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Stephen Mayes, Managing Director of VII Photo Agency, served as Jury Secretary for the World Press Photo Awards from 2004-2009. On May 3, 2009, he gave a lecture at the awards ceremony highlighting his personal observations and insights about the process of awarding the most prestigious prize in photojournalism. Introduction by Michiel Munneke, Managing Director of World Press Photo Foundation.

The UPDIG guidelines aim to clarify issues affecting accurate reproduction and management of digital images. These guidelines were created to establish photographic standards and practices for photographers, designers, printers, and image distributors. The guidelines cover Digital Asset Management, Color Profiling, Metadata, and Photography Workflow. Version 4.0 of the guidelines represents the industry consensus as of Sept 22, 2008. The guidelines were prepared by the UPDIG Coalition, with the help of many digital imaging professionals, software vendors, and hardware manufacturers. The UPDIG Coalition is dedicated to promoting standards for photographic digital imaging.

VADS is the online resource for visual arts. It has provided services to the academic community for 11 years and has built up a considerable portfolio of visual art collections comprising over 100,000 images that are freely available and copyright cleared for use in teaching, learning and research in the UK. VADS offers advice and guidance to the visual arts research, teaching and learning communities on all aspects of digital resource management from funding, through delivery and use, to preservation. VADS provides: * expert guidance and help for digital projects in art education * resource development and hosting for art education * project management and consultancy for art education * leadership in the innovative use of ICT in education through its research and development activities

The PLUS Coalition is an international non-profit initiative on a mission to simplify and facilitate the communication and management of image rights. Organized by respected associations, leading companies, standards bodies, scholars and industry experts, the PLUS Coalition exists for the benefit of all communities involved in creating, distributing, using and preserving images. Spanning more than thirty countries, these diverse stakeholders have collaborated to develop PLUS, a system of standards that makes it easier to communicate, understand and manage image rights in all countries. The PLUS Coalition exists at the crossroads between technlogy, commerce, the arts, preservation and education. More.

"Keeping abreast of news in your niche can be tough. I know the feeling of being left behind, when you think you need to be checking thousands of feeds 24 hours a day. Fact is you do not need to have such a punishing regime. I have been known to follow stupidly excessive amounts of RSS feeds, plus my Twitter following got well out of hand. My feeds are now down to 300 and I am slowly trimming who I follow on Twitter. I'm down from 900 and some to hopefully approaching a manageable number below 700. This might still seem like a lot to you, how do I manage to follow so many feeds? Here are 21 tips for a more productive approach to keeping up with all the crucial developments in your niche. They will work for feeds or Twitter in most cases but I have aimed mainly at RSS:"

AKE Group The world of the 21st century presents many risks to the effective development and prosecution of business, particularly in developing markets. While modern communication has created the impression of a global village it has distorted our perception of the reality of risk. Since 1991 AKE has helped clients perform more effectively despite the risks of their operational environment. Our holistic approach to risk mitigation seeks to provide solutions with the aim of assisting our clients: 'To protect the integrity of the operation in order to maximise potential' AKE's six service lines: Intelligence, Security, Training, Medical, Contingencies (Emergency Planning, Crisis Management and Crisis Response) and Insurance create a unique capability to deliver effective solutions for clients. AKE provides integrated solutions, added value and Assures Integrity

Bono, who is usually meticulous in how he manages his personal brand, strategically shrouding it with selflessness, passion, vision, mystery, and a bigger-than-life conviction for positive global change, potentially underestimated or simply didn't understand how Social Media has re-architected the rapid distribution of information and content.

"We are a community of image experts committed to sharing our experience and knowledge throughout the industry. We provide professional networking and educational opportunities. If you create, edit, research, license, manage or publish pictures, ASPP is the place for you.

Digital Photographic Library Noire et blanches 1926 Larmes 1932 Internet site officially authorized by the Man Ray Trust to offer, under certain conditions, reproductions of the Man Ray artworks. These images are displayed only to allow the inspection for purposes of placing reproduction orders, within a professional framework. These works of Man Ray are protected by the legislation concerning literary and artistic property in all countries. The rights of the beneficiaries, the Man Ray trust, are managed by ADAGP. To reproduce, represent, publish or broadcast an artwork of Man Ray, you must obtain the prior authorization of ADAGP or its foreign correspondents and pay the relevant royalties. E-mail : adagp@adagp.fr Any saving to hard drive and any diffusion or reproduction whatsoever of these images by whatever means, including via the Internet, is prohibited, except for the said inspection.

