The End of History and the Last Map: How Cartography Has Shaped Ideas of War and Peace - 0 views
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Spreading peace and democracy has never been cartographically convincing, even to its promoters. And it could sometimes look downright sinister to those on the wrong side of the map. At the same time, maps are ideally suited to essentialist visions of the world that, accurately or not, divide people into discrete, ready-to-clash units, each with their own color and territory. Perhaps as a result, maps have served nicely as a metaphor for those who assumed conflict was more natural, or more interesting, all along.
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After the Cold War ended, maps of peace and harmony proved far less visually engaging than their predecessors and were just as ideologically fraught. Perhaps the best modern-day cartographic depiction of what liberal internationalism’s triumph might look like is Freedom House’s map of freedom in the world, with all the countries gradually ticking green. Like maps of global risk or human development, the Freedom House map offers a ready metric for imagining Western politics and living standards spreading across the globe.
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For those who wanted a more militant depiction of liberal internationalist ambition, there was also “The Pentagon’s New Map.” Published by the political scientist Thomas Barnet in 2003, it generated a flurry of media attention before being largely forgotten in the disastrous aftermath of the Iraq War. The map envisioned the United States’ 21st-century military strategy as “identifying the problem parts of the world and aggressively shrinking them.” Through interventions like the invasion of Iraq, Washington would expand the “functioning core” of globalization and eliminate the “non-integrating gap,” which was plagued by terrorism, poverty, and repression.
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