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The Goals of this Website The primary goal of the Educational Uses of Digital Storytelling website is to serve as a useful resource for educators and students who are interested in how digital storytelling can be integrated into a variety of educational activities. The site was originally created in 2004 and faculty members and graduate students in the Instructional Technology Program at the University of Houston College of Education continue to maintain the site and add new content. 

Storytelling is an age-old art form. With Web 2.0 and the tools already available on most computers, students can use text, music, sound effects, videos, and more to create a multimedia presentation that links them to the world beyond the classroom. Storytelling has the potential to unleash creativity, engage, and motivate. Applicable across the curriculum, digital storytelling teaches students to work collaboratively and use new technologies, skills they will be required to have in the workforce of the future. This book offers an overview of digital storytelling as well as its variations, including e-portfolios, digital photo essays, and scrapblogs. The many recommendations, overviews, and explanations of digital storytelling tools, along with lists of additional digital storytelling resources, will help educators to apply this exciting technology in their classrooms. Educators will also discover the ways digital storytelling can be used for their own professional development. Digital Storytelling Guide for Educators provides detailed directions to preparation, production, and presentation, and rounds out with a discussion on creating rubrics and evaluating student work. Readers will come away with an understanding of digital stories and the tools needed to create them.

"What is it? Here's an article by BIE, updated from its original appearance in the September 2010 issue of Educational Leadership magazine from ASCD. Good for general audiences as well as educators, it explains the essential elements that make rigorous PBL different from "doing projects." Why do we like it? This article was written because some teachers say they "do projects" already (so why learn more about PBL) and some educators and members of the general public may have negative stereotypes of PBL as merely a "fun" or "hands-on" activity. How can you use it? Share this article with anyone, from teachers to parents to administrators, to explain PBL and provide a common framework for projects. The 8 Essential Elements are the basis of BIE's Project Design Rubric and PBL 101 Workshop."

How can language educators effectively transition students from language "learning" to language "acquisition"? This is a question to focus on as all language educators try to create classroom experiences that meet the American Council on the Teaching of Foreign Languages' (ACTFL) guidelines. ACTFL is calling for a shift in all language classes. Students and teachers need to use the second language (L2) at least 90% of the time. This amount of target language (TL) use will only create success for students if the teacher uses Comprehensible Input (CI). L2, TL and CI are three must-know acronyms for language educators today. Language "acquisition" is a key concept to our journey towards using research-based methods to update our language teaching practices.

Mission We surface authentic voices around the world through group process and participatory media creation. Our programs support people in sharing and bearing witness to stories that lead to learning, action, and positive change. What We Do For nearly twenty years, the Center has been supporting people in sharing meaningful stories from their lives. Our unique workshops assist participants in producing short, first-person narratives that can be presented in a variety of traditional and social media formats. We provide non-threatening production environments in which the process of creation is valued as much as the stories created. Through partnerships with a range of organizations, institutions, and funders, we offer story making and story distribution services that prioritize the power of individual voices. Whether you're interested in storytelling for professional development, as a reflective practice, as a pedagogical strategy, or as a vehicle for education, community mobilization, or advocacy, we are recognized globally as experts in all things digital storytelling.

Like paintings, personal narrative stories that mix images, graphics, sound, and music with the author's own  storytelling voice will exist over time and be enjoyed long past their creation. The ideas and content for this Digital  storytelling guide have been compiled and written by Bernajean Porter, whose book, DigiTales: The Art of Telling  Digital Stories, includes detailed step-by-step processes for bringing this emerging oral storytelling style into today's  classrooms.  Learn how software like Adobe Photoshop Elements and Adobe Premiere Elements can become effective digital  storytelling tools in your classroom. Unleash your students' imagination as they create unique, personal 3-to 5- minute movies.

At any given moment, the disciplines represent the most well-honed efforts of human beings to approach questions and concerns of importance in a systematic and reliable way. (Howard Gardner, The Disciplined Mind, p. 144)

What they never tell you is that when you're eleven, you're also ten, and nine, and eight, and seven, and six, and five, and four and three, and two, and one. (Sandra Cisneros, "Eleven," from The House on Mango Street)

Just getting started with project-based learning (PBL)? Our curated list of resources for educators new to PBL should help you. Before you get started, be sure to check out Edutopia's PBL page, including information about the research behind effective PBL practices. You can also connect with Edutopia's community to learn and share PBL tips.

Integrating digital storytelling with instruction becomes a creative opportunity for both novice and technologically experienced educators when using Jason Ohler's Digital Storytelling in the Classroom. Ohler links digital storytelling to improving traditional, digital, and media literacy, and guides teachers on how to empower students to tell stories in their own native language: new media and multimedia. Aligned with NCTE standards and covering important copyright and fair use information, this text provides information on integrating storytelling into curriculum design and using the principles of storytelling as a measurement of learning and literacies. Implementation tips and visual aids abound, giving teachers an exciting new resource.

Digital portfolios of student work are powerful to help students see how they have grown over time. In turn, they support confidence in students to tackle things they may have once thought too difficult to learn. I have used wikis for this purpose, and they work well, but Evernote, with its apps for smartphones in addition to web access and desktop apps, is more versatile. In addition, students can take photos and make voice recordings to add to their notes, and share folders with their teachers and group members. Great tips here in this article.

In 1968, two researchers conducted a fascinating study that proved the extent to which teacher expectations influence student performance. Positive expectations influence performance positively, and negative expectations influence performance negatively. In educational circles, this has been termed the Pygmalion Effect, or more colloquially, a self-fulfilling prophecy. What has always intrigued me about this study is specifically what the teachers did to communicate that they believed a certain set of students had "unusual potential for academic growth." The research isn't overly explicit about this, but it indicates that the teachers "may have paid closer attention to the students, and treated them differently in times of difficulty." This begs the following questions: Why can't teachers treat all of their students like this? How do we communicate to students whether we believe in them or not?

The website which accompanies Tom Vander Ark's book and explores further areas of inquiry.

When students create a movie or interactive slide show to tell their story, learning becomes personal. Students can improve their writing, show creativity, and have a voice.

Sawubona . . . Visit the storymaking steps, transmedia digital tools, and the featured StoryKeeper's Gallery designed to inspire and jump start beginners. Consider hosting customize Workshops, Artist-in-Residence Programs or DigiTales Storytelling Camps. These one-of-a-kind artistic learning adventures are meant to lift the spirits, spark creativity and imaginations while deepening content and technical skills as digital authors experience the process of merging the ancient art of oral storytelling with a palette of transmedia tools. Bernajean's learning environments are joyfully designed and paced to enable participants to master skills, processes and the craftsmanship now needed in creating ALL kinds of exemplar multi-media products beyond storytelling.

A digital story combines text and images with narration in the student's own voice to form a short digital movie. Digital Storyteller is a web-based tool that offers teachers and students frictionless access to digital images and materials that enable them to construct compelling personal narratives. Digital Storyteller was developed as an initiative of Primary Access.

Good review from #PBLWorld about driving questions, and links to more resources, including from BIE and Edutopia