Group items tagged

The new law, according to the QNA release, will ban any dissemination via electronic means of “incorrect news” that endangers “the safety of the state, or public order or internal or external security.” The law also “stipulates punishment for anyone who exceeds any principles of social values.” The cybercrime legislation would also make illegal the publishing of “news or pictures or audio-video recordings related to the sanctity of the private and family life of individuals, even if they are correct, via libel or slander through the Internet or an IT device.”

Observers are worried because tightened cybercrime legislation in the United Arab Emirates has been used to prosecute dissenting speech seen on Twitter, Facebook and YouTube

Jan Keulen, the former director of the Doha Centre for Media Freedom, said that enacting the law could “impede the development of online journalism.” Keulen told Al-Monitor that Qatar’s new leader, Sheikh Tamim bin Hamad al-Thani — who took over for his father last July — has never mentioned topics such as democracy, elections or press freedom. Meanwhile, Qatar’s news powerhouse Al Jazeera touts these principles throughout the region.

The smartphone is more dangerous than Israel to them now.” (In December, Syria banned the iPhone, saying it was detrimental to the country’s stability.)

A report released last week by Paris-based media freedom group Reporters Without Borders (RSF) ranks Syria 176th in the world in terms of media freedom, a drop from last year's already dismal ranking of 173rd out of 179. When it comes to freedom of the media, Syria is now the worst country in the Middle East, ranking just below Iran. And internationally, it fares better than only Turkmenistan, North Korea and Eritrea, described by the report as “absolute dictatorships that permit no civil liberties.”

In a report issued in November, Reporters Without Borders urged foreign journalists to take utmost care in protecting local sources. The non-governmental organization noted: “If a foreign reporter is arrested in Syria, he faces a few days in detention and then deportation. But Syrians pay a much higher price for their involvement.”

“I can’t make a living reporting from the Middle East anymore,” said Sulome in mid-December. “I just can’t justify doing this to myself.” The day we spoke, she heard that Foreign Policy, one of the most reliable destinations for freelancers writing on-the-ground, deeply reported international pieces, would be closing its foreign bureaus. (CJR independently confirmed this, though it has not been publicly announced.) “They are one of the only publications that publish these kinds of stories,” she said, letting out a defeated sigh.

Sulome blames a news cycle dominated by Donald Trump. Newspapers, magazines, and TV news programs simply have less space for freelance international stories than before—unless, of course, they directly involve Trump.

Trump was the focus of 41 percent of American news coverage in his first 100 days in office. That’s three times the amount of coverage showered on previous presidents

Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 

One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.

Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!

Earlier this year, Messi signed a deal with the kingdom to promote tourism there as it reportedly mulls a candidacy to host the 2030 World Cup. The terms and length of the deal were not made public, but The Athletic reported Messi may be receiving as much as $30 million per year. A potential Saudi Arabian bid would pit the country against Argentina’s own proposal to host the tournament together with Chile, Uruguay, and Paraguay.

Embracing international sports icons is just one way that Gulf countries have worked in recent years to boost their international influence. Qatar sits on the world’s third-largest natural gas reserves and has found itself in a powerful position in the age of energy supply strains. Since the start of the World Cup just two weeks ago, Qatar has signed a 15-year deal with Germany to supply it with natural gas, and the United States—whose largest military base in the Middle East is already near Doha—greenlit a $1 billion arms sale to the country. Washington considers Qatar a major non-NATO ally critical to stability in the Persian Gulf and beyond.

when Brazil hosted the World Cup in 2014, FIFA successfully pressured the country to change its legislation to permit alcohol sales in stadiums. But Qatar was able to impose its own laws on FIFA, in this case prohibiting alcohol sales to regular fans in the stands (though alcohol is freely available to VIP guests in luxury suites). It was one sign of the varying degrees of power held by recent World Cup host nations

Thousands of Sharif University alumni power Iran’s most sensitive industries, including nuclear energy and aerospace. One of supreme leader Ayatollah Ali Khamenei’s closest advisors has taught there for decades. But as demonstrations erupt across Iran — first sparked by the death in September of 22-year-old Mahsa Amini in the custody of the country’s morality police — the scientific powerhouse known as “Iran’s M.I.T.” has emerged as an unexpected hub for protest, fueling Iran’s biggest antigovernment movement in over a decade.

Across the country and despite a violent crackdown, Iranians have taken to the streets, venting their outrage over social repression, economic despair and global isolation — crises that have clipped the ambitions of Iran’s young and educated generation.

“They are demanding the end of the Islamic Republic.”

A battered plaque in a rundown hospital and a crackly, black-and-white newsreel are all that remain of Queen Elizabeth II's 1954 visit to Aden, the war-torn Yemeni city whose troubles are a reminder of Britain's complicated legacy in the Middle East.

mildew, emaciated children and the stench of urine, as the under-equipped facility grapples with an impossible workload in the face of a long-running conflict.

British colonialism is inextricably linked with the Middle East partly because of the 1916 Sykes-Picot agreement, when Britain and France carved up much of the region between them amid the collapse of Ottoman rule during World War I. Many Arab leaders remain close to British royalty, however. After the queen's death this month at 96, sombre tributes were offered by monarchies that thrived under British protection.

Across the Middle East, LGBTQ communities face a growing crackdown, echoing efforts by prominent American conservatives to restrict the rights of gay and transgender people and erase their influence from society.

Lebanon, Jordan and Turkey have always stood out in the region on LGBTQ issues. All have queer scenes, all have hosted Pride parades or similar events. But in all three places, the community exists in a legal gray area — neither criminalized nor protected by the law. As anti-LGBTQ+ sentiment intensifies and is championed by some of the region’s most powerful figures, gay and trans people feel more vulnerable than ever.

Turkey’s Radio and Television Supreme Council levied fines against streaming platforms including Netflix, Disney and Amazon Prime for showing “homosexual relationships” that are “contrary to social and cultural values and the Turkish family structure.”

"If you want to understand the emotive universe from which the Arab spring arose, cinema is a good place to start. Look at a film like Elia Suleiman's Divine Intervention: there the director spits out an apricot pit at an Israeli tank and blows it up. The scene is both fantasy and prophecy."

I don't think the idea of Islamic cinema even exists in the west. Islam is presumed not to have a modern culture. I'd argue it's important that these films don't insist on any kind of stylistic unity – and that in nearly all of them Islam is portrayed as quite marginal. They argue against religiosity as a determining force. They're all about change, too, about modernity, which neocons like Francis Fukuyama say the Islamic world is incapable of

"If you want to be thought of as an auteur, you don't want to be categorised according to ethnicity or religion," Ahmad says. "By calling someone 'Islamic', you're meant to be taking away from their universal appeal."

DohaNews, which was read widely by the English speaking migrant community in Qatar, said in statement on Thursday that it had been "deliberately targeted and blocked by Qatar authorities", and that it had not been told why.

The Doha News team said local authorities had not raised any concerns or issued any warnings against them.“Qatar has never been an easy place to report in, but authorities have never stopped us before,’’ Shabina Khatri, executive editor and co-founder of Doha News told Middle East Eye.She added it wasn’t clear whether one of their stories sparked the move, or a series of stories and reporting style.

both of Qatar’s internet service providers, Ooredoo and Vodafone, simultaneously blocked the URL.