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Ed Webb

The Making of a YouTube Radical - The New York Times - 0 views

www.nytimes.com/...youtube-radical.html

US USA technology youtube radicalization nazis alt-right socialmedia

shared by Ed Webb on 09 Jun 19 - No Cached
  • Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.
  • Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.
  • YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site
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  • YouTube has inadvertently created a dangerous on-ramp to extremism by combining two things: a business model that rewards provocative videos with exposure and advertising dollars, and an algorithm that guides users down personalized paths meant to keep them glued to their screens
  • “If I’m YouTube and I want you to watch more, I’m always going to steer you toward Crazytown.”
  • 94 percent of Americans ages 18 to 24 use YouTube, a higher percentage than for any other online service
  • YouTube has been a godsend for hyper-partisans on all sides. It has allowed them to bypass traditional gatekeepers and broadcast their views to mainstream audiences, and has helped once-obscure commentators build lucrative media businesses
  • Bellingcat, an investigative news site, analyzed messages from far-right chat rooms and found that YouTube was cited as the most frequent cause of members’ “red-pilling” — an internet slang term for converting to far-right beliefs
  • The internet was an escape. Mr. Cain grew up in postindustrial Appalachia and was raised by his conservative Christian grandparents. He was smart, but shy and socially awkward, and he carved out an identity during high school as a countercultural punk. He went to community college, but dropped out after three semesters. Broke and depressed, he resolved to get his act together. He began looking for help in the same place he looked for everything: YouTube.
  • they rallied around issues like free speech and antifeminism, portraying themselves as truth-telling rebels doing battle against humorless “social justice warriors.” Their videos felt like episodes in a long-running soap opera, with a constant stream of new heroes and villains. To Mr. Cain, all of this felt like forbidden knowledge — as if, just by watching some YouTube videos, he had been let into an exclusive club. “When I found this stuff, I felt like I was chasing uncomfortable truths,” he told me. “I felt like it was giving me power and respect and authority.”
  • YouTube’s executives announced that the recommendation algorithm would give more weight to watch time, rather than views. That way, creators would be encouraged to make videos that users would finish, users would be more satisfied and YouTube would be able to show them more ads.
  • A month after its algorithm tweak, YouTube changed its rules to allow all video creators to run ads alongside their videos and earn a portion of the revenue they generated.
  • the bulk of his media diet came from far-right channels. And after the election, he began exploring a part of YouTube with a darker, more radical group of creators. These people didn’t couch their racist and anti-Semitic views in sarcastic memes, and they didn’t speak in dog whistles. One channel run by Jared Taylor, the editor of the white nationalist magazine American Renaissance, posted videos with titles like “‘Refugee’ Invasion Is European Suicide.” Others posted clips of interviews with white supremacists like Richard Spencer and David Duke.
  • Several current and former YouTube employees, who would speak only on the condition of anonymity because they had signed confidentiality agreements, said company leaders were obsessed with increasing engagement during those years. The executives, the people said, rarely considered whether the company’s algorithms were fueling the spread of extreme and hateful political content.
  • Google Brain’s researchers wondered if they could keep YouTube users engaged for longer by steering them into different parts of YouTube, rather than feeding their existing interests. And they began testing a new algorithm that incorporated a different type of A.I., called reinforcement learning. The new A.I., known as Reinforce, was a kind of long-term addiction machine. It was designed to maximize users’ engagement over time by predicting which recommendations would expand their tastes and get them to watch not just one more video but many more.
  • YouTube’s recommendations system is not set in stone. The company makes many small changes every year, and has already introduced a version of its algorithm that is switched on after major news events to promote videos from “authoritative sources” over conspiracy theories and partisan content. This past week, the company announced that it would expand that approach, so that a person who had watched a series of conspiracy theory videos would be nudged toward videos from more authoritative news sources. It also said that a January change to its algorithm to reduce the spread of so-called “borderline” videos had resulted in significantly less traffic to those videos.
  • Many right-wing creators already made long video essays, or posted video versions of their podcasts. Their inflammatory messages were more engaging than milder fare. And now that they could earn money from their videos, they had a financial incentive to churn out as much material as possible.
  • As Mr. Molyneux promoted white nationalists, his YouTube channel kept growing. He now has more than 900,000 subscribers, and his videos have been watched nearly 300 million times. Last year, he and Ms. Southern — Mr. Cain’s “fashy bae” — went on a joint speaking tour in Australia and New Zealand, where they criticized Islam and discussed what they saw as the dangers of nonwhite immigration. In March, after a white nationalist gunman killed 50 Muslims in a pair of mosques in Christchurch, New Zealand, Mr. Molyneux and Ms. Southern distanced themselves from the violence, calling the killer a left-wing “eco-terrorist” and saying that linking the shooting to far-right speech was “utter insanity.” Neither Mr. Molyneux nor Ms. Southern replied to a request for comment. The day after my request, Mr. Molyneux uploaded a video titled “An Open Letter to Corporate Reporters,” in which he denied promoting hatred or violence and said labeling him an extremist was “just a way of slandering ideas without having to engage with the content of those ideas.”
  • Unlike most progressives Mr. Cain had seen take on the right, Mr. Bonnell and Ms. Wynn were funny and engaging. They spoke the native language of YouTube, and they didn’t get outraged by far-right ideas. Instead, they rolled their eyes at them, and made them seem shallow and unsophisticated.
  • “I noticed that right-wing people were taking these old-fashioned, knee-jerk, reactionary politics and packing them as edgy punk rock,” Ms. Wynn told me. “One of my goals was to take the excitement out of it.”
  • Ms. Wynn and Mr. Bonnell are part of a new group of YouTubers who are trying to build a counterweight to YouTube’s far-right flank. This group calls itself BreadTube, a reference to the left-wing anarchist Peter Kropotkin’s 1892 book, “The Conquest of Bread.” It also includes people like Oliver Thorn, a British philosopher who hosts the channel PhilosophyTube, where he posts videos about topics like transphobia, racism and Marxist economics.
  • The core of BreadTube’s strategy is a kind of algorithmic hijacking. By talking about many of the same topics that far-right creators do — and, in some cases, by responding directly to their videos — left-wing YouTubers are able to get their videos recommended to the same audience.
  • What is most surprising about Mr. Cain’s new life, on the surface, is how similar it feels to his old one. He still watches dozens of YouTube videos every day and hangs on the words of his favorite creators. It is still difficult, at times, to tell where the YouTube algorithm stops and his personality begins.
  • It’s possible that vulnerable young men like Mr. Cain will drift away from radical groups as they grow up and find stability elsewhere. It’s also possible that this kind of whiplash polarization is here to stay as political factions gain and lose traction online.
  • I’ve learned now that you can’t go to YouTube and think that you’re getting some kind of education, because you’re not.
Ed Webb

