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Glasgow’s Dr Campbell Price is British TV’s go-to guy when it comes to ancient Egypt. But the study is riddled with racism and he wants to drag the world of mummies into the 21st century … and he doesn’t care if you call him ‘woke’.

Price is at the forefront of the fight to ‘decolonise’ the study of Ancient Egypt and drag it into the 21st century. He wants the discipline to confront its history of racism and empire, and he’s not shy about apportioning a fair amount of blame on Scotland and its own role in Britain’s colonial adventures.

the study of Ancient Egypt was founded by colonialists from Britain and France in the early 1800s and it still hasn’t shaken off the baggage of the past. There’s a lingering sense that Egyptians are considered unable or incapable of studying their own history without the assistance of white, western academics who are really the people best suited to the discipline. The whiff of racism and a “white saviour narrative” still hangs in the air, he feels.

Going back 10 years to the Arab Spring and eight years before that to the invasion of Iraq, much of the region has experienced terrible loss not only on a human scale, but also of its archaeological heritage. The culmination of both came in 2015 with the brutal murder of the 82-year-old archaeologist Khaled al-Asaad — who had been in charge of the Syrian UNESCO World Heritage site of Palmyra for 40 years — and the destruction of part of the 2,000-year-old site by the Islamic State group

Three countries — Iraq, Syria and Libya — have an extraordinary heritage of ancient archaeological sites, many of them now endangered, and had in common long-standing dictators, (although in the case of Syria, of course, the Assad regime continues), all of whom used their cultural heritage in various ways to define how they saw their nation

That dictators draw inspiration from ancient history to shape their nations is nothing new — Mussolini looked back to the Roman empire, while Hitler and the Nazi party developed their mythical, ancient “Aryan” race. The last shah of Iran, Mohammad Reza Pahlavi, threw one of the most lavish parties in history at Persepolis in 1971 during national celebrations to illustrate the grandeur of the 2,500-year-old Persian empire founded by Cyrus the Great in the sixth century B.C.

A new analysis published Wednesday in the journal Nature shows that the Hittites endured three consecutive years of extreme drought right around the time that the empire fell. Such severe water shortages may have doomed the massive farms at the heart of the Hittite economy, leading to famine, economic turmoil and ultimately political upheaval, researchers say.

n accumulating field of research linking the fall of civilizations to abrupt shifts in Earth’s climate. In the ruins of ancient Egypt, Stone Age China, the Roman Empire, Indigenous American cities and countless other locations, experts have uncovered evidence of how floods, droughts and famines can alter the course of human history, pushing societies to die out or transform.

It underscores the peril of increasingly frequent and severe climate disasters. But it also points to strategies that might make communities more resilient: cultivating diverse economies, minimizing environmental impacts, developing cities in more sustainable ways.

Picasso-Mediterranee, a two-year project involving a range of museums, galleries and art centers to explore Picasso's relation to the Mediterranean, which served as his home and as inspiration. Picasso, undeniably Mediterranean, drew inspiration from both the northern and southern shores of the sea. The culture and myths of ancient Greece as well as the Middle Eastern were of great interest to him. In version L of “Women of Algiers,” a series of 15 paintings and hundreds of sketches paying tribute to the French orientalist painter Eugene Delacroix, he drew a single woman with a hookah, an image inspired by the ancient Middle Eastern goddess Astarte. Picasso-Mediterranee presented more than forty-five exhibitions in Mediterranean cities during 2017-2019. At the press conference for the Izmir opening, Laurent Le Bon, president of the Paris-based Picasso National Museum, remarked, “Monographic, thematic or exploring the relationship between Picasso and other artists, all provide an innovative approach to Picasso’s works as seen through the prism of the Mediterranean world.” The Paris museum oversaw the project.

There is good reason for Picasso to continue to inspire the Mediterranean world nearly half a century after his death and at a time when populations around the region are in flux. “Picasso himself was a migrant,” Le Bon recalled in Izmir. “Though he spent most of his life in France, when he applied for nationality [in 1940], he was denied.” The themes Picasso dealt with — among them poverty, inequality, social protests, and, as depicted in his most famous work, “Guernica,” civil war and destruction — still dominate the lands surrounding the sea.

