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Using satellite imagery and open-source evidence, the investigation found damage to more than 250 residential buildings, 17 schools and universities, 16 mosques, three hospitals, three cemeteries and 150 agricultural greenhouses.Entire buildings have been levelled, fields flattened and places of worship wiped off the map in the course of Israel’s war against Hamas in Gaza, launched after the Hamas attack on Israel on 7 October.The destruction has not only forced 1.9 million people to leave their homes but also made it impossible for many to return. This has led some experts to describe what is happening in Gaza as “domicide”, defined as the widespread, deliberate destruction of the home to make it uninhabitable, preventing the return of displaced people. The concept is not recognised in law.

In all, Overton found, the Pentagon provided more than 1.45 million firearms to various security forces in Afghanistan and Iraq, including more than 978,000 assault rifles, 266,000 pistols and almost 112,000 machine guns. These transfers formed a collage of firearms of mixed vintage and type: Kalashnikov assault rifles left over from the Cold War; recently manufactured NATO-standard M16s and M4s from American factories; machine guns of Russian and Western lineage; and sniper rifles, shotguns and pistols of varied provenance and caliber, including a large order of Glock semiautomatic pistols, a type of weapon also regularly offered for sale online in Iraq. Advertisement Continue reading the main story Many of the recipients of these weapons became brave and important battlefield allies. But many more did not. Taken together, the weapons were part of a vast and sometimes minimally supervised flow of arms from a superpower to armies and militias often compromised by poor training, desertion, corruption and patterns of human rights abuses. Knowing what we know about many of these forces, it would have been remarkable for them to retain custody of many of their weapons. It is not surprising that they did not.

the Pentagon said it has records for fewer than half the number of firearms in the researchers’ count — about 700,000 in all

Overton’s analysis also does not account for many weapons issued by the American military to local forces by other means, including the reissue of captured weapons, which was a common and largely undocumented practice.

For more than two years, unmarked Israeli drones, helicopters and jets have carried out a covert air campaign, conducting more than 100 airstrikes inside Egypt, frequently more than once a week — and all with the approval of President Abdel Fattah el-Sisi.The remarkable cooperation marks a new stage in the evolution of their singularly fraught relationship. Once enemies in three wars, then antagonists in an uneasy peace, Egypt and Israel are now secret allies in a covert war against a common foe.

Their collaboration in the North Sinai is the most dramatic evidence yet of a quiet reconfiguration of the politics of the region. Shared enemies like ISIS, Iran and political Islam have quietly brought the leaders of several Arab states into growing alignment with Israel — even as their officials and news media continue to vilify the Jewish state in public.

Both neighbors have sought to conceal Israel’s role in the airstrikes for fear of a backlash inside Egypt, where government officials and the state-controlled media continue to discuss Israel as a nemesis and pledge fidelity to the Palestinian cause.

There is a sense, in fact, in which mapping is the essence of what Google does. The company likes to talk about services such as Maps and Earth as if they were providing them for fun - a neat, free extra as a reward for using their primary offering, the search box. But a search engine, in some sense, is an attempt to map the world of information - and when you can combine that conceptual world with the geographical one, the commercial opportunities suddenly explode.

In a world of GPS-enabled smartphones, you're not just consulting Google's or Apple's data stores when you consult a map: you're adding to them.

"The map is mapping us," says Martin Dodge, a senior lecturer in human geography at Manchester University. "I'm not paranoid, but I am quite suspicious and cynical about products that appear to be innocent and neutral, but that are actually vacuuming up all kinds of behavioural and attitudinal data."

NY Times published a op-ed about how 5 countries in the Arab world can be divided in to 14 countries by Robin Wright. The graphic representation of the op-ed as a map became a viral in the Arab social media especially in Egypt.   It spread like fire as if that map was a reality , not the visualization of some analyst’s views that may happen and may not. It spread like a fire as if that that was going to happen for real. As Big Pharaoh said on twitter this map in the New York Times would fuel debate and conspiracy theories in the region especially in Egypt for the upcoming 825 years.   This is not the first map of its kind where American Middle East analyst says something similar, if you remember some American Magazine published another similar map during the invasion of Iraq about possible divisions and unlike Wright’s map Egypt was among those unlucky countries that were going to spilt.

Last year, wondering what it means to be a Syrian artist when Syria in many ways no longer exists, I began to map the journeys of a hundred artists from the country. As I discovered, a large portion of the older guard of artists has ended up in Paris, thanks to visas issued by the French Embassy in Beirut. Many of the younger generation headed for the creative haven of Berlin, where rent is relatively cheap. Only a scant few remained in the Middle East, which proved expensive or unwelcoming.

A few artists remain loyal to the Assad regime, which has long seen itself as a great patron of the arts. Some of the artists who were still in Syria asked not to be mapped, even anonymously, for fear that the regime would perceive them as disloyal and punish their families. A few took issue with the label “Syrian artist” altogether. “I don’t want to become part of the Syrian-refugee industry,” Sulafa Hijazi, a visual artist now living in Berlin, told me

the Syria Cultural Index, “an alternative map connecting the Syrian artistic community around the globe and showcasing their work to the world.”