anti-normalisation, Islamofuturism and the erasure of Palestine - Middle Eas... - 0 views

  • The End (El-Nehaya), the Egyptian dystopian science fiction thriller series, has captured the imagination of audiences throughout the Arab world this Ramadan TV season. It is ranked the third most popular series this season, and has generated a lot of discussion in social media about its futuristic technology and debt to Hollywood science fiction and dystopian films.The End was also lumped into the debate over normalisation in this year’s Ramadanic TV programming and was attacked by the Israeli Foreign Ministry for its anti-normalisation stance. The End is premised on the fictional idea that the Arab world would become a superpower and that Israel would be destroyed less than a century into its establishment — that is, in less than thirty years. In its place, Al-Quds conglomerate will be created and will be under total Arab control.
  • Some contrasted the daring futuristic scenario with the utter impotence of the Arab world today, to offer any viable solution to the Palestinian struggle for freedom and the ongoing Nakba. Others thought it was enough that the series managed to provoke and infuriate Israel.
  • The series does not only substitute one form of domination in Al-Quds conglomerate for another. More importantly, the Palestinians are completely erased from Al-Quds conglomerate itself.
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  • Ironically, the liquidation of Israel in The End did not bring an end to the oppression in Palestine or the Arab world in general.  Around 2090, Al-Quds conglomerate became the main site for a robocide, the genocide in which humans eliminated all robots after one of them terminated its owner. Consequently, laws were passed to ban the production of robots and the development of AI. The series merely substitutes one form of domination and apartheid for another.After the elimination of the majority of the robots, the all-powerful Energy Co. was established in Al-Quds conglomerate. The corporation employs algorithmic governance, using surveillance technology, facial recognition software and military drones to track and control citizens. Its security forces regularly attack and brutalise citizens. One form of oppression is gone, but Palestine and the Arab world do not live in liberty yet.
  • The most bewildering aspect about this triumphalist history of the liberation of Al-Quds conglomerate in the dystopian world of the series, is the absence of any trace of the Palestinians or Palestinian culture. The obverse side of the obliteration of Israel seems to be the erasure of the Palestinians.
  • The people who live in Al-Quds conglomerate speak Egyptian colloquial Arabic, and no one seems to be taking pride in their Arabic cultural heritage or Palestinian identity.
  • The other noticeable feature about the representation of life in Al-Quds conglomerate is its patriarchal gender politics. Women and men follow a rigid division of labour, even professional women who have careers. Radwa, the protagonist’s wife, works as the principal (agricultural) engineer at Green Co., the company responsible for providing food supplies to Al-Quds conglomerate, but she has to perform the domestic chores in the house.
  • the dystopian world of the series is deeply steeped in Islamic culture and traditions. If Afrofuturism, for example, is “rooted in and unapologetically celebrate[s] the uniqueness and innovation of black culture,” this series is clearly grounded in Islamofuturism.
  • The series illuminates and raises questions about these significant matters that have affected humanity in the last few decades. These issues include not only the polarisation of wealth and the cupola created in the global apartheid, but also neoliberal algorithmic governance, the naturalisation of AI (as both human surrogates and sex bots), the rise of megalopolis cities as corporations, renewable energy and ecological sustainability.
  • it is not clear where the series positions itself on the question of the state and the military.
  • the series itself is produced by Synergy, a mega-entertainment production house that has monopolised the Egyptian media sector and has ties to Egyptian intelligence.
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