Group items tagged

"The writing curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, we've pulled together the many writing-related features we already offer, added new ones, and organized them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online. But our main goal is to offer young people a global audience - to, in effect, invite them to add their voices to the larger conversation at The Times about issues facing our world today. Through the opportunities for publication woven throughout each unit, we hope to encourage students to go beyond simply being media consumers to become media creators themselves. "

A teacher website with vocabulary games and unit design resources

"Educators around the country are exploring innovative ways to teach the new common-core literacy standards, and some are calling attention to an approach they say is working well: interdisciplinary thematic units."

"The balanced move is best exemplified by a famous catchphrase spoken by Muhammad Ali as a young boxer: "Float like a butterfly, sting like a bee." This compound sentence (made up of two equally important main clauses) balances like a seesaw on the pivot of that comma and gains extra strength from its parallel structure, equal syntactical units to express meaning of equal weight. The mirror images go like this: imperative verb, preposition, article, noun. Even with all these, the two halves aren't precisely equal. The difference between butterfly and bee - the first word long and lyrical, the second short and sharp - creates both rhythm and contrast. Ali is both the beauty and the beast. Balance, sentence structure, verb forms, emphatic word order, parallelism, even the history of the English language (Anglo Saxon meets Norman French) are working their magic in this iconic line, coming from a man who was sometimes disparaged as the Louisville Lip."

"What can teachers learn from the workplace culture of companies like Google? A new paper suggests that one way to improve students' happiness and performance is to revamp the classroom to look more like one of the United States' top companies.  Heather Staker, an adjunct researcher for the Christensen Institute, a nonpartisan think tank that focuses on innovation, authored a white paper that gives teachers a guide to creating higher-performing, happier classrooms in seven steps. The 81-page "playbook for teachers" includes three case studies-a mixed-income public school, a low-income charter school, and an independent affluent school-that show how teachers from all backgrounds and of all grade levels can make their classrooms look more like the highest-ranked workplaces."

"Language merely reflects our way of trying to make sense of the world. - Frank Smith Frank Smith (1982) says 'writing touches every part of our lives'. One of the first reasons we write is because it is a tool for communication in culture. It gives us the ability the share information over time and space with multiple individuals (explaining, recounting & opinion). It can also be used as a permanent record or as a statement e.g. in history, geography  & science genres. The third cultural aspect for writing is artistry (narrative and poetry). Finally, there is also the personal aspect to writing. Writing allows us all to reflect, express our perceptions of self, to socially dream or to be critical (memoir). By writing, we find out what we know; what we think. Ultimately though, writing is a means for us to express ourselves in the world, make sense of the world or impose ourselves upon it. The question now is why do children write at school? For these purposes? - Not often. There is a massive discrepancy between the writing done in the real-world and that of the classroom. Donald Graves says 'all children want to write'. It is just a case of allowing them to write about the things they are interested in. As Frank Smith says, 'all children can write if they can speak it.' If they can talk about it, they can write it down. The transmission of narrow decontextualized writing skills; that English is just a formal system to be learnt. The insistence on task-orientated writing. The insistence on teacher-chosen writing tasks. The insistence on the use of external stimulus (literature units, film-clips, topic-writing) at the expense of children's knowledge, interests, loves, talents and idiosyncrasies. The formal rather than functional teaching of grammar. These examples embody the 'commonsense' assumptions which claim an authority which is supposedly natural and unshakable. Writing in classrooms at present isn't seen by children as important

"As we discuss and debate what should be considered poetry, my goal is to challenge students to think broadly about poetry and creativity. I want them to be ready to create work that has meaning to them and not be preoccupied with rules or conventions. As the unit continues, here are four strategies and a number of resources that I've found helpful."

American Passages: A Literary Survey provides professional development and classroom materials to enhance the study of American Literature in its cultural context. It is organized into 16 Units; each exploring canonical and re-discovered texts, and presenting the material through an Instructor Guide, a 30-minute documentary video series, literary texts and an integrated Study Guide

For at least two centuries, it has been standard practice in the United States to place commas and periods inside of quotation marks. This rule still holds for professionally edited prose: what you'll find in Slate, the New York Times, the Washington Post-almost any place adhering to Modern Language Association (MLA) or AP guidelines. But in copy-editor-free zones-the Web and emails, student papers, business memos-with increasing frequency, commas and periods find themselves on the outside of quotation marks, looking in. A punctuation paradigm is shifting.