New Satirical Film's Absurd FBI Stings Draw From Real Cases - 0 views

theintercept.com/...film-review-day-shall-come-fbi

GWOT FBI US USA politics film satire

shared by Ed Webb on 28 Sep 19 - Cached
  • To date, more than 300 defendants have been prosecuted following FBI terrorism stings. These stings are often preposterous when examined closely. Derrick Shareef was arrested after buying grenades from an undercover agent; since Shareef didn’t have any money and was living with the government’s informant, the FBI set it up so that the undercover agent, posing as an arms dealer, would accept ratty old stereo speakers as payment. Emanuel L. Lutchman, a mentally ill and broke homeless man, planned to attack a New Year’s Eve celebration with a machete — a weapon he was able to buy only because the FBI gave him $40. The absurdities go on and on and on. Human Rights Watch criticized these types of FBI stings in a 2014 report for having “created terrorists out of law-abiding individuals by conducting sting operations that facilitated or invented the target’s willingness to act.”
  • For “The Day Shall Come,” Morris spent years researching FBI stings and talking to terrorism defendants, federal prosecutors, and FBI agents
  • Looming over Miami in “The Day Shall Come” is the real-life FBI office building, which is actually in Miramar, just north of Miami. A $194 million structure that opened in 2015, the enormous glass building with sharp lines and curved walls houses the FBI’s South Florida office. Simultaneously assuring and foreboding, the building looks like a police headquarters in a dystopian comic book. Morris delights in using the building as a way of showing how the FBI has benefited financially from, and been changed by, the endless search for terrorists since 9/11.
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  • “You know, bin Laden got you this. You should put a big picture of him on the building, like the Colonel Sanders logo.” That’s the joke underpinning “The Day Shall Come”: Far from being enemies, the FBI has benefited from its biggest bogeymen, developing a symbiotic relationship with Islamist extremists while pursuing hundreds of targets who never posed much of a threat at all.
Ed Webb

Facebook recrute une experte israélienne de la censure - 0 views

orientxxi.info/...israelienne-de-la-censure,3941

Israel Facebook Palestine israelpalestine media censorship opinion

shared by Ed Webb on 11 Jun 20 - No Cached
  • Chargé de la déontologie des contenus, le nouveau conseil de surveillance du réseau social compte parmi ses vingt membres l’ancienne directrice générale du ministère de la justice israélien. Sous les ordres de la ministre Ayelet Shaked, figure de l’extrême droite, Emi Palmor avait mis en place une cyberunité chargée de contrôler et censurer les posts de Palestiniens.
  • Sous la houlette d’une ministre qu’un journaliste de Tel-Aviv qualifie de « voix la plus extrémiste d’une extrême droite israélienne qui n’en manque pourtant pas », Emi Palmor se chargeait donc de traquer les Palestiniens sur les réseaux sociaux. Cette haut fonctionnaire dévouée à un gouvernement de guerre et d’occupation avait créé en 2016 une « cyber unit » « pour supprimer, restreindre ou suspendre l’accès à certains contenus, pages ou utilisateurs ».
  • « a délibérément ciblé et entraîné le retrait de dizaines de milliers de contenus palestiniens, et imposé de sévères restrictions à la liberté d’expression et d’opinion, en particulier en ce qui concerne la Palestine »
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  • Plusieurs groupes palestiniens ont dénoncé le rôle d’Emi Palmor « dans le musellement de la liberté d’expression et la censure des défenseurs des droits humains, en particulier des voix palestiniennes, arabes et musulmanes » sur Facebook. La Palestine Digital Rights Coalition, le Conseil des organisations palestiniennes de défense des droits humains et le réseau des organisations non gouvernementales palestiniennes exhortent Facebook à « considérer les graves conséquences que le choix d’Emi Palmor pourrait avoir en particulier sur les défenseurs palestiniens des droits humains et sur la liberté d’expression en ligne pour défendre les droits des Palestiniens ».
Ed Webb

