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Charlotte Pierce

COLLABORATION DEFINED: A Developmental Continuum of Change Strategies - 0 views

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    Public, private, and nonprofit institutions and organizations often work together in a coalition (an organization of organizations working together for a common purpose) with communities, neighborhoods, and constituencies. In this paper, coalition is the term used for a multiorganizational process that is also called a partnership or a collaborative (state-of-the-art resources on coalition building are available at www.ahecpartners.org).  Usually, coalition strategies for working together are described as networking, coordinating, cooperating, or collaborating, although the use of these terms is often confusing.  This paper suggests definitions of these four strategies used by coalitions to help clarify the most appropriate use of each in particular settings.  Although the examples that follow the definitions are based in health care, the four strategies are utilized in addressing a wide variety of issues.
Charlotte Pierce

Ward Cunningham | "Federation" | Oct. 24, 2012 | Realtime Conference « Media ... - 0 views

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    "@WardCunningham suggests the feedback loop is faster with a publish-and-review strategy, rather than a review-and-publish strategy."
Lisa Tansey

http://www.enoshop.co.uk/product/oblique-strategies?filter=Oblique%20Strategies - 0 views

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    "Oblique Strategies" - deck of cards of ways to cooperate to move forward through a dilemma - originally concocted by Peter Schmidt and Brian Eno in 1975 for music composition work.
Charlotte Pierce

http://vuir.vu.edu.au/15551/1/Oblique_Strategies_for_Ambient_Journalism_Final.pdf - 0 views

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    Oblique Strategies for Ambient Journalism Alex Burns (alex@alexburns.net) Published in M/C Journal, 13(2), May 2010.  Alfred Hermida recently posited 'ambient journalism' as a new framework for para- and professional  journalists, who use social networks like Twitter for story sources, and as a news delivery platform.  Beginning with this framework, this article explores the following questions: How does Hermida  define 'ambient journalism' and what is its significance? Are there alternative definitions? What  lessons do current platforms provide for the design of future, real-time platforms that 'ambient  journalists' might use? What lessons does the work of Brian Eno provide-the musician and  producer who coined the term 'ambient music' over three decades ago? My aim here is to formulate an alternative definition of ambient journalism that emphasises craft,  skills acquisition, and the mental models of professional journalists, which are the foundations more  generally for journalism practices. Rather than Hermida's participatory media context I emphasise  'institutional adaptiveness': how journalists and newsrooms in media institutions rely on craft and  skills, and how emerging platforms can augment these foundations, rather than replace them.
Lisa Tansey

Gene Sharp: The Machiavelli of non-violence - 0 views

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    Again, from David Watkins, in rebuttal to the Parable of the Tribes
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