Bill Miller's Strategy for Working with Nonprofit Organizations For a print article on pages 22 - 24 of the ASMP Bulletin's Winter 2007 issue, Sarah Coleman interviewed eight photographers who have worked with nonprofits on various levels. She described the obvious benefits, the potential pitfalls and reported on how photographers have managed these relationships, and to what extent their normal business practices were appropriate. Here, Oregon-based photographer Bill Miller provides additional insight into a strategy he's developed to make his nonprofit work a financially viable enterprise for his business needs and a win-win situation for all.

Images shape our perceptions. The manufacture of consent has rarely been more engineered. With everything from wars to presidential campaigns being stage managed and with mainstream news increasingly fed by official sources, reliance on usual sources of news images has become increasingly dangerous. Majority world countries suffer particularly from stereotypical representations, and while the media worldwide is increasingly being dominated by a few players, it becomes particularly important for news sources to be diverse and varied. With Getty and Corbis controlling the stock market, and Reuters, AP, AFP and EPA dominating the wires, communities in the west are looking for new ways to challenge established media, especially through citizen journalism. The majority world has traditionally been represented by white, middle class, western photographers. But having local photographers is not in itself sufficient. While editorial control remains in the North, stories will continue to have a northern slant, and the only way in which this can be challenged is through alternative sources being formed that are independent of western and corporate media. DrikNEWS is designed to fill this void. This agency, an independent body of Drik Picture Library, aims to cover news photography and investigative reporting by disseminating both locally and internationally through the web.

"Description Vietnam was America's most divisive and unsuccessful foreign war. It was also the first to be televised and the first of the modern era fought without military censorship. From the earliest days of the Kennedy-Johnson escalation right up to the American withdrawal, and even today, the media's role in Vietnam has continued to be intensely controversial. The "Uncensored War" gives a richly detailed account of what Americans read and watched about Vietnam. Hallin draws on the complete body of the New York Times coverage from 1961 to 1965, a sample of hundreds of television reports from 1965-73, including television coverage filmed by the Defense Department in the early years of the war, and interviews with many of the journalists who reported it, to give a powerful critique of the conventional wisdom, both conservative and liberal, about the media and Vietnam. Far from being a consistent adversary of government policy in Vietnam, Hallin shows, the media were closely tied to official perspectives throughout the war, though divisions in the government itself and contradictions in its public relations policies caused every administration, at certain times, to lose its ability to "manage" the news effectively. As for television, it neither showed the "literal horror of war," nor did it play a leading role in the collapse of support: it presented a highly idealized picture of the war in the early years, and shifted toward a more critical view only after public unhappiness and elite divisions over the war were well advanced. The "Uncensored War" is essential reading for anyone interested in the history of the Vietnam war or the role of the media in contemporary American politics."

Newspapers and Thinking the Unthinkable Back in 1993, the Knight-Ridder newspaper chain began investigating piracy of Dave Barry's popular column, which was published by the Miami Herald and syndicated widely. In the course of tracking down the sources of unlicensed distribution, they found many things, including the copying of his column to alt.fan.dave_barry on usenet; a 2000-person strong mailing list also reading pirated versions; and a teenager in the Midwest who was doing some of the copying himself, because he loved Barry's work so much he wanted everybody to be able to read it. One of the people I was hanging around with online back then was Gordy Thompson, who managed internet services at the New York Times. I remember Thompson saying something to the effect of "When a 14 year old kid can blow up your business in his spare time, not because he hates you but because he loves you, then you got a problem." I think about that conversation a lot these days.

This article was looks at the role of new media in Sri Lanka and mentions other places. It briefly looks at the politics and history of the conflict in SL and the problems (assassinations, kidnapping, threats and deportation by the government and police)  of conventional reporting from SL. Can Information and Communications Technologies (ICTs) and new media help promote human rights and good governance?\n\nNew media and ICTs can be used by illiberal regimes as well as by civilians, but overall it can be used to strengthen democracy, record violence and holds those responsible up for public scrutiny. Mobile phones are redefining our idea of what a journalist is. online reports and bogs are unstoppable because they are decentralized. there are all ways more bloggers if a few are arrested and there are ways around the system even if some sites are blocked.\n\nSri Lanka has many mobile phones among low income groups. It also has low internet costs. But there need to be understanding of the potential of this media. people need to be motivated to participate in governance and policy beyond just at election time.\n\nInternet is 2 way communication making people feel more connected. everyone has a equal voice. Blogs can be used to show conflict and phones with cameras can add images. New media and citizen journalism is different to e-goverment initiative (where gov will open up info for public and present it online)\n\nNew Media and Citizen journo can play important role in info, relief and conflict management and in providing news pictures from disasters and conflicts. SL citizens found a ways to express concerns when mainstream media was cut off. Currently most material comes from english speakers in urban areas, but has the potential to give voice to all citizens. It is also very useful for collecting ststs such as deaths etc.\n\nRealtime video over highspeed internet offers more possibility of having many TV camera man rather than just 1 film crew.\n\nGroundviews.org

