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Israeli forces raided the West Bank offices of Palestine Today television overnight and arrested its manager over allegations of inciting violence, Israel's Shin Bet internal security agency said on Friday.

"The channel served the Islamic Jihad as a central means to incite the West Bank population, calling for terror attacks against Israel and its citizens. Incitement was broadcast on the television station as well as the Internet," it said in a statement.

Cameraman Mohammed Amr and technician Shabib Shabib were also arrested, the Palestinian Journalists Union said.

Mustafa Edib has been working as a journalist for years and prides himself on fighting for the rights of the marginalized.In 2009, he publicly defended President Recep Tayyip Erdogan’s ruling Justice and Development Party (AKP) when it faced a closure trial for alleged violation of the state’s secular principles. He has no regrets about helping to preserve a political force that would one day snub out his own voice, “because back then, AKP was being oppressed, and we stand against all types of tyranny”.

the closure of numerous other media outlets has raised concerns about a wider political crackdown on media freedoms

When Edib, the newspaper’s foreign editor, showed up to work on the morning after the seizure, his office resembled a police barracks. He told Middle East Eye that the Internet connection had been disabled and the paper was already prepared, but that he “didn't know where or by whom, quite frankly”.

Egypt’s top media regulator on Tuesday put into effect tighter restrictions that allow the state to block websites and even social media accounts with over 5,000 followers if they are deemed a threat to national security.The move is the latest step by the government of President Abdel-Fattah el-Sissi to suppress dissent. In recent years, Egypt has launched an unprecedented crackdown on reporters and the media, imprisoning dozens and occasionally expelling some foreign journalists.The new regulations, published in the official gazette late Monday, allow the Supreme Media Regulatory Council to block websites and accounts for “fake news,” and impose stiff penalties of up to 250,000 Egyptian pounds ($14,400), all without having to obtain a court order.

Mohamed Abdel-Hafiz, a board member of the journalists’ union, said the government is threatening journalists with “vaguely defined national security violations, as well as vaguely defined political, social or religious norms.”

a broad list of prohibited topics, including “anything inciting violating the law, public morals, racism, intolerance, violence, discrimination between citizens or hatred.”

New Media Regulations Enforced Within Days: On March 21, the Supreme Media Regulatory Council issued its first penalty for violating the new bylaws regulating the media that were introduced last week against Al-Mashhad newspaper. According to Al-Mashhad’s Editor in Chief Magdy Shendy, the newspaper was fined 50,000 Egyptian pounds ($2,890) and will be blocked by Egyptian internet providers for six months for “violations of ‘public morals,’ ‘ethics,’ and ‘written traditions’” for a “pornographic picture” and “offensive comments” related to coverage of a female TV presenter. Shendy argues, however, that “the only reason for the decision is our [Al-Mashhad’s] stance on the constitutional amendments,” which would allow President Abdel Fattah al-Sisi to stay in power until at least 2034. According to Mada Masr, Al-Mashhad published [Ar] a report documenting police officers bribing Egyptians with Ramadan meals in exchange for votes in the expected referendum on the amendments. The new media regulations enable the Supreme Media Regulatory Council to block and fine websites and social media accounts it believes has published “offending material” including “anything inciting violating the law, public morals, racism, intolerance, violence, discrimination between citizens or hatred.”

The Complaints Committee of the Supreme Council for Media Regulation blocked CairoScene’s website in Egypt because it did not obtain a license from the Council. The media monitoring unit of the Council found “foul images” on CairoScene’s website which include a series of paintings of nude women. CairoScene’s mother company ‘MO4’ has also been operating without a license, which also provoked the Council’s decision.

In October, the Supreme Council for Media Regulation in Egypt opened application process for media outlets to obtain authorized licenses to operate online in a move to implement Law 180. This law media websites to receive a license in Egypt for the first time.

Some critics were concerned that this is a tactic to hinder media platforms and journalists. According to an official source at the Supreme Council, the Council will monitor any violations of the new media law and will block unauthorized sites immediately once they commit any violations.

Qatar's government communication office has filed a lawsuit in the United States against people who launched a social media campaign to spread false lies about the Gulf state to harm its interests. In its complaint before a court in the state of New York, the office said its defendants used social media accounts since October 2017 to spread fake information about Qatar and that it harbours "terrorism".

the adverts accusing Qatar of funding "terrorism" and mistreating foreign workers were paid for by "secretive campaign groups" - Qatar Exposed and Kick Qatar Out, neither of which own websites on the Internet. The two Twitter accounts were created within minutes of each other last October. According to analysts, the two campaigns are funded by groups linked to Saudi Arabia and the United Arab Emirates – which, along with Bahrain and Egypt, have severed diplomatic and trade ties with Qatar.

analysis by BuzzFeed News shows the number of shares on Facebook, Twitter, and other social media sites of the most-read stories about Syria in the past two months were a 10th of what they were just over a year ago

“I work so hard to try and post videos, but no one cares. I don’t know what to say. They just see the article or report, and just say: ‘Oh, that’s really sad.’ And after that they turn the internet off and go and live their lives.”