I've always placed punctuation marks (commas, periods) outside of the quotes for anything other than dialogue, feeling like I was breaking the rules (which says that they should be inside). It's nice to know that I was just punctuating in the "British" way!

"The Gallup Student Poll is an online poll made up of 20 well-researched questions designed to assess the hope, engagement, and wellbeing of students in the U.S. The poll takes eight to ten minutes to complete, and is entirely free to any public or private school in the United States. After your students complete the poll, you will receive a detailed report on the engagement level at your school. This report can be monumental in discovering elements of your school community that can be improved upon to increase student engagement. The act of administering the Gallup Student Poll, or any poll designed to research student engagement, is also an excellent opportunity to connect with your students. Explain to them why you're asking them to complete the poll and let them know that their school cares about their wellbeing. Reassure your students that you are listening to their feedback and that the results will be studied carefully and acted upon. Once you have a good idea of how engaged your students are, you can start to create activities and programs to increase their engagement."

"Below we share an idea from Allison Marchetti, an English teacher at Trinity Episcopal School in Richmond, Va., who uses an Op-Doc video about the problem of Internet addiction among China's youth to teach argumentative writing to her ninth graders. This lesson is part of a larger unit of study on editorial and commentary writing."

Given the recent rise in podcast popularity, it's no surprise that audio narratives are making their way into the classroom. They offer an engaging way for teachers to merge project-based learning with digital media analysis and production skills. That's why we're announcing our first-ever Student Podcast Contest, in which we invite students to submit original podcasts, five minutes long or less, inspired by one of our 1,000-plus writing prompts. The contest will run from April 26 to May 25, so stay tuned for our official contest announcement next week In anticipation of that contest, the mini-unit below walks students through the process of analyzing the techniques that make for good storytelling, interviewing and podcasting. The activities culminate in students producing their own original podcasts.

"Pace yourself. You don't have to cover everything. If they don't read that play by Shakespeare, they will still live to be fine old people. Don't put too much pressure on yourself. Don't put too much pressure on your students. It's not just a matter of taking what I do offline online. I've shortened my units because of the coronavirus. I have a lot of working parents; now they have kids at home. I can't ask them to do a 25-page paper on pronouns in Shakespeare. Figure out what's really essential for learning, and what can be let go in the next three months. For my composition students, for example, my primary focus is always helping them express ideas clearly and coherently. I'm less concerned about the genre of writing or how long it is. I can do that a paragraph at a time. For my more advanced students, they need to learn research skills: how to locate, evaluate, and use information. Online learning offers great opportunities for that, including with what's going on in the news right now. For my literature students, my emphasis is helping them understand stories that come from cultures other than theirs. Are they able to see the humanity and connections across the stories? That's essential. Whether they remember all of the characters and the authors-that's not essential. This is a great time to individualize instruction and have students work at different paces. You don't want 100-120 papers coming at you all at one time. Spread it out, and it will keep you from getting short-tempered with your students. I've got some students who won't turn on a camera in their house. They don't want you to see inside their house for various reasons. Be aware of it; be very sensitive and careful with human beings. Be prepared to let your students teach you. Students can be great help to us. Be each other's tech support."

Doing an argument unit? This works well. There are three years of award winning student models, and it comes with a rubric you can adapt to your needs. Contest deadline is April 4. "The challenge is pretty straightforward. Choose a topic you care about, gather evidence from sources both within and outside of The New York Times, and write a concise editorial (450 words or less) to convince readers of your point of view.

"In the second half of the year, my writing course shifts to a more focused study of argument. We read and analyze several mentor texts together as a class, starting with speeches and letters, including an in-depth analysis of the classic  "Letter from a Birmingham Jail" by Martin Luther King, Jr. (this year, I also paired King's text with "The Future Needs Us" by Rebecca Solnit and the introduction from Writings on the Wall by Kareem Abdul Jabbar). But the key to teaching students how to analyze argument-particularly in today's media rich world-is to make the time and space for students to take what they have learned and apply it independently. (In fact, that's true when you teach anything.) So this year, I changed up my argument unit a bit to include a two-week workshop period in which students would: Read several arguments from a variety of media (written, visual, auditory, film); Analyze the arguments for their line of reasoning; Write their own original essay which defends, challenges, or qualifies a claim made by one (or more) of the arguments they studied."

A "Connected Educators Month" in the United States - the rapid rise of Twitter PD - the coming of age of the Personal Learning Network. No question: It's been an historic year for connected professionals, including PLP's extended family of teacher and school leaders.