NEIL MACKAY'S BIG READ: 'Scotland didn't have empire done to it, Scotland did empire to... - 0 views

www.heraldscotland.com/...pt-fighting-decolonise-history

UK Britain history museum heritage Egypt orientalism empire

shared by Ed Webb on 04 May 22 - No Cached
  • Glasgow’s Dr Campbell Price is British TV’s go-to guy when it comes to ancient Egypt. But the study is riddled with racism and he wants to drag the world of mummies into the 21st century … and he doesn’t care if you call him ‘woke’.
  • Price is at the forefront of the fight to ‘decolonise’ the study of Ancient Egypt and drag it into the 21st century. He wants the discipline to confront its history of racism and empire, and he’s not shy about apportioning a fair amount of blame on Scotland and its own role in Britain’s colonial adventures.
  • the study of Ancient Egypt was founded by colonialists from Britain and France in the early 1800s and it still hasn’t shaken off the baggage of the past. There’s a lingering sense that Egyptians are considered unable or incapable of studying their own history without the assistance of white, western academics who are really the people best suited to the discipline. The whiff of racism and a “white saviour narrative” still hangs in the air, he feels.
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  • “There’s this conceit,” he says, “that archaeologists - gung-ho western, bearded, white, elite, cis-gendered, ostensibly heterosexual - go to Egypt and ‘discover’ Ancient Egypt because the people, ordinary Egyptians, are too stupid.” He adds: “Ancient Egypt was never ‘lost’.”
  • The “standard colonial narrative”, he says, portrays Egypt as “brilliant - a proto-British empire”. Egyptologists used terms like ‘empire’ and ‘viceroy’ to describe the government of the Pharaohs. Students were taught that “the Ancient Egyptians had a ‘Viceroy of Nubia’ - where the hell is the term ‘viceroy’ coming from?” Price asks. “It’s from the British experience of empire”. This explains why many British academics put Egypt on a pedestal as the greatest of all ancient civilisations.
  • in the imperial age when Britons were travelling to India they would go through the Suez Canal. “You might take a few days and go and visit Egypt. So it’s colonial high noon,”
  • British archaeologist Howard Carter led the dig that opened Tutankhamun’s tomb in 1922 - an event which turbo-charged interest in Egyptology and had a huge cultural impact on world, even leading to the creation of movies like The Mummy starring Boris Karloff in 1932. “Some early exhibitions quite literally feel like the spoils of empire,” says Price. “In some cases, it’s literally the spoils - like the Rosetta Stone which was seized from the French.”
  • Price is chair of the board of trustees with the Egypt Exploration Society (EES) - an organisation, he says, which is “doing a lot of work of self-criticism, self-reflection and self-critique”. The EES, which was established in 1882 at the height of empire and just prior to the British invasion, is now “attempting to unpack colonialism in Egypt”.
  • “the British and French cooked up a system” called ‘finds-division’ or ‘partage’. “Notionally,” he says, “the best 50% of things that come out of the ground go to the National Collection in Cairo, but then up to 50% of what is thought to be ‘surplus to requirements’ or duplicate can leave with archaeologists. So that’s how Manchester has 18,000 objects from Egypt and Sudan - mostly through finds-division.
  • British egyptology is “more open” to change, Price says than most other western nations with a history of the discipline. “We’re on the winning side of the argument. The tide has turned. You cannot pretend you can enjoy your secluded cocktail terrace in the middle of Cairo and not expect to hear critical evaluation of colonial experiences.”
  • “some people will tell you, some well known Egyptologists, that you should burn copies of ‘A Thousand Miles Up the Nile’ because it contains racist material. But the society is actually working on a critical re-edition, where there’s a new introduction to put the book in context. I firmly believe, and the trustees firmly believe, you can’t just bury the past. You’ve got to try and face it and constructively critique it. I’m not arguing for cancelling anyone. I’m not arguing for trying to ignore it. I’m saying ‘let’s have a conversation’.”
  • Unlike many nations which had art looted by western powers, Egypt “isn’t particularly interested” in the repatriation debate except when it comes to “a few very exceptional objects like Nefertiti’s Bust and the Rosetta Stone”. Price adds: “Repatriation can sometimes be a bit of an echo chamber for western [people]. It doesn’t necessarily relate always to the concerns of indigenous groups, or people who live in places like Egypt.”
  • There’s a funny attitude, where Scots kind of distance themselves and say, ‘oh well, you know, we were colonised first. The English came in, and we’re the victims’. Based on my work on the history of colonialism in Egypt, Scottish people are more than well-represented. They are disproportionately represented in the cogs of the imperial project with Scottish diplomats, engineers and soldiers … There’s a sense that empire was ‘done to’ Scotland, when in fact Scotland ‘did’ empire to other people … We put this stuff on the English and say it was the English … Scots appear surprisingly commonly in the imperial machinery in Egypt.
  • Price has little time for the use of the word ‘woke’ as an insult, as to him it simply means trying to do the right thing professionally. He adds that he feels “fortunate” that Manchester Museum, where he works, is also having the same “conversations” about confronting the legacy of the past.
  • It was legal between the 1880s and 1970s, but it was at a time when mostly the Egyptian government was controlled by the British and French, and the Egyptian government had to repay the massive debt of building the Suez Canal.
  • Most of the workers who built the pyramids weren’t slaves - they were paid for their efforts, he points out. The slave stories of the Bible, though, lead to “another form of colonialism - Orientalism”, which depicts the rulers of the east as either exotic and mysterious or brutal and cruel. The notion of “the Oriental despot comes from the Bible: Pharaoh as a despot … The way in the Bible, that the pharaoh is cast as a baddie, reverberates”.
  • Price is also incensed by the current pseudo-science trend for conspiracy theories claiming that aliens built the pyramids - the type of unfounded material aired on over-the-top documentaries like ‘Ancient Aliens’. “It’s racist,” he says, “very racist.” He notes that there’s a hashtag on Twitter called ‘CancelAncientAliens’. The wild alien theory is “based on the assumption that ancient people were too stupid to have [built the pyramids] themselves and so it had to be some outside force. So to be clear in the interests of global parity and justice: the ancient Egyptians were an African people who built absolutely stunning monuments. Get over it.”
  • There is no simple answer, or history - and I think we insult museum audiences if we assume they want an overly simplified story. ‘Ancient Egypt’ is undoubtedly one of the most popular parts of a museum. By asking questions about how colonialism formed our idea of what ‘Ancient Egypt’ was, not just how it got to be in cities like Glasgow and Manchester, I think we can begin to address questions of global inequality.
  • “Egypt more than Greece, Rome or other parts of the world, has existed as both ‘Oriental other’ and ‘western ancestor’ - that is why the colonial dialogue is so intense - and Egyptology is, in a sense, the exemplary ‘colonial discipline’, just as the British Consul Lord Cromer [consul-general in Egypt from 1883] said Egypt should be the exemplary colony.
Ed Webb

