Group items tagged

"The analysis of a football game directly relates to the analysis of a piece of literature. As a former English teacher and football coach I'm not sure why this didn't hit me earlier, but I'd love to get into the classroom and share this model of analyzing literature with my students "

"Through hashtags, test takers have categorized tweets about different AP exams. #APLit for the AP Literature and Composition exam. #APBio for the AP Biology exam, and so on. While these tweets are in jest - and many in the format of popular memes -there is something peculiar about them: they are oddly specific. For example, in reference to the AP Literature and Composition exam, many users tweeted about Mr. Pickle and Godfrey. These tweets about the exam even inspired a Twitter moment that highlighted the best memes about the AP exam. A Twitter search of #APLit will yield similar results. All of these memes reference a specific short story published in 1751, The Adventures of Peregrine Pickle by Tobias Smollett. While the tweets express the sentiment of the students taking the exam, they do another thing: reference the questions asked of them on the AP Literature exam."

"Students almost universally hate close reading, and they rarely wind up understanding it anyway. Forced to pick out meaning in passages they don't fully grasp to begin with, they begin to get the idea that English class is about simply making things up and constructing increasingly circuitous arguments by way of support. So what would happen if we ditched this sacred teaching technique? For starters, we could help students read more. Speeding things up might make it easier to grasp--and appreciate--the overall arc of a book, while allowing the opportunity for real connection with the characters and plot. You can't do that at the pace of a chapter a week. Furthermore, aiming for fifteen books a year, rather than five, might expose the students to more good literature . If the goal of an English class is to improve students' grasp of language, introduce them to great literature, and--hopefully--get students excited, then there's really no downside to this approach. If a few students really want to do close reading, they can do it as an elective or jump in head first in college. Otherwise, let's chuck the concept. We gain nothing by teaching kids to hate books--and hate them s-l-o-w-l-y. "

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

"What are the roots and legacy of minstrelsy and the Scottsboro Trials? How can stereotypes be used not only to reinforce a bias, but also to satirize that very bias? In this lesson, students learn about the minstrel tradition, consider how it echoes through stereotypes of African-Americans today and explore the legacy of black stereotypes and the Scottsboro Trials in popular culture, history and literature."

"In an education landscape that dramatically deemphasizes creative expression in favor of expository writing and prioritizes the analysis of non-literary texts, high school literature teachers have to negotiate between their preferences and the way the wind is blowing. That sometimes means sacrifice, and poetry is often the first head to roll. Yet poetry enables teachers to teach their students how to write, read, and understand any text. Poetry can give students a healthy outlet for surging emotions. Reading original poetry aloud in class can foster trust and empathy in the classroom community, while also emphasizing speaking and listening skills that are often neglected in high school literature classes."

"a list to help your students more easily connect the literature they're reading to the world around them - and to help teachers find great works of nonfiction that can echo common literary themes."

A criticism of Massachusetts' decision to adopt national standards that necessitates a move away from classic literature.

Sandra Stotsky just released a report on the state of literature instruction (amount, difficulty, titles, etc.) in grades 9-11. Click here to read the report; click here to read a summary and others' responses on the Core Knowledge site. The report was written for the Association of Literary Scholars, Critics, and Writers. Here are her key findings and details from the report's Executive Summary:

American Passages: A Literary Survey provides professional development and classroom materials to enhance the study of American Literature in its cultural context. It is organized into 16 Units; each exploring canonical and re-discovered texts, and presenting the material through an Instructor Guide, a 30-minute documentary video series, literary texts and an integrated Study Guide

" In this wonderful animated essay, they extol the value of books in expanding our circle of empathy, validating and ennobling our inner life, and fortifying us against the paralyzing fear of failure."

"Over the past year, we witnessed police violence, increasingly partisan politics and the continued American legacy of racism during a generation-defining pandemic. And for many, this was observed, at times, in isolation at home. I have worried about how we can heal from our collective trauma. As a teacher of Greek literature, I am inclined to turn to the past to understand the present. I found solace in the Homeric epic "The Iliad" and its complex views about violence after the 9/11 attacks. And I found comfort in the Odyssey after my father's unexpected death at 61, in 2011. Similarly, Homer can help guide us as we return back to our normal worlds after a year of minimizing social contact. He can also, I believe, offer guidance on how people can heal."

"McPhee has now published more than thirty books, work that first appeared in the pages of The New Yorker, where he has been a staff writer since 1963. He's written about Alaska (Coming into the Country), the Swiss Army (La Place de la Concorde Suisse), and an island in Scotland's Inner Hebrides (The Crofter and the Laird). His subjects have included the atomic bomb, the environmental movement, the U.S. Merchant Marine, Russian art, and fishing. Four books on geology. Three on transport. Two on sports. One book entirely about oranges. He has received an Academy Award in Literature from the American Academy of Arts and Letters, and he won the Pulitzer Prize for Annals of the Former World, his comprehensive survey of North American geology. His work has