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HistoryGrl14 .

Internet History Sourcebooks - 5 views

www.fordham.edu/...1542newlawsindies.asp

primary source primary sources exploration world history

shared by HistoryGrl14 . on 20 Oct 13 - No Cached
  • HistoryGrl14 . on 20 Oct 13
     
    "The New Laws of the Indies, 1542 The Laws and ordinances newly made by His Majesty for the government of the Indies and good treatment and preservation of the Indians created a set of pro-Indian laws - so pro-Indian that they some had to be revoked in Mexico and in Peru due to settler opposition. where the viceroy was killed when he attempted to enforce them. The conflict was between "feudalists" who favored the encomienda system because it maintained society as in the Old World, and the more centralizing "regalists" who wanted to preserve royal power in Spain;s new Empire. Eventually the encomienda was allowed to continue. Charles by the divine clemency Emperor ever august, King of Germany. . . . To the Most Illustrious Prince Don Philip our very dear and very beloved grandson and son, and to the Infantes our grandsons and sons, and to the President, and those of our Council of the Indies, and to our Viceroys, Presidents and Auditors of our Audiencias and royal Chanceries of our said Indies, Islands and Continent of the Ocean Sea; to our Governors, Alcaldes mayores and our other Authorities thereof, and to all the Councils, magistrates, regidores, knights, esquires, officers, and commoners of all the cities, towns, and villages of our said Indies, Islands, and Tierra-firme of the Ocean Sea, discovered and to be discovered; and to any other persons, captains, discoverers, settlers, and inhabitants dwelling in and being natives thereof, of whatever state, quality, condition and pre-eminence they may be. . . . Know ye, That having for many years had will and intention as leisure to occupy ourselves with the affairs of the Indies, on account of their great importance, as well in that touching the service of God our Lord and increase of his holy Catholic faith, as in the preservation of the natives of those parts, and the good government and preservation of their persons; and although we have endeavoured
David Hilton

America at Work / America at Leisure, 1894-1915 - 0 views

memory.loc.gov/...awlhome.html

america usa modern c19th c20th wwi reconstruction work family women films movies leisure sport culture videos sources primary sources

shared by David Hilton on 06 Sep 09 - Cached
  • David Hilton on 06 Sep 09
     
    Contains 150 early movies showing American past-times and everyday life from the turn of the 20th Century.
Deven Black

picturing the thirties - 14 views

americanart.si.edu/...picturing_the_1930s

culture history picturing social_studies smithsonian 1930s Great_Depression america images primary sources

shared by Deven Black on 23 Oct 09 - Cached
Lisa Munro liked it
  • Deven Black on 23 Oct 09
     
    Learn about the 1930s through eight exhibitions: The Depression, The New Deal, The Country, Industry, Labor, The City, Leisure, and American People. Artworks from the Smithsonian American Art Museum collection are supplemented with other primary source materials such as photographs, newsreels, and artists' memorabilia. Users can explore this virtual space and find information by clicking on people and objects. Visitors can gather artworks and place them in their bin for later documentary production. The theater's feature presentation is a series of interviews produced by the Smithsonian American Art Museum, Abstract Artists Describe the 1930s. Additionally, user-created documentaries can be viewed from the theater's balcony. Go to the theater's projection booth to find PrimaryAccess and a movie-making tutorial.
Ed Webb

