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Top 10 Tips for Twitter … and Life by Guest Poster on January 22, 2009 in Twitter for Beginners In this post Crystal N Woods (follow her at @crystalsquest) shares some great tips for those starting out in Twitter. twitter-tips.png The buzz this year is all about Twitter, the 'microblog' service. Both the web and twitter are full of pleas from people who say they don't 'get it'. In a nutshell, the point of twitter is to post very short updates - no more than 140 characters. It's a bit like a txt msg for the web, on 'what you're doing now'. These tweets can be links to cool sites you've found, conversations with other twitter users, questions you want a quick answer for, what you're having for dinner or even haiku poetry. The main difference between twitter and txt is: when you send it out it goes out to everyone who's opted to follow you. On the receiving end, you're getting these updates from everyone you've chosen to follow. This constant flow of short messages to and from is called the 'twitter stream'. It can be a bit overwhelming at first. Just like modern life. In fact, it occurred to me that the people who 'get it' and rave about it the most are the very same people who have achieved vast levels of success in this information age. So, here's my take on the top 10 success tips for twitter… and Life!

A short by French photographer Raymond Depardon. It was released in 1986.

the films etc seamus talks about can be found here http://www.seamusmurphy.com/Films/12-Short-Films-for-PJ-Harvey/1/thumbs

"I know this can be a controversial subject. I know there are passionate beliefs built up over years of personal experience. This list, like any list of its kind is bound to have some short comings. In the spirit of that acknowledgment, please feel free to leave additions or suggestions in the comment section. This list will inevitably be outdated within a year, so an updated comment section would be of real value to everyone. For this post, I've created three separate gear lists (budget, moderate and high-end) with three budgets in mind. "

Welcome, fellow photographers from around the world. We have collected quotations that we hope will help promote the art of photography. If the reader is aware of others that deserve to be recognized here, we would appreciate your sending them to us. We have tried to accurately credit all sources for the quotations we have used. If anyone can offer corrections or additional information, it will be appreciated. If any source objects to being quoted here, or if we have strayed into any copyrighted materials, our sincere apology - please advise us and, if you wish, your quotation will be removed. Our goal is to include a short biography for each source. Knowing the contribution of each source, and the time period each lived and worked, may add additional meaning to the quotations listed here. If you have information about any source (birth date, death, employment, interesting anecdotes, accomplishments), please send it to us. Your help is needed to make this an interesting site. We intend to update this page monthly, so please check back from time to time. Thanks for your visit, and enjoy!

The classic short that inspired Terry Gilliam_s "12 Monkeys". Director Chris Marker_s preffered cut.

FREE DOWNLOAD - The UK Photographers Rights Guide. Permalink 19/11/04 22:33 , Categories: Photographers Rights I'm pleased to announce the launch of the UK Photographers Rights PDF. This is intended to provide a short UK guide to the main legal restrictions on the right to take photographs and the right to publish photographs that have been taken. The guide was written by Linda Macpherson LL.B, Dip.L.P., LL.M, who is a lecturer in law at Heriot Watt University, with particular experience in Information Technology Law, Intellectual Property Law and Media Law.

PHOTOGRAPHY IN PUBLIC AREAS » FREE DOWNLOAD - The UK Photographers Rights Guide. Permalink 19/11/04 22:33 , Categories: Photographers Rights I'm pleased to announce the launch of the UK Photographers Rights PDF. This is intended to provide a short UK guide to the main legal restrictions on the right to take photographs and the right to publish photographs that have been taken. The guide was written by Linda Macpherson LL.B, Dip.L.P., LL.M, who is a lecturer in law at Heriot Watt University, with particular experience in Information Technology Law, Intellectual Property Law and Media Law.

A PRIMER ON PROCESSES Photographers in the nineteenth century employed a wide variety of materials and processes; everything from honey to uranium found its way into one method or another. In some cases there is no way to tell, short of exacting scientific analysis, just what sort of variation was used to obtain a specific result. Most early photographs, however, fall into recognizable categories for which brief descriptions follow in alphabetical order.

FoamGeneral information Foam_Fotografiemuseum Amsterdam exhibits all genres of photography: fine art, documentary, applied, historical and contemporary; a museum with international allure. Along with large exhibitions of established (world) famous photographers, Foam also exhibits emerging young talent in smaller short-term shows.

Introduction to Digital Storytelling by Daniel Meadows Digital Stories are short, personal, multimedia scraps of TV that people can make for themselves. They're 'mini-movies'. Desktop computers enabled with video editing software are used to synchronise recorded spoken narratives with scans of personal photographs. This project requires commitment for, as well as all the technical stuff that must be learnt, script writing, picture editing and performance skills are also needed and these have to be worked on, which is why most Digital Stories are made by people attending workshops where participants can benefit from the help and advice of facilitators. People of all ages and abilities make Digital Stories and many have testified how rewarding the experience is for, when their story is shared with friends and family or posted on the web, they find they have discovered a new voice. There's a strictness to the construction of a Digital Story: 250 words, a dozen or so pictures, and two minutes is the right length. As with poetry these constraints define the form (e.g. a haiku is a poem written using 17 syllables, and the 14 lines of a sonnet are written in iambic pentameter) and it's the observation of that form which gives the thing its elegance.

