MediaStorm: Visionary Journalism
Weaving Stories
Producers start by cutting audio, creating a "radio edit" of the story. Then they work with the journalist to craft a working narrative. A cohesive story emerges, and then it's time to pair the images with the audio. For that, they use Final Cut Studio.
"Final Cut is our workhorse," says Storm. "Our producers live inside Final Cut all day long. It's a simple and powerful tool. It does everything you need it to do, yet I can teach a new producer how to create our type of project in a day."
Images are exported out of Aperture at twice 1080p resolution, giving producers the flexibility they need to experiment with shots. "We pull everything into bins in Final Cut, and we use a lot of labeling to organize it," says Storm. "It's very simple: We use green for a picture that's in, red for one that's out, blue for a maybe. We have a very visual environment inside Final Cut to get things done quickly."
Tutorial on lighting for separation in conjunction with the large format 4x5 view camera class for professional photography students at the Art Institute of Colorado. The video covers meter reading and bellows factor.
A basic guide to the principles of camera metering
A basic guide to the principles of camera metering
Category: Howto & Style
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photography digital camera basics tutorial metering