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Kristine Goldhawk

United States Institute of Peace - 0 views

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    Homepage for the USIP - Great lesson plan ideas and essay contest for high school students under Education & Training tab.
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    The essay contest for 2009-10 is not up yet, but the topic is the effectiveness of nonviolent civic action. My students participated last year when the topic was crimes against humanity and it lead to really great discussions.
David Hilton

British History Online - 0 views

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    " British History Online British History Online is the digital library containing some of the core printed primary and secondary sources for the medieval and modern history of the British Isles. Created by the Institute of Historical Research and the History of Parliament Trust, we aim to support academic and personal users around the world in their learning, teaching and research." Syas it all, really.
Scott Hambrick

History Teaching Institute - OSU - 11 views

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    A site through the history department at OSU committed to improving teacher instruction in history.
Carol Pixton

NEH Summer Seminars and Institutes for School Teahcers - 25 views

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    Excellent summer opportunity for History, English and Language teachers.
Ed Webb

Modern art was CIA 'weapon' - World, News - The Independent - 6 views

  • The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
  • in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
  • The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.
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  • Initially, more open attempts were made to support the new American art. In 1947 the State Department organised and paid for a touring international exhibition entitled "Advancing American Art", with the aim of rebutting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his Hottentot remark and one bitter congressman to declare: "I am just a dumb American who pays taxes for this kind of trash." The tour had to be cancelled.
  • This philistinism, combined with Joseph McCarthy's hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.
  • If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.
  • Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another
  • As president of what he called "Mummy's museum", Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting"). His museum was contracted to the Congress for Cultural Freedom to organise and curate most of its important art shows. The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
  • "It was very difficult to get Congress to go along with some of the things we wanted to do - send art abroad, send symphonies abroad, publish magazines abroad. That's one of the reasons it had to be done covertly. It had to be a secret. In order to encourage openness we had to be secret."
  • Would Abstract Expressionism have been the dominant art movement of the post-war years without this patronage? The answer is probably yes. Equally, it would be wrong to suggest that when you look at an Abstract Expressionist painting you are being duped by the CIA. But look where this art ended up: in the marble halls of banks, in airports, in city halls, boardrooms and great galleries. For the Cold Warriors who promoted them, these paintings were a logo, a signature for their culture and system which they wanted to display everywhere that counted. They succeeded.
David Hilton

ANU - ADSRI - The Australian Demographic & Social Research Institute - ADSRI - 3 views

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    - The home of the Australian Social and Political Observatory - A reliable source of public information on population and society - The official repository for Australian social science data collections
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    Has links to archives with information on Australian demography, society, politics, etc. You need to register to be able to access some of the data.
David Hilton

LBC/IRN: LBC/IRN - 2 views

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    "The LBC/IRN Audio Archive, (London Broadcasting Company / Independent Radio News audio archive) consists of 7,000 reel-to-reel tapes in a collection that runs from 1973 to the mid-1990s. It is the most important commercial radio archive in the UK and provides a unique audio history of the period. This digitised collection focuses on the most noteworthy content - approximately 3,000 hours of recordings relating to news and current affairs. The digitised archive contains invaluable recordings of a wide range of broadcasts including coverage of the Falklands war, the miners' strike, Northern Ireland, the whole of the Thatcher period of government and recordings of the first hour of UK commercial radio including the first commercial radio news bulletin."
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    You can only listen if you are part of a tertiary institution which has a paid subscription through the Athens ID system (v. annoying!) however you're able to read the transcripts for free.
Bob Maloy

Coming of the American Revolution - 27 views

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    This is an interactive website from the Massachusetts Historical Society.
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    What a great site Bob. Thank you for sharing. I am certain I can use this site for ideas in the classroom!
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    I worked on it this summer. I especially recommend the docs for "non-consumption and non-importation" (the word boycott did not exist yet!). They are very student friendly and can be used in a U.S. history or world history class and can easily connect with boycotts today. Overall, this site could be used as an exemplar for other historical societies to follow: Intro to the whole site, intro to each topic, intro to each subtopic with questions, intro to each document with questions, a facsimile of each document, and a transcription. Fyi and fwiw, the Mass Historical Society will be hosting a Landmarks Institute this summer through NEH so U.S. teachers might want to apply: http://www.masshist.org/education/silver/crossroads-home/
Lance Mosier