The looting of archaeological sites is a longstanding problem in Tunisia

Objects of significant historical and cultural value often end up on the European market and in the homes of Tunisia's rich and powerful

instability and chaos of conflict often provides a window for archaeological looting

The Synagogue Street, a narrow pathway with a mishmash of colors and smells from fishmongers and spice-sellers, lies at the heart of Izmir, Turkey’s third largest city. The street starts at a stone’s throw from the Hellenistic-era agora and snakes through the historical commercial center. It derives its name from the nine synagogues in its vicinity, four of which were in ruins until half a decade ago. “Unlike many cities of Europe, the Synagogue Street — or better, the Synagogue District — is right at the heart of town,” Nesim Bencoya, the coordinator of the Izmir Jewish Heritage Project, told Al-Monitor. “It is a compact neighborhood with its synagogues, cortejos [houses where families lived together], a rabbinate and numerous shops and businesses on the crisscrossing streets of Kemeralti, the commercial center. It is also an area where synagogues stand side by side with mosques, where businessmen from the Muslim, Jewish and Orthodox community engage in trade and songs in Turkish, Greek and Ladino are sung one after the other from the nearby taverns.” For the last 12 years, Bencoya has been going door to door to drum up support for his plans to revive the area and build a Jewish heritage center that would draw in locals and tourists.

At its zenith in the mid-19th century, the 50,000-strong Jewish population made up the second largest community after the Greeks in the city known in the Ottoman Empire as “Izmir, the infidel.” The city had 34 synagogues, a sophisticated hospital, local Torah schools and a posh college offering a curriculum in French. The city’s first printing press was a Jewish one, printing books in Hebrew, Ladino and eventually in English, and boyoz, the Jewish pastry whose name "bollos" means “little bread” in Ladino, became one of the city’s staple foods. 

Today, thanks to support from German Consulate of Izmir and the  Israel-based Mordechai Kiriaty Foundation, the elaborate wooden carvings at the ceiling of Ets Hayim Synagogue, the sumptuous floor mosaics of Hevra and the corridors of the Foresteros that tie several synagogues to each other have reemerged.

Sicily has a centuries-long history of complex negotiations with its African heritage (it was ruled, among others, by the Phoenicians, Aghlabids, and Fatimids), and it continuously reexamines its role as a locus of cross-cultural encounters and imperialistic fantasies. Moreover, the island is now at the center of anti-immigration rhetorics, with episodes of xenophobia and racism directed against migrants from Africa and the eastern Mediterranean

there is a direct line of continuity between teste di moro and the head-shaped vases produced in ancient Greece and Italy, which often depicted Black African youths. In the late Middle Ages, large and elaborate flower vases in polychrome majolica (called albahaquero from the Spanish word for “basil,” albahaca) became very popular in Spain and Morocco. Further into the early modern period, Europeans’ interest in the Ottoman Empire generated a robust demand for commodities that would allow for the consumption of a culture that inspired fear and fascination. Portraits of Ottoman men and women (whether authentic or based on European subjects dressed in Ottoman garb) were sought after in Venice, Florence, and elsewhere in Italy, including Sicily: majolica vases such as this one from early modern Palermo are a close antecedent to teste di moro.

the early modern popularity of the testa di moro capitalized on the European fascination with the male Black body as a symbol of dominance over the Mediterranean

Tunisia’s Interior Ministry has identified the man behind an attack that killed five people earlier this week, saying Thursday that he intentionally targeted a synagogue on the Mediterranean island of Djerba in a premeditated act. The ministry described the shooting as a “cowardly criminal attack” but refrained from calling it an act of terrorism.

The French National Terrorism Prosecution Office has launched its own probe into the attack. Benjamin Haddad, who was French, was killed in the attack along with his cousin Aviel Haddad, who held dual Tunisian and Israeli citizenship.

The shooting coincided with the annual Jewish pilgrimage that is part of Lag Ba’omer celebration. Thousands of Jews from around the world gather at El-Ghriba synagogue, believed to be the oldest in Africa dating back 2,500 years.