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All changes to this law enacted in 2006 (as discussed today) were repealed in January 2008. This wikipedia article covers the original law, the 2006 changes and the 2008 repeal.

This poster from Advertising Age is updated annually, this is the latest one available. A printed copy is hanging in the M&C classroom. It lists the "Top properties of the nation's largest media companies by net revenue in 2006."

Date issued: June 26, 2006. This article is basically about a three-day conference that was held in Rio De Janeiro. A rare global alliance of artists, scientists, and lawyers met to discuss working towards creating a "creative commons," which would give artists the privilege of deciding which rights they wished to maintain and which to share. "In its broadest form, the Creative Commons system allows creators and consumers of culture not only to view or listen to a digital work but also to copy, remix or sample it, as long as the originator is properly credit" Gilberto Gil, who is a singer-songwriter as well as Brazil's culture minister and an advocate of overhauling the global copyright, also attended the conference. Gil spoke about his six year battle in court with publishing companies to recover ownership of his work. Which now exceeds more than 400 songs which Gil has all registered with Creative Commons-he has retained the rights of some but had made others available for listeners to interpret, copy and manipulate as they please. The author of this article, Larry Rohter, appears to be mostly reporting. He doesn't blatantly state his opinion on the subject, however the article is one sided, in favor of Creative Commons and all the artists struggling to gain the copy rights of their work. He is for Creative Commons.

Date Issued - June 26, 2006. This article is about Creative Commons and how people are trying to enforce it so that artists don't necessarily have to sign off on having their work as being copyright. Larry Rohter (the author) is a journalist who was a South American bureau chief of the New York Times but was originally born in Illinois. Rohter is for Creative Commons because everyone he quotes in his article supports this new idea. This article shows the good side of Creative Commons and how much of an advantage it could be for artists who like to make remix's, or use other artists work for a different type of art.

An article from BNO News has recently reported that LimeWire has been shut down by a U.S. court on claims that the site was used for infringement. LimeWire is notorious for allowing its users to download music without paying for the file, which begs the question, is this legal? The Recording Industry Association of American, which represents several important record labels such as Sony, EMI, Universal, and Warner filed a lawsuit against LimeWire in 2006 stating that the company was allowing downloading of illegal music, violating the terms of the music's copyright. Since these record labels own the copyrights to the majority of the music that was being distributed, they were losing money and business because they were not getting paid for the use of their music. Lime Group, the company that owns LimeWire, continues to function otherwise, it is just this subsidiary that has been ceased to conduct business. Although the future seems bleak for LimeWire, its CEO remains optimistic.

On October 27, 2010 a very popular music sharing application called Limewire was shut down due to copyright infringement. BNO news reported the story to wireupdate.com and the a few record labels like SOny, EMI, Universal and Warner filed a lawsuit against Limewire in 2006 so this is nothing new for the file sharing company. The Lime Group CEO and owner of Limewire George Searle said "challenging time, we are excited about the future." So he seems to have a good outlook on the future eeven though his company is going through this touch time.

This article basically takes note of the fact that in this world today, originality is not really that abundant, a prospect which can be noticed when one takes a look at, for example, the remakes of The A-team and The Karate Kid over the summer. More specifically, the article deals with the controversy that Kanye West faces with Virginia rapper, Vince P. (Vincent Peters) on the basis that West had stolen the basis for his 2007 hit "Stronger" from Mr. Peter's 2006 song "Stronger".

Published May 23, 2006. Creative Commons License was a controversial topic. The major objection to Creative Commons licensing was whether it was really sprouting creativity; many who did not agree with creative commons believed that it was allowing people to download free songs and that no creativity was needed to make a mashup by combining various artists' works into one song. Simon Lake, the CEO of a not-for-profit company called Screenrights argued that '"there's a certain arrogance in believing you can do whatever you want to someone else's output. To say copyright stifles creativity is ridiculous. If you put those two things together, copyright is the end process, it's what protects creativity. And to suggest that copying is creating is ridiculous."' However, others disagreed and said that it in fact was the contrary. People, like Jim Moynihan, found that copyrights actually "force you to be more creative." In the end however, creative commons allows artists more freedom and the ability to selectively restrict certain works as copyrighted and to allow other works to be public and accessible. But it is illegal to use unauthorized media in mashups, sampling, and remixes; posing the justified potential threat, to many DJs and creators of reworked media, of lawsuits and getting sued.