How we remember them: the 1914-18 war today | openDemocracy - 6 views

www.opendemocracy.net/...ber-them-the-1914-18-war-today

war memory Europe UK history WW1

shared by Ed Webb on 15 Nov 10 - No Cached
  • After the war, however, the problem of reintegrating into society both those who had served and those who had lost, and finding a narrative that could contain both, found one answer by an emphasis on the universality of heroism. A British society that has since the 1960s grown increasingly distant from the realities of military service - whilst remaining dedicated to it as a location for fantasy - has been unable to move on from this rhetorical standpoint
  • The war's portrayal has always been shaped by contemporary cultural mores, and commemorative documentaries demonstrate just how much the relationship between the creators and consumers of popular culture has changed over the last fifty years. For the fiftieth anniversary of 1914, the BBC commissioned the twenty-six part series The Great War, based around archive footage and featuring interviews with veterans. There was an authoritative narrative voice, but no presenters. For the eightieth anniversary, it collaborated with an American television company on a six-part series littered with academic talking-heads. For the ninetieth anniversary, it has had a range of TV presenter-celebrities - among them Michael Palin, Dan Snow, Natalie Cassidy and Eamonn Holmes - on a journey of discovery of their families' military connections. These invariably culminate next to graves and memorials in a display of the right kind of televisual emotion at the moment the formula demands and the audience has come to expect.   The focus of these programmes - family history as a means of understanding the past - is worthy of note in itself. It is indicative of the dramatic growth of family history as a leisure interest, perhaps in response to the sense of dislocation inherent in modernity
  • The search for family history is usually shaped by modern preconceptions, and as such it seldom results by itself in a deeper understanding of the past. The modern experience of finding someone who shares your surname on the Commonwealth War Graves Commission website, taking a day trip to France and finding his grave (perhaps with a cathartic tear or few) might increase a person's or family's sense of emotional connection to the war, and may bring other satisfactions. Insofar as it is led not by a direct connection with a loved one, however, but by what television has "taught" as right conduct, it can seldom encourage a more profound appreciation of what the war meant for those who fought it, why they kept fighting, or why they died.
  • ...3 more annotations...
  • Projects such as The Great War Archive, which combine popular interest in the war with specialist expertise, and which recognise that an archive is different from a tribute or a memorial, suggest that it is possible to create high-quality content based on user submissions.
  • the exploitation of popular enthusiasm to encourage thought, rather than to enforce the "correct" opinion
  • It is certainly true that the 1914-18 war is popularly seen as the "bad war" and 1939-45 as the "good war." I think the one view is sustained in order to support the other. Although no expert, it seems to me that in reality the two world wars were marked more by their similarities than their differences (Europe-wide military/imperial rivalry causes collapse of inadequate alliance system > Germany invades everywhere > everywhere invades Germany). However, there is an extreme reluctance in Britain to admit that WW2 was anything other than a Manichean struggle between the elves and the orcs, so WW1 becomes a kind of dumping-ground for a lot of suppressed anxiety and guilt which might otherwise accrue to our role in WW2 - just as it might in any war. So we make a donkey out of Haig in order to sustain hagiographic views of Churchill. "Remembrance" of both wars continues to be a central feature of British public consciousness to an extraordinary, almost religious degree, and I think this has a nostalgic angle as well: if "we" squint a bit "we" can still tell ourselves that it was "our" last gasp as a global power. Personally I think it's all incredibly dodgy. "Remembrance," it seems to me, is always carried out in a spirit of tacit acceptance that the "remembered" war was a good thing. Like practically all of the media representation of the current war, Remembrance Day is a show of "sympathy" for the troops which is actually about preventing objective views of particular wars (and war in general) from finding purchase in the public consciousness. It works because it's a highly politicised ritual which is presented as being above politics and therefore above criticism. All these things are ways of manipulating the suffering of service personnel past and present as a means of emotionally blackmailing critics of government into silence. I reckon anyway.
David Hilton

America's Library - 5 views

www.americaslibrary.gov/...page.cgi

usa america modern c20th c19th sources documents images primary sources states individuals leisure

shared by David Hilton on 04 Oct 09 - Cached
  • David Hilton on 04 Oct 09
     
    Has great visuals which would probably suit younger classes.
David Hilton

Real USSR - Lifting the Iron Curtain - 3 views

www.realussr.com

modern russia ussr sources images documents primary sources c20th cold war culture daily life leisure wwii

shared by David Hilton on 27 Oct 09 - Cached
spoutnik ogik liked it
  • David Hilton on 27 Oct 09
     
    I don't usually add blogs however this one has so much quality historical material on real life in the USSR that I thought some people might find it useful. Might help to dispel some of the myths about life in the big bad evil Soviet Empire.
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