"In the third of a series of articles on photojournalism Adrian Evans, Director of Panos Pictures, suggests that photojournalists should cast off the past and look to new models of funding. "Working in photojournalism it sometimes feels as though industry commentators are circling like vultures waiting to pick over the corpse of our industry. "They misguidedly link the fortunes of photojournalists to that of newspapers and magazines, referring to an almost mythical past, a golden age when newspapers were the champions and supporters of photojournalism. Whether this era ever really existed is debatable. What is undeniably true is that newspapers ceased being the paymasters of photojournalists a long time ago. Quality photojournalism is expensive - researching the story, gaining access, spending time with your subjects, post production and editing - there are no short cuts. Newspapers and magazines spend a tiny proportion of their income on content and they certainly don't want to spend it on photography."

please watch these in advance of the session -Take Care by MediaStorm because of it's great use of stills and video to combine for a moving and aesthetically powerful visual narrative, it's great character development and that fact that within a short time frame you get transitions and a transformation within the story. I'm impressed that this project came out of a one week workshop, which is testament to the collaborative effort that so often is part of a successful multimedia work, but also to Gillian Laube's visual sophistication. http://mediastorm.com/training/take-care -Blanco- by Stefano de Luigi is a great example of multimedia that is more conceptual, evocative without being journalistic and visually stunning. While the reliance on special effects might turn off some, I find it quite effective in this case. As multimedia developments and evolves as a new medium in the context of photojournalism and the profession of photography, we must remain open to using the new tools and techniques available to us. http://magazine.viiphoto.com/feature/show/267 -50 Milligrams Is Not Enough- by Bob Sacha and Scott Anger, produced by Pam Chen for Open Society Foundation. This marvelous piece highlights a worldwide issue in healthcare, told in an intimate, moving, visually lush way. This piece is a great example of visual storytelling and advocacy journalism, done with the highest aesthetic qualities. Great character development, in a wonderfully told plot, with sensitivity and high journalistic standards. http://www.youtube.com/watch?v=sWeUDNyqo1I -Leaves Keep Falling- by Ed Kashi, produced by Talking Eyes Media, is a short film and strong example of advocacy journalism. About the lingering impact of Agent Orange on the children of Vietnam, it mixes stills and video in a linear narrative to keep a story that seems old alive and relevant for new generations to remain aware of. It was produced for a foundation in cooperation with an NGO working to support families

Short excerpt from Gregory Colbert's film ashes and snow. Not to everyone's taste, but i think visually it's stunning and it certainly raises a lot of interesting questions re the purpose and aesthetics of multimedia.

Multimedia journalism teaching: 10 things I learned One way to teach multimedia reporting skills (by which I mean use of the reporting tools, not HTML and scripting) is to have an intense, short boot camp. Three days, five days maybe, with long hours each day. Another option is to integrate the skills into a full 3-credit course - call it "multimedia reporting," or just change the existing Reporting 101 course to include the current tools. I like both of those options, but this semester I tried a third option: Students enrolled in the regular 3-credit reporting course could take an additional 1-credit course in multimedia reporting. They were permitted to enroll only if they were also taking the reporting course. (They have previously completed a 3-credit mass media writing course.)

Short piece which takes in colonial photography right up to present day NGO photography. Its bibliography might be useful http://www.ucd.ie/photoconflict/bibliography/

Excellent bibliography!

very helpful bibliography!

Short blog post about 'the other' in contemporary European society

How social networking is changing journalism A conference in Oxford explores the interaction between the internet and the news industry * Comments (1) * Buzz up! * Digg it The morning of the Oxford Social Media Convention focused on the impact of social media. Especially interesting were the statements on the panel 'Breaking news: the changing relationships between blogs and mainstream media'. Richard Sambrook, the director of the BBC Global News Division, said that the impact of social media was overestimated in the short term and underestimated in long term. Mainstream media are adopting social media especially with blogging and twitter, he admited, but nobody discusses the effects on the long term.

NowPublic is a participatory news network which mobilizes an army of reporters to cover the events that define our world. In twelve short months, the company has become one of the fastest growing news organizations with thousands of reporters in over 140 countries. During Hurricane Katrina, NowPublic had more reporters in the affected area than most news organizations have on their entire staff. In 2007, TIME Magazine named NowPublic one of the 50 Coolest Websites and in 2009, the site was nominated for an Emmy for Advanced Technology.