AI Causes Real Harm. Let's Focus on That over the End-of-Humanity Hype - Scientific Ame... - 0 views

www.scientificamerican.com/...ot-imaginary-existential-risks

opinion analysis AI class race computing propaganda science

shared by Ed Webb on 11 Aug 23 - No Cached
  • Wrongful arrests, an expanding surveillance dragnet, defamation and deep-fake pornography are all actually existing dangers of so-called “artificial intelligence” tools currently on the market. That, and not the imagined potential to wipe out humanity, is the real threat from artificial intelligence.
  • Beneath the hype from many AI firms, their technology already enables routine discrimination in housing, criminal justice and health care, as well as the spread of hate speech and misinformation in non-English languages. Already, algorithmic management programs subject workers to run-of-the-mill wage theft, and these programs are becoming more prevalent.
  • Corporate AI labs justify this posturing with pseudoscientific research reports that misdirect regulatory attention to such imaginary scenarios using fear-mongering terminology, such as “existential risk.”
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  • Because the term “AI” is ambiguous, it makes having clear discussions more difficult. In one sense, it is the name of a subfield of computer science. In another, it can refer to the computing techniques developed in that subfield, most of which are now focused on pattern matching based on large data sets and the generation of new media based on those patterns. Finally, in marketing copy and start-up pitch decks, the term “AI” serves as magic fairy dust that will supercharge your business.
  • output can seem so plausible that without a clear indication of its synthetic origins, it becomes a noxious and insidious pollutant of our information ecosystem
  • the people selling this technology propose that text synthesis machines could fix various holes in our social fabric: the lack of teachers in K–12 education, the inaccessibility of health care for low-income people and the dearth of legal aid for people who cannot afford lawyers, just to name a few
  • Not only do we risk mistaking synthetic text for reliable information, but also that noninformation reflects and amplifies the biases encoded in its training data—in this case, every kind of bigotry exhibited on the Internet. Moreover the synthetic text sounds authoritative despite its lack of citations back to real sources. The longer this synthetic text spill continues, the worse off we are, because it gets harder to find trustworthy sources and harder to trust them when we do.
  • the systems rely on enormous amounts of training data that are stolen without compensation from the artists and authors who created it in the first place
  • the task of labeling data to create “guardrails” that are intended to prevent an AI system’s most toxic output from seeping out is repetitive and often traumatic labor carried out by gig workers and contractors, people locked in a global race to the bottom for pay and working conditions.
  • employers are looking to cut costs by leveraging automation, laying off people from previously stable jobs and then hiring them back as lower-paid workers to correct the output of the automated systems. This can be seen most clearly in the current actors’ and writers’ strikes in Hollywood, where grotesquely overpaid moguls scheme to buy eternal rights to use AI replacements of actors for the price of a day’s work and, on a gig basis, hire writers piecemeal to revise the incoherent scripts churned out by AI.
  • too many AI publications come from corporate labs or from academic groups that receive disproportionate industry funding. Much is junk science—it is nonreproducible, hides behind trade secrecy, is full of hype and uses evaluation methods that lack construct validity
  • We urge policymakers to instead draw on solid scholarship that investigates the harms and risks of AI—and the harms caused by delegating authority to automated systems, which include the unregulated accumulation of data and computing power, climate costs of model training and inference, damage to the welfare state and the disempowerment of the poor, as well as the intensification of policing against Black and Indigenous families. Solid research in this domain—including social science and theory building—and solid policy based on that research will keep the focus on the people hurt by this technology.
Ed Webb

