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Ed Webb

Letting Us Rip: Our New Right to Fair Use of DVDs - ProfHacker - The Chronicle of Highe... - 0 views

  • Motion pictures on DVDs that are lawfully made and acquired and that are protected by the Content Scrambling System [CSS] when circumvention is accomplished solely in order to accomplish the incorporation of short portions of motion pictures into new works for the purpose of criticism or comment, and where the person engaging in circumvention believes and has reasonable grounds for believing that circumvention is necessary to fulfill the purpose of the use in the following instances: (i) Educational uses by college and university professors and by college and university film and media studies students; (ii) Documentary filmmaking; (iii) Noncommercial videos. [Note: the term "motion picture" does not solely mean feature films—for the Library of Congress, it refers to "audiovisual works consisting of a series of related images which, when shown in succession, impart an impression of motion, together with accompanying sounds, if any." Hence, the term includes television, animation, and pretty much any moving image to be found on DVD.]
  • the longer explanation from the Library of Congress specifies that circumventing CSS on a DVD is only justified when non-circumventing methods, such as videotaping the screen while playing the DVD or using screen-capture tools through a computer, are unacceptable due to inadequate audio or visual quality. But nevertheless, this ruling greatly expands who can use ripping software to clip DVDs for academic and transformative use, including a range of derivative works like remix videos and documentaries.
  • Now, no matter your discipline, you (or your technological partners) can do what I've been doing for the past three years: assemble a personal (or departmental) library of clips to access for class lectures. Now we can expand the use of those clips to embed in conference presentations, public lectures, digital publications, companion websites or DVDs to include with print publications, or other innovative uses that had otherwise been stifled by legal restrictions. For me, having a hard drive full of video clips on hand enables a mode of improvisation not available with DVDs—if discussion shifts to talking about an example of a film or television show that I've ripped a clip for another course, I can instantly play it in class even without planning in advance by bringing the DVD. Think of the conference presentations you've seen where a presenter fumbles over cuing and swapping DVDs—with a little bit of planning, clips can be directly embedded into a slideshow to avoid awkwardly wasting time.
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  • Fair Use isn't a NEW right under the exemptions, but a REAFFIRMED and RESTORED right
  • .wav, .mpeg, .mp3, .avi are all formats and codecs with owners.
Ed Webb

9 Ways Online Teaching Should be Different from Face-to-Face | Cult of Pedagogy - 0 views

  • Resist the temptation to dive right into curriculum at the start of the school year. Things will go more smoothly if you devote the early weeks to building community so students feel connected. Social emotional skills can be woven in during this time. On top of that, students need practice with whatever digital tools you’ll be using. So focus your lessons on those things, intertwining the two when possible. 
  • Online instruction is made up largely of asynchronous instruction, which students can access at any time. This is ideal, because requiring attendance for synchronous instruction puts some students at an immediate disadvantage if they don’t have the same access to technology, reliable internet, or a flexible home schedule. 
  • you’re likely to offer “face-to-face” or synchronous opportunities at some point, and one way to make them happen more easily is to have students meet in small groups. While it’s nearly impossible to arrange for 30 students to attend a meeting at once, assigning four students to meet is much more manageable.
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  • What works best, Kitchen says, is to keep direct instruction—things like brief video lectures and readings—in asynchronous form, using checks for understanding like embedded questions or exit slips.  You can then use synchronous meetings for more interactive, engaging work. “If we want students showing up, if we want them to know that this is worth their time,” Kitchen explains, “it really needs to be something active and engaging for them. Any time they can work with the material, categorize it, organize it, share further thoughts on it, have a discussion, all of those are great things to do in small groups.” 
  • The Jigsaw method, where students form expert groups on a particular chunk of content, then teach that content to other students. Discussion strategies adapted for virtual settingsUsing best practices for cooperative learning Visible Thinking routinesGamestorming and other business related protocols adapted for education, where students take on the role of customers/stakeholders
  • What really holds leverage for the students? What has endurance? What knowledge is essential?What knowledge and skills do students need to have before they move to the next grade level or the next class?What practices can be emphasized that transfer across many content areas?  Skills like analyzing, constructing arguments, building a strong knowledge base through texts, and speaking can all be taught through many different subjects. What tools can serve multiple purposes? Teaching students to use something like Padlet gives them opportunities to use audio, drawing, writing, and video. Non-digital tools can also work: Students can use things they find around the house, like toilet paper rolls, to fulfill other assignments, and then submit their work with a photo.
  • Online instruction is not conducive to covering large amounts of content, so you have to choose wisely, teaching the most important things at a slower pace.
  • Provide instructions in a consistent location and at a consistent time. This advice was already given for parents, but it’s worth repeating here through the lens of instructional design: Set up lessons so that students know where to find instructions every time. Make instructions explicit. Read and re-read to make sure these are as clear as possible. Make dogfooding your lessons a regular practice to root out problem areas.Offer multimodal instructions. If possible, provide both written and video instructions for assignments, so students can choose the format that works best for them. You might also offer a synchronous weekly or daily meeting; what’s great about doing these online is that even if you teach several sections of the same class per day, students are no longer restricted to class times and can attend whatever meeting works best for them.
  • put the emphasis on formative feedback as students work through assignments and tasks, rather than simply grading them at the end. 
  • In online learning, Kitchen says, “There are so many ways that students can cheat, so if we’re giving them just the traditional quiz or test, it’s really easy for them to be able to just look up that information.” A great solution to this problem is to have students create things.
  • For assessment, use a detailed rubric that highlights the learning goals the end product will demonstrate. A single-point rubric works well for this.To help students discover tools to work with, this list of tools is organized by the type of product each one creates. Another great source of ideas is the Teacher’s Guide to Tech.When developing the assignment, rather than focusing on the end product, start by getting clear on what you want students to DO with that product.
  • Clear and consistent communicationCreating explicit and consistent rituals and routinesUsing research-based instructional strategiesDetermining whether to use digital or non-digital tools for an assignment A focus on authentic learning, where authentic products are created and students have voice and choice in assignments
Ed Webb

'There is no standard': investigation finds AI algorithms objectify women's bodies | Ar... - 0 views

  • AI tags photos of women in everyday situations as sexually suggestive. They also rate pictures of women as more “racy” or sexually suggestive than comparable pictures of men.
  • “You cannot have one single uncontested definition of raciness.”
  • “Objectification of women seems deeply embedded in the system.”
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  • Shadowbanning has been documented for years, but the Guardian journalists may have found a missing link to understand the phenomenon: biased AI algorithms. Social media platforms seem to leverage these algorithms to rate images and limit the reach of content that they consider too racy. The problem seems to be that these AI algorithms have built-in gender bias, rating women more racy than images containing men.
  • “You are looking at decontextualized information where a bra is being seen as inherently racy rather than a thing that many women wear every day as a basic item of clothing,”
  • suppressed the reach of countless images featuring women’s bodies, and hurt female-led businesses – further amplifying societal disparities.
  • these algorithms were probably labeled by straight men, who may associate men working out with fitness, but may consider an image of a woman working out as racy. It’s also possible that these ratings seem gender biased in the US and in Europe because the labelers may have been from a place with a more conservative culture
  • “There’s no standard of quality here,”
  • “I will censor as artistically as possible any nipples. I find this so offensive to art, but also to women,” she said. “I almost feel like I’m part of perpetuating that ridiculous cycle that I don’t want to have any part of.”
  • many people, including chronically ill and disabled folks, rely on making money through social media and shadowbanning harms their business
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