Once the footage is online people like Ethar El-Katatney, executive producer of AJ+, pick it up, and try to work out how they can tell the next story from Syria.“All of the footage I am looking at today looks the same as the footage I saw a year ago and it’s the same dust, and blood, and screaming, and hospital rooms and hospital floors,” El-Katatney told BuzzFeed News. “It has become normalized.”

they had shared and could recite the viral Facebook memes constructing an alternate reality of nefarious Muslim plots. Mr. Lal called them “the embers beneath the ashes” of Sinhalese anger

the forces of social disruption that have followed Facebook’s rapid expansion in the developing world, whose markets represent the company’s financial future. For months, we had been tracking riots and lynchings around the world linked to misinformation and hate speech on Facebook, which pushes whatever content keeps users on the site longest — a potentially damaging practice in countries with weak institutions.

Time and again, communal hatreds overrun the newsfeed — the primary portal for news and information for many users — unchecked as local media are displaced by Facebook and governments find themselves with little leverage over the company. Some users, energized by hate speech and misinformation, plot real-world attacks.

Aux dires des témoins de l’époque, le chef de l’Etat tunisien entretenait un rapport très ambivalent avec «sa création», l’ATCE. Elle faisait régulièrement office de punching-ball, et le président, dans ses moments de colère, ne cessait de répéter qu’elle avait échoué dans le domaine de la communication politique. En même temps, Ben Ali se refusait obstinément à changer sa manière de faire, rechignait à s’exprimer, refusait les interviews, et refusait que d’autres ne parlent à sa place.

«Avec internet, les réseaux sociaux et l’explosion des chaînes satellitaires, tout décalage entre l’image et la réalité est durement sanctionné. Le public international ne peut plus être dupe. La communication devient propagande si elle n’arrive plus à expliquer les réalités de façon intelligente, crédible et moderne. Il ne sert à rien d’accabler les agences étrangères qui ont travaillé pour son compte. Une agence ne peut pas inventer ses propres éléments de langage en matière de communication politique, ces éléments émanent de l’autorité politique. C’est encore plus vrai dans le cas d’une agence de communication officielle. Il ne faut pas confondre messager et message.»

The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 

Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.

an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities

CPJ's 10 most censored countries Eritrea North Korea Turkmenistan Saudi Arabia China Vietnam Iran Equatorial Guinea Belarus Cuba

"The internet was supposed to make censorship obsolete, but that hasn't happened," Joel Simon, CPJ executive director, said in a statement. "Many of the world's most censored countries are highly wired, with active online communities. These governments combine old-style brutality with new technology, often purchased from Western companies, to stifle dissent and control the media,"

In a virtual library found in Minecraft -— a game where users can build virtual worlds out of blocks and create their own storylines — users can access the work of journalists who have been killed, jailed or exiled by governments, including articles by Saudi journalist Jamal Khashoggi. The project, launched by Reporters Without Borders, design collective Blockworks, advertising agency DDB Germany and production company MediaMonks, gives users access to articles banned in five countries that rank poorly on the nongovernmental organization's World Press Freedom Index: Egypt, Mexico, Russia, Saudi Arabia and Vietnam.

Work in the library, launched Thursday to mark the World Day Against Cyber Censorship, is available in English and the original language in which the texts were written.

"Young people grow up without being able to form their own opinions. By using Minecraft, the world's most popular computer game, as a medium, we give them access to independent information,"

Egyptian lawmakers have called for stricter surveillance of women on video sharing apps after the arrests of a popular social media influencer and a well-known belly dancer on charges of debauchery and inciting immorality.

Instagram and TikTok influencer Haneen Hossam, 20, is under 15 days detention for a post encouraging women to broadcast videos in exchange for money, while dancer Sama el-Masry faces 15 days detention for posting “indecent” photos and videos.

“Because of a lack of surveillance some people are exploiting these apps in a manner that violates public morals and Egypt’s customs and traditions,”

Erdogan rarely makes himself available to the media — especially for foreign reporters who are freer than Turkish journalists to criticize his government. So when Adam Sharon, a Washington-based public relations executive, contacted me and several other reporters last month and offered interviews with Erdogan and other top Turkish officials, it held out a chance, however remote, for American reporters to assess face-to-face whether top Turkish officials had any evidence for their claims about Gulen. If the goal of the trip was to convince reporters that the Turkish government’s case against Gulen was based on facts, rather than innuendo and conspiracy theories, it backfired spectacularly.

Gokcek said he gets his information from the Internet. “I have the largest intelligence service in the world: Google,” the mayor said. “You can find anything in Google. In Turkey, I am the person who uses Google the best way … I would like to thank Google.”

By using the internet to show films, Telfaz11 and other Saudi production houses have managed to circumvent traditional distribution channels and make do without cinemas. Even so, Saudi filmmakers have to contend with how to tell their stories within the bounds of the kingdom’s ultraconservative mores and its limits on free speech.

The emergence of a Saudi film scene is happening as the kingdom begins to loosen the reins on fun and entertainment after nearly two decades without cinemas or concerts.

The government has also backed a Saudi film festival that’s taken place for the past few years in the eastern city of Dhahran. This year, some 60 Saudi films were screened.