Alaa Abdel Fattah undergoes medical intervention by Egyptian authorities amid hunger st... - 1 views

www.washingtonpost.com/...er-strike-medical-intervention

Egypt COP rights prisoner activist activists

shared by Ed Webb on 10 Nov 22 - Cached
  • The family of Alaa Abdel Fattah, the British Egyptian political prisoner on a hunger and water strike in prison, was informed by Egyptian officials Thursday that he has undergone “a medical intervention with the knowledge of a judicial authority,” they said.
  • The United States is a close ally of Egypt and provides more than $1 billion in military aid to the country each year, but has repeatedly criticized its human rights record. Abdel Fattah’s family has made repeated public appeals to the White House to intervene in the case.
  • Abdel Fattah, who is 40 and a once-prominent activist in the 2011 revolution, has been in and out of prison for the past decade on charges human rights groups decry as attempts to silence dissent. He was sentenced to five years in prison last year after he was found guilty of “spreading false news undermining national security.”
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  • His case has become a central topic at COP27 — especially after an Egyptian lawmaker confronted his younger sister, Sanaa Seif, at a news conference discussing his case.
  • a lawyer in Cairo has since filed a case against Seif, accusing her of “conspiring with foreign agencies hostile to the Egyptian state” and “spreading false news,” among other allegations. The filing alone does not ensure the case will be pursued, but the family said it amounts to an intimidation tactic after Seif’s outspoken support of her brother at the international conference, where Egypt hoped human rights issues would not take center stage.
  • the message #FreeAlaa has spread throughout the conference, garnering support from climate activists. On Thursday, some attendees dressed in white — the color of prison uniforms in Egypt — and gathered for a protest over climate justice and to express solidarity with political prisoners here.
  • The protests would be unthinkable anywhere in Egypt outside the U.N.-controlled zone at COP27 due to tight restrictions on public gatherings.
  • On Thursday, the siblings’ mother — who has waited outside each day this week for a letter from her son — was asked to leave the area of the Wadi el-Natrun prison complex outside Cairo where he is being held.The family’s lawyer, Khaled Ali, then announced on social media that he has been approved to visit Abdel Fattah and was on his way to the facility — his first visit since early 2020. When he arrived, he said, prison officials refused him entrance to the facility — saying the permission letter he received that morning was dated the day before.
  • The family, who last heard from him in a letter last week that he would stop drinking water on Sunday, has repeatedly warned that he could die before the conference ends next week. Seif said Wednesday that she does not know if he is still alive.
  • Several world leaders, including British Prime Minister Rishi Sunak and German Chancellor Olaf Scholz, raised his case directly with Egyptian President Abdel Fatah El-Sisi. Under the terms of his sentencing, the presidency is the only office with the authority to pardon him. But despite days of demands, his family has still not had proof of life or seen any indication he may be released.
  • U.N. Human Rights High Commissioner Volker Türk called on Egypt to immediately release Abdel Fattah. “No one should be detained for exercising their basic human rights or defending those of others,” he said. “I also encourage the authorities to revise all laws that restrict civic space and curtail the rights to freedom of expression, assembly and association.”
Ed Webb

Iran state TV hacked with image of supreme leader in crosshairs - Al-Monitor: Independe... - 0 views

www.al-monitor.com/...mage-supreme-leader-crosshairs

Iran protests media socialmedia TV television hacking hackers hacktivism

shared by Ed Webb on 11 Oct 22 - Cached
  • Hackers supporting Iran's wave of women-led protests interrupted a state TV news broadcast with an image of gun-sight crosshairs and flames over an image of supreme leader Ayatollah Ali Khamenei, in footage widely shared online on Sunday.
  • activists have spray-painted "Death to Khamenei" and "The Police are the Murderers of the People" on billboards in Tehran
  • Another 90 people were killed in Iran's far southeast, in unrest on September 30 sparked by the alleged rape of a teenage girl by a police chief in Sistan-Baluchestan province, said IHR, citing the UK-based Baluch Activists Campaign.
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  • In the face of the violence and the online restrictions, protesters have adopted new tactics to spread their message of resistance in public spaces."We are not afraid anymore. We will fight," read one large banner placed on an overpass of Tehran's Modares highway, seen in images verified by AFP.
  • "Join us and rise up," read another message in the TV hack claimed by the group Edalat-e Ali (Ali's Justice).It also posted pictures of Amini and three other women killed in the crackdown that has claimed at least 95 lives according to Norway-based group Iran Human Rights.
  • Many on social media said it evoked images of Neda Agha Soltan, a young woman who became an enduring symbol of the Iranian opposition after she was shot dead at protests in 2009.
  • a man with a spray can is seen altering the wording of a government billboard on the same highway from "The police are the servants of the people" to "The police are the murderers of the people".
  • Iranian pop singer Shervin Hajipour -- who was arrested after his song "Baraye" went viral online and became a protest anthem -- appeared back in an Instagram video Sunday for the first time since his release.In a short message, the 25-year-old denied links to any "movement or organisation outside the country" and said his song was only meant to "express solidarity with the people".
Ed Webb

