In this digital age, metering is becoming a lost art. Many new photographers seem to be relying on the back of the camera for metering and correct exposure. Although, as a photographer mastering proper metering techniques is essential for achieving consistent repeatable results.

A basic guide to the principles of camera metering A basic guide to the principles of camera metering Category: Howto & Style Tags: photography digital camera basics tutorial metering

A basic guide to camera exposure.

This clips covers the basics of camera shutter speeds and lens apertures and the relationship between them when taking a photo

Containing the world's largest repository of information on the Holocaust, Yad Vashem is a leader in Holocaust education, commemoration, research and documentation. Located in Jerusalem, Israel, Yad Vashem's 45 acre campus comprises museums, exhibitions, memorials, sculptures, gardens, and world class research and education centers. Millions each year access Yad Vashem's vast resources in order to study, teach and commemorate the Holocaust.

TED talks on youtube - inspiring, creative , talks by societies best minds

The Pulitzer Center on Crisis Reporting's mission is to promote in-depth coverage of international affairs, focusing on topics that have been under-reported, mis-reported - or not reported at all. The majority of the videos here are part of larger reporting projects from around the world. Most were featured on the public television program "Foreign Exchange" www.foreignexchange.tv

national geographic on youtube

Amnesty International is an organization of more than two million people united across the globe campaigning for the human rights for all. Outraged by human rights abuses but inspired by hope for a better world -- we work to improve human rights through campaigning and international solidarity.

Cheat sheet for multimedia story decisions As newsrooms everywhere struggle to adapt to the digital information environment, everybody in the newsroom needs to gain some multimedia literacy. At the basic level, that means you understand what the media are suited for. Even if you do not know how to make an audio slideshow, you must understand what kinds of stories work well in the audio slideshow format - and which stories are poorly suited for it. If you don't understand that, you're in a weak position for telling stories in the 21st century.

website of Joe McNally national geographic photographer

Joe McNally shoots assignments for magazines, ad agencies, & graphic design firms. Clients include Sports Illustrated, ESPN Magazine, National Geographic, Life, Time, Fortune, New York Magazine, GEO, Golf Digest, Discover, Men's Journal, Business Week, Rolling Stone, New York Stock Exchange, Target, Sony, GE, Nikon, Lehman Brothers, & PNC Bank. In addition to having been a recipient of the Alfred Eisenstaedt Award for outstanding magazine photography, McNally has been honored numerous times by several of the following: Communication Arts, Applied Arts, Photo District News, Pictures of the Year, The World Press Photo Foundation, The Art Directors' Club, American Photo, and Graphis. Joe's teaching credentials include: the Eddie Adams Workshop, the National Geographic Masters of Contemporary Photography, the Santa Fe Workshops, the Smithsonian Institute Masters of Photography, Rochester Institute of Technology, Maine Photo Workshops, Department of Defense Worldwide Military Workshops, and the Disney Institute. He has also worked on numerous "Day in the Life" projects. One of McNally's most notable large scale projects, "Faces of Ground Zero - Giant Polaroid Collection", has become known as one of the most primary and significant artistic responses to the tragedy at the World Trade Center. Joe was described by American Photo magazine as "perhaps the most versatile photojournalist working today" and was listed as one of the 100 most important people in photography. In January 1999, Kodak and Photo District News honored Joe by inducting him into their Legends Online archive. In 2001, Nikon Inc. bestowed upon him a similar honor when he was placed on their website's prestigious list of photographers noted as "Legends Behind the Lens".

Data visualization resources While I was shamelessly picking the brain of Matt Waite in recent weeks, he advised me that if I don't have more than three to five weeks to spend on "data" (sort of akin to what we used to call "computer-assisted reporting"), what I should focus on is teaching the students something about data visualization.

Thursday, October 30, 2008 Nick Turpin Ditches his SB-800s for a Cell Phone (RSS and email subscribers may have to click on the post title to see the video.) Remember Nick Turpin, who did those beautiful SB-800-lit street portraits of thriller writers for Arena Magazine? Now, he has ditched even those and is shooting his current month-long campaign for Samsung using only a cell phone. No DSLRs, no flashes, no female assistants holding long poles. And he is not even in control of what he is shooting -- you are. Your clicks on each new photo in the the evolving site decide where he is going next. It is live now, at The Photographic Adventures of Nick Turpin. You can follow his cell-phone video diary from his trek via his YouTube Channel, too.

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29 October 2008 James Nachtwey & the Campaign Against XDRTB ~ Caught in the Conventions of Photojournalism Family members provide much of the personal care at hospitals in the developing world. Photograph & Caption © James Nachtwey/VII Let's start with the obvious, since I want to talk about what I think are more important things. James Nachtwey is an extraordinarily talented photographer. In his work he has captured the dangers and depravities of war and famine and other forms of systematic, man-made devastation. And he's done so in ways that have proven both profound and powerful. It is perhaps only a slight overstatement to say that he is unrivaled. Yet, despite his own admirable aims, Nachtwey is operating within conventions that are highly constraining.

British photographer Martin Parr, whose work straddles documentary and fine art photography, argues that photojournalism "has to get modern" to regain the attention and support of mainstream magazines. In this month's "State of the Art Report: Photojournalism Survival" (PDN August), Parr asserts, "You have to disguise things as entertainment, but still leave a message and some poignancy." In a recent interview, we asked him to elaborate on his theory.

Multimedia journalism is one of those terms often used to refer to a wide range of online content. Recently, I began a discussion with my students at the UBC Graduate School of Journalism to define exactly what the term means and how we can harness the many forms of online media to produce quality journalism. We started by first asking what a multimedia story is not. After all, go to any news website and you are certain to see stories being told using a combination of media. But just because an online story has multimedia elements does not mean that it is a multimedia story.

On the eve of the election, a number of Magnum photographers have been venturing into American to capture what they can of this historic moment in time. The project is called InSight America. But rather than publish this work as a book a year after the fact, Magnum is posting the work online and on the fly. I caught up with Alex Webb after his recent journey to Ohio:

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