Welcome to the Steinway Diary Project | The William Steinway Diary: 1861-1896, Smithson... - 1 views

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    The National Museum of American History is engaged in a long-term project to create the first publicly accessible, annotated online edition of William Steinway's remarkable diary. This first installment of the Web site includes Edwin M. Good's complete transcription of all 2,500 pages of the Diary alongside high-resolution scans of each handwritten page.
Mitch Weisburgh

Constitutional Resources for Students and Teachers | Bill of Rights Institute - 11 views

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    resources to teach about the bill of rights
David Hilton

History in Focus: the nature of history (article) - 20 views

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    Useful essay on what history is. Thanks Matt!
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    Yes it is a concise essay expressing complex changes very succinctly. The Website from which it comes looks very useful too. A number of Key historical topics and periods each with some original articles, book reviews, recommended websites etc. It is backed by the very reliable Institute of Historical Research see: http://www.history.ac.uk/ihr/Focus/index.html
HistoryGrl14 .

Indian Ocean History | A free online educational resource sponsored by the Sultan Qaboo... - 11 views

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    Very cool and interactive site spanning many decades!
roblove

Google Cultural Institute - 17 views

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    Fantastic interactive historical / geographical resources
Javier E

China Razed Thousands of Xinjiang Mosques in Assimilation Push, Report Says - WSJ - 0 views

  • New research shows Chinese authorities have razed or damaged two-thirds of the mosques in China’s remote northwestern region of Xinjiang, further illuminating the scope of a forced cultural-assimilation campaign targeting millions of Uighur Muslims.
  • the Australian Strategic Policy Institute said satellite imagery showed that roughly 8,500 mosques, close to a third of the region’s total, have been demolished since 2017. Another 7,500 have sustained damage
  • Important Islamic sacred sites, including shrines, cemeteries and pilgrimage routes, were also demolished, damaged or altered, the study found.
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  • “The Chinese government’s destruction of cultural heritage aims to erase, replace and rewrite what it means to be Uyghur,”
  • China’s Foreign Ministry on Friday repeated its claims that Xinjiang has around 24,000 mosques and that the number of them per capita among Muslims in Xinjiang is higher than in many Muslim countries. It said that China fully protects the human and religious rights of all ethnic minorities and described the ASPI report as “smear and rumor.” It denied the existence of detention camps in Xinjiang.
  • ASPI estimated that around half of important Islamic sacred sites—many of which are supposed to be protected under Chinese law—have been damaged or altered since 2017.
  • The report estimated there are fewer than 15,500 mosques left intact in Xinjiang, the lowest number since the 1980s, when Uighurs had just begun rebuilding mosques destroyed during Mao Zedong’s Cultural Revolution. Most of the land where mosques were razed remained vacant, it said.
  • The campaign is part of a longer-term trend to transform communities in the name of public safety. The strategy has gained pace under President Xi Jinping who has called for the “Sinicization” of religion
  • During a visit the following month, the Journal found that some facilities had indeed been closed, with former detainees sometimes sent away to work in factories. One facility had been converted into a prison after being previously described as a school.
  • Of the dozens of facilities ASPI identified as recently under construction, roughly half were higher-security facilities. The most-secure facilities had high walls, multiple layers of perimeter barriers, watchtowers and dozens of cell blocks with no apparent outside exercise yard for detainees
  • Authorities are likely singling out people who they have lost hope of re-educating and putting them into long periods of incarceration, said Mr. Leibold. It is “the only way to really explain their pretty remarkable expansion,”
  • One challenge in pressuring China’s government over its Xinjiang policies is the relative silence of Muslim-majority countries. ASPI made its work available in 10 different languages to try to raise awareness beyond the English-speaking world
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