Opinion | Ghada Oueiss: I won't be silenced by online attacks and trolling - The Washin... - 0 views

www.washingtonpost.com/...-be-silenced-by-online-attacks

shared by Ed Webb on 07 Nov 22 - No Cached
  • Although I was the target of this latest assault — no doubt because I regularly present critical reporting about Saudi Arabia and the UAE — the message to journalists across the Middle East is very clear: Don’t criticize the crown princes.
    • Ed Webb
      Ed Webb on 07 Nov 22
       
      Intimidation to induce self-censorship
  • There has been a disturbing rise in gender-related harassment and threats against female public figures. The movement for women’s rights in Saudi Arabia has terrified the government, which has insisted on doling out reforms on its own terms while detaining the female activists behind the movement. Loujain al-Hathloul, the most prominent of the Saudi women campaigners, and several others remain behind bars.
  • Last Friday, a Turkish court began hearings on Post contributing columnist Jamal Khashoggi’s murder — a stark reminder that justice has still not been served two years on. Jamal himself once warned me to ignore and block these Twitter accounts. Even though the man widely believed to be responsible for Jamal’s murder may never be held to account, we must not let him and those who work for him imperil one of the fundamental pillars of a free society — a free press.
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  • Twitter and other social media sites must take action to protect journalists such as myself and ensure that its platform is no longer misused by authoritarian regimes.
Ed Webb

'Three Thousand Years' and the History of Middle East Tales - New Lines Magazine - 0 views

newlinesmag.com/...e-history-of-middle-east-tales

film media Turkey MiddleEast MENA review orientalism

shared by Ed Webb on 30 Aug 22 - Cached
  • a film based on “The 1,001 Arabian Nights” is a risky venture. On the one hand, Hollywood Golden Age standards like “The Thief of Baghdad” (1924) and “Ali Baba and the Forty Thieves” (1944) get applause even from someone like Jack Shaheen, who in his book “Reel Bad Arabs” tries very hard to sniff out anti-Arab sentiment. On the other hand, Disney rolled the dice in 1992 and wound up with “Aladdin,” one of the most scandalous films ever made. This was thanks to an ill-advised song lyric about the Middle East: “Where they cut off your ear if they don’t like your face.” (The 1993 VHS version tossed out this carbuncle but kept the phrase “It’s barbaric, but hey it’s home.”) The 2019 Will Smith reboot of the same name, one of that year’s highest-grossing films, didn’t do much in the eyes of critics to update Orientalist caricatures. Teachers still use the 1992 version to show what not to say about Arabs and Islam. Another Disney production, 2010’s “Prince of Persia: The Sands of Time,” which was based on the Persian national epic “Shahnameh,” got panned for casting Jake Gyllenhaal, a white actor, to play a Persian character. And the list goes on.
  • both Byatt and Miller get much of the folklore right. Viewers learn that djinn come in many varieties, including those who fear God, like Alithea’s djinn insists he does, and those who don’t. Djinn are made of “smokeless fire” while humans are made from dust, based on the Quran’s chapter 55, “The Merciful.” Djinn can live for thousands of years, change size and shape, make love, eat and sleep (the djinn in the movie says his kind don’t do the latter). All this and more, drawn from Islamic folklore through Byatt’s story, makes Robin Williams’ blue meanie from the 1992 “Aladdin” look like the cardboard cutout he is
  • at a time of heightened sensitivity to who gets to tell stories, can Hollywood still celebrate the Middle East?
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  • these tales don’t come from fantasies like “The 1,001 Arabian Nights” but instead Middle Eastern history, especially Ottoman history. Anyone familiar with the region’s culture and storytelling will be struck by how thoughtful the film is, despite its kooky, over-the-top vaudeville
  • Miller’s location, cast and music celebrate rather than lampoon the Middle East, above all the wonders of Turkey. Shot on location in Istanbul, the film pans over Topkapi Palace, the Hagia Sophia and other iconic hotspots. Turkish actors fill most of the minor roles and speak Turkish throughout (Elba gives it his best college try). “Chesm-i bulbul,” or “the nightingale’s eye,” the name for the djinn’s bottle and hence of Byatt’s story, is in fact a beloved style of glasswork. The film credits roll to a Turkish love song.
  • “Three Thousand Years,” billed as “Aladdin for adults” and based on the 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt for The Paris Review
  • he adds a scene that’s unjustified by the plot and which mainly serves the demands of cultural sensitivity, in deference to viewers who don’t know enough about the Middle East to see how much care Miller has taken. Back in London and close to the finale, Alithea greets two neighbor ladies who ask why Alithea wastes time with “ethnics.” She fires back that she can’t abide people — like them — with knee-jerk reactions against anyone different. “Fuckface,” one of them spits at Alithea, who ducks back into her house.
  • This scene’s welcome jab at xenophobia is not what annoys; it is rather the non sequitur. It’s the one and only time we meet these neighbors, though they later stand aghast while Alithea explains her enormous ebony djinn will be staying for a while. It’s the one time we hear their views. Their struggle to grasp the Middle East has not shaped us in any way, nor does the script humanize them beyond political caricature. “OK, boomer,” says the movie with a sneer. Miller could have stood on his thoughtfulness toward the Middle East without pandering, but in fairness, he’s less to blame than a culture industry that makes directors like him think that pandering is the price of keeping their skin.
  • Byatt’s story is nothing if not highly sexed, and Miller’s retelling can’t do it justice.
  • That both the djinn and Alithea are trapped by their own gigantic emotions produces one of the film’s loveliest sentiments, spoken by Alithea as part of her wish for the djinn’s affections: “I want our solitudes to be together.”
Ed Webb