"Now this is going to be fun…. We're excited to announce our first batch of Wordpress + PhotoShelter plugins that allow you to: 1. Integrate your PhotoShelter photos and galleries into your Graph Paper Press themes for Wordpress 2. Allow your visitors to search your PhotoShelter photos from your site's sidebar 3. Pull in your PhotoShelter gallery updates into your site's sidebar If you are a photographer who uses PhotoShelter, these integration plugins will enable you to manage your portfolio, blog, and PhotoShelter photos and galleries all from one site. The combination of Wordpress, PhotoShelter and our themes and plugins will push your web presence into the future, allowing you to connect with clients, promote, sell and license your work all from one place."

This blog is for volunteers, webmasters and administrators of associations, clubs, charities, communities and other groups. We discuss issues and trends in modern web technologies that help your organization achieve more with less. This blog is sponsored by Wild Apricot membership software: a set of tools for membership administration, event registration, website management, online fundraising - with friendly and knowledgeable tech support. See for yourself how affordable and easy it is to use: - Take a tour!

"Corentin Wauters: Gamma is one of the most famous photojournalism agencies. Some even call it legendary. How important has it been for photojournalism? Michiel Munneke: I think Gamma - but also others like Magnum, for instance - played an extremely important role from early years on, especially in documenting crucial news events around the world. It's important to realise that in those days you had magazines like Life and the Picture Post who very generously allocated tens of pages to events like the war in Vietnam, for example. Those publications and photographs made a huge impact on their readerships. I think it's fair to say that the founders of Gamma, like Raymond Depardon - although he moved to Magnum at the end of the '70s - and Gilles Corron, who died in 1970 in Cambodia, can be classified as legendary. They played a very important role in news documenting in those years. Raymond Depardon said that in 1966 you only had to travel far away and take three shots to get published in magazines Paris Match or Le Nouvel Observateur. How has the profession of photojournalism changed since Gamma was founded? If Depardon was saying that competition for space in publications like Paris Match or Le Nouvel Observateur is stronger, then he's absolutely right. Competition is far more severe. Circulations are going down, advertising revenues are shrinking, and consequently budgets for journalism and for photography are being cut. image Nowadays its very rare that publications send photographers for assignments overseas. Take a renowned magazine like Time. They still have photographers on staff but they very rarely get assignments to go overseas. It's a sign of the times. Gamma, but also other big photojournalism agencies like Sipa, were founded in Paris. The city had a big name as a centre for photojournalism. To what extent is that true today? I think for those years it was really true. But now, in the era of globalisation and digitisation, it doesnâ

"On the Internet, everybody is a millenarian. Internet journalism, according to those who produce manifestos on its behalf, represents a world-historical development-not so much because of the expressive power of the new medium as because of its accessibility to producers and consumers. That permits it to break the long-standing choke hold on public information and discussion that the traditional media-usually known, when this argument is made, as "gatekeepers" or "the priesthood"-have supposedly been able to maintain up to now. "Millions of Americans who were once in awe of the punditocracy now realize that anyone can do this stuff-and that many unknowns can do it better than the lords of the profession," Glenn Reynolds, a University of Tennessee law professor who operates one of the leading blogs, Instapundit, writes, typically, in his new book, "An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government and Other Goliaths." The rhetoric about Internet journalism produced by Reynolds and many others is plausible only because it conflates several distinct categories of material that are widely available online and didn't use to be. One is pure opinion, especially political opinion, which the Internet has made infinitely easy to purvey. Another is information originally published in other media-everything from Chilean newspaper stories and entries in German encyclopedias to papers presented at Micronesian conferences on accounting methods-which one can find instantly on search and aggregation sites. Lately, grand journalistic claims have been made on behalf of material produced specifically for Web sites by people who don't have jobs with news organizations. According to a study published last month by the Pew Internet & American Life Project, there are twelve million bloggers in the United States, and thirty-four per cent of them consider blogging to be a form of journalism. That would add