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links for session emphasis http://emphas.is/ Tomas VAN HOUTRYVE North Korea slide show: http://www.viiphoto.com/showstory.php?nID=1158 Laos slide show: http://tomasvanhoutryve.com/reportage/laos/laos_slide01.html

Aims & Scope Visual Studies is a major international peer-reviewed journal published on behalf of the International Visual Sociology Association. The journal publishes visually-oriented articles across a range of disciplines, and represents a long-standing commitment to empirical visual research, studies of visual and material culture, the development of visual research methods and the exploration of visual means of communication about social and cultural worlds. Visual Studies is a key resource for all disciplines that engage with images, society and culture, and sets the standard for the scholarly use of visual material. The multidisciplinary character of the journal is reflected in its attention to visually-based research in sociology, anthropology, cultural and media studies, documentary film and photography, information technology, education, communication studies as well as other fields concerned with image-based study. The aims of Visual Studies are to: * Provide an international forum for the development of visual research. * Promote acceptance and understanding of a wide range of methods, approaches and paradigms that constitute image-based research. * Reduce the disparity in emphasis between visual and written studies in the social sciences. * Promote an interest in developing visual research methodology in all its various forms. * Encourage research that employs a mixture of visual methods and analytical approaches within one study. * Critically reflect and contribute to the dialogue surrounding 'the visual' across the social sciences and humanities. * Provide an arena for in-depth exploration of various approaches, particular methods, themes and visual phenomena. Most articles published in the journal are accompanied by appropriate visual material, and the journal encourages visually-led submissions.

Photographs The photographs collection is a key resource for the visual history of London during the second half of the 19th and 20th centuries. It includes work by both professional and amateur photographers and covers most aspects of London life. It contains some topographical and architectural images but the main emphasis is on social documentary. Notable bodies of work include: * Early topographical views of London by Roger Fenton, c.1857 * Construction of the Metropolitan District Railway by Henry Flather, 1860s * London street life by John Thomson, c.1876 * Historic London buildings by Alfred & John Bool and Henry Dixon, 1870s & 1880s * Poverty in the East End by John Galt, early 1900s * Impressionist views of London by Alvin Langdon Coburn, early 1900s * Suffragettes by Christina Broom, early 1900s * Street and river scenes by George Davison Reid, c.1930 * East End homes by Humphrey Spender, early 1930s * London street life in the 1930s by Margaret Monck, Wolfgang Suschitzky and Cyril Arapoff * Underground shelters during the Blitz by Bill Brandt, 1940 * Bomb damage to the City of London during the Blitz by Arthur Cross and Fred Tibbs, 1940-41 * London street life in the 1950s, 1960s and 1970s, including work by Nigel Henderson, Roger Mayne, Paul Styles, B J Green, Cory Bevington, Jerome Liebling, Lutz Dill, Jim Rice and Paul Trevor * Topographical views of London by Edwin Smith, 1960s * Contemporary work by many photographers including Yoke Matze, Anna Fox, Alan Delaney, Paul Barkshire, Tim Daly, Chris Dorley-Brown, Tom Evans, John R. J. Taylor, Ed Barber, Magda Segal, Paul Baldesare, Dave Trainer, Paulo Catrica, Ronen Numa, Angus Boulton, Janet Hall, Dave Young, Michael Donald, Jason Wilde, John Davies, David Turner Tom Hunter and Mike Seaborne

"Truth Value" and Documentary Photography: Reading and Re-reading the FSA Lisa Van Arragon, Professor of Art Minds in the Making Editor's Note: This address was delivered at Calvin College in February 2006. It was sponsored by the Center Art Gallery in conjunction with the exhibition "Picturing Faith: Religious America in Government Photography, 1935-43." Jack Delano, Men outside church before service Image: Jack Delano, Men outside church before service The emphasis of this essay will not be the specific content of the Center Art Gallery exhibition featuring images of religious life made by the Farm Security Administration photographers during the 1930s and 1940s.

A video interview with a popular blogger/ citizen journalist fom India which focuses on the nuances of citizen reporting during a crisis situation with special emphasis on the recent Mumbai attacks.

Connecting people in repressed societies by using new technologies that encourage education, communication and participation. D2 puts information into the hands of people who are most in need. While censored information places communities and individuals at risk, advances in mobile and internet technologies are reshaping societies around the world. Every day these technologies become cheaper, simpler and more reliable. D2 is developing information and communication tools to address the needs of the vulnerable and disempowered communities with whom we have been working. Our work strengthens social bonds within and among communities, fostering networking and civic participation to improve lives, expose tyranny and strengthen democracy. We have been working for two years with the Burmese community in Thailand, Bangladesh, India, and China as well as with resettled Burmese populations in Indiana, Washington, DC and New York. D2 staff have published and presented research on Burma with an emphasis on technology use by displaced Burmese groups. In addition to Burmaʼs borders, we have conducted research in Cuba, Armenia, Mali, Zimbabwe, South Africa, and Israel.