Ukraine, Hamas wars provide unprecedented boom in violent video - The Washington Post - 0 views

www.washingtonpost.com/...israel-war-violent-videos

Israel politics media analysis socialmedia video propaganda Gaza war conflict Ukraine

shared by Ed Webb on 27 Oct 23 - No Cached
  • The wars in Israel and Ukraine have fueled an explosion in videos online showcasing the horrors of modern war, bringing killings and cruelty to a global audience of viewers who are unprepared — or all too willing — to watch.
  • fighters use cellphones and GoPro cameras to record or live-stream footage from a point-blank perspective, either for purposes of military strategy or propaganda
  • Basem Naim, the leader of Hamas’s international relations arm, told The Washington Post in an interview that the footage was shared on social media both to gain global attention and to embolden Hamas militants for the war ahead.“Who is terrorizing whom? We are the victims … of this huge killing machine,” he said. The videos “show that we can do something. It is not only we who are beaten all the time. No, sometimes we can also hit back.”
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  • Psychiatrists have warned that the repeated viewing of such visceral imagery can lead to what’s known as “vicarious trauma,” damaging people’s mental health
  • Some commenters there say the videos offer a grisly lesson. They have “basically taken all the ‘glory’ out of war,” one Redditor said in a thread discussing a video of an injured Russian soldier taking his own life. “I wish politicians would watch these vids as they had their morning coffee.”Others there celebrate the violence or riff on the strange banality of seeing such carnage from home. “I’m eating coco puffs watching this,” one Redditor said on a video showing Russians soldiers killed with grenades.
  • The Ukrainian government last year began posting photos and videos of captured and killed Russian soldiers to Telegram, Twitter and YouTube in hopes of inflaming Russian protests over the war’s human costs. Military-justice experts told The Post that some of the images likely violated the Geneva Conventions, which demand governments shield prisoners of war from “insults and public curiosity.”
  • White supremacists have for years spread videos showing violent acts committed by people of color to inflame racial animus in hopes of winning potential recruits, Henry said. In recent conflicts, such gruesome videos have been used to dehumanize the enemy and get international viewers feeling more invested in the fight
  • “When any of the various Ukraine war influencers share videos of Russian soldiers dying from drone attacks, part of the strategy is to appeal to American or European audiences who see Russian soldiers as part of a wider hated out-group and Ukrainian soldiers as sort of like themselves.”
  • such videos have also been used to sow terror and provoke an emotional overreaction that could enrage onlookers, expand a conflict or play into the attackers’ hands, said Amanda E. Rogers, a research fellow at the Century Foundation think tank who has studied extremist propaganda. Nearly a decade ago, she said, the Islamic State’s video-recorded beheadings of aid workers, journalists and others helped mark a turning point for terrorists who saw the value in publishing footage so heinous many viewers felt they couldn’t ignore it.
  • Israel’s Foreign Ministry has adopted a similar tactic to enrage Western audiences by running hundreds of haunting YouTube ads, including videos in which Israeli medical examiners describe what they saw in their autopsies of the bodies of children purportedly killed during the Hamas attack, according to YouTube’s ad library.
Ed Webb

Jadaliyya - 0 views

www.jadaliyya.com/45214

Egypt Sisi military politics parliament propaganda censorship parties analysis

shared by Ed Webb on 08 Jan 24 - No Cached
  • At the heart of the regime’s responses to these pressures is the “National Dialogue.” The Dialogue, which kicked off last May, is a vaguely conceived multi-track forum in which a host of carefully selected political figures and experts convene periodically to discuss public policy reforms. The political leadership has marketed this initiative to its international and domestic detractors as a testament to its readiness to engage opponents and alternative viewpoints. In reality, the Dialogue is the regime’s attempt at gaslighting critics
  • the spectacle (as opposed to the outcome) of deliberation is the clear driver of this initiative
  • by early 2023, the regime had decimated the resources it now needed to erect a convincing façade of participatory politics to mitigate the concerns of its international partners and to absorb popular discontent
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  • The very existence of the Dialogue underscores the extent to which Sisi has managed to lock himself in a corner after spending much of the past decade destroying all forms of managed dissent and limited pluralism, once a staple of the previous authoritarian order.
  • the July 2013 coup proceeded on the ruins of the “civilian punching bag” model of 2012-13. The latter describes a tacit arrangement in which the military was poised to pursue its interests from behind a civilian interlocutor (or, a “punching bag”), the Muslim Brotherhood’s Freedom and Justice Party—an arrangement that ended in utter failure. By 2013, therefore, the military’s appetite for working in collaboration with civilian parties had run its course.
  • the reinvention of Mubarak-style dominant party rule was not an appealing option for Sisi in 2014.
  • “the New Youth Project” or NYP for short. The NYP describes a host of formal and informal initiatives and programs that, collectively, seek to cultivate a new cadre of youth politicians and public servants socialized around military-centric nationalism
  • a broader effort the political leadership is undertaking to inject into public institutions a broad-based ideological commitment to the military-dominated political order
  • a pervading discourse senior officials and pro-regime figures have propagated in the past few years under the banner of “the battle of consciousness” (معركة الوعي). Behind this rather eerie term is a narrative claiming that Egypt’s most pressing national security concern is the spread of misinformation and ideational attacks against society’s so-called core values. The implication of course is that any expression of dissent, criticism of government performance, or questioning of state-provided information is a suspected attempt to foment instability and undermine Egypt’s social peace. The solution, the story goes, is countering such “false consciousness” by promoting public awareness of these threats and by enlisting more patriots in the “battle of consciousness.”
  • the Sisi regime has been pursuing a broad-scoped project to ideologically militarize civilian spheres and to inculcate all sectors of Egyptian society with ideas rationalizing blind support for the military-sponsored regime
  • the politicians who have been coached to impress the crowd by their confident demeanor, their captivating TED Talk public speaking style, and their superficial use of catchy phrases that borrow (albeit superficially) from the language of scientific research. Most importantly, they have been socialized to accept the supremacy of the military such that they would never question the men in uniform, as was the case with the contentious youth activists who often denigrated officers in public forums and protests between 2011 and 2013
  • a consistent strategy Sisi has adopted whenever frustrated with the ineffectiveness or the bureaucratic resistance of state institutions: the creation of parallel structures to bypass these institutions altogether. Thus, today one finds a host of bodies and offices Sisi formed over the years and that seemingly replicate the roles of existing government ministries. Examples include the Supreme Council for Investment, the Supreme Council for Combatting Terrorism, the Supreme Council for the Automotive Industry, and, currently under study, the Supreme Council for Education. Whereas the office of the minister of health still exists officially, a presidential advisor for health affairs (a former minister of health himself), appointed by Sisi in 2020, has taken a visible role in explaining and defending state health policies, just like a minister of health would.
  • Mustaqbal Watan Party (MWP). MWP was once the embodiment of Sisi’s dream of a new generation of pro-military youth politicians who could lead Egypt’s post-2013 political scene. After several wake-up calls, the regime was forced to restructure the party so that “Sisi’s youth” could step aside to accommodate a larger role for the older and more seasoned networks and affiliates of the Mubarak regime—the same actors the president once sought to sideline. These transformations underscore the inherent limitations of the NYP and the idea that Sisi, despite all the power and resources he possessed, had to forge compromises with the once-dreaded traditional political classes, even if at the expense of his own coveted project.
  • observers were aware that MWP was among the political parties the intelligence establishment created and funded to promote the Sisi presidency. Nevertheless, Sisi kept an official distance from the party, avoiding any insinuation that Mustaqbal Watan represents the wielders of power in any formal sense. This policy was partly shaped by Sisi’s aforementioned skepticism of political parties and his interest in engineering the political field from a distance
  • there was more to Sisi’s apprehension toward the Mubarakists than appeasing the January 25thers or deflecting criticism. On a more fundamental level, Sisi was keeping a watchful eye on presidential hopeful Ahmed Shafik, former Air Force general and Mubarak’s last prime minister, who ran for president in 2012 and lost to Morsi in a tight runoff. Even though Shafik opted (rather grudgingly) not to run for president in 2014 after it became clear Sisi was the state’s chosen candidate and trying to challenge him was pointless, his supporters did not relent.
  • The idea of former Mubarakists banding together outside the state’s purview[3] was (and remains) an alarming prospect for Sisi for multiple reasons. They are proficient in mobilizing supporters in elections and have a long experience in the business of setting up vote-buying machines. More than any other civilian player, they can work collaboratively with security agencies. Most significantly, if organized sufficiently, they have what it takes to offer Sisi’s international allies and domestic constituents the same deal he offers them: a stable authoritarian project accommodating the various geostrategic, political, and economic imperatives the Sisi regime claims to protect
  • In early 2021, over half of MWP’s Central Secretariat members had ties to the NDP (compared to a quarter in 2016), and so did two thirds of its provincial leaders. This reality stood in stark contrast to the state of affairs inside Mustaqbal Watan during its founding years, when a younger group of political outsiders were running the show. Interestingly, by 2021, only two of Mustaqbal Watan’s 2014 founding signatories enjoyed posts in the party’s Central Secretariat, which now featured a completely different cadre of politicians.
  • lawmakers voted down by a wide margin the president’s highly coveted civil service bill, among the reforms reportedly “encouraged” by the International Monetary Fund at the time
  • in the fall of 2019, the president decided to put an end to this disarray, ordering a freeze on parliament’s operations, nearly a year before the next legislative elections were due.
  • The lead-up to the 2018 vote confirmed in many ways Sisi’s intolerance of any political competition, even to the most limited degree. He went to great lengths to eliminate all presidential contenders by any means possible: imprisonment, intimidation, violence, and dubious legal measures. Left to his own devices, Sisi would have run unchallenged. Pressured by Washington, however, he ultimately agreed to let one of his own political cheerleaders, Moussa Mostafa Moussa, run against him in what proved to be an unconvincing (even if lighthearted) episode of political theater, with Sisi winning 97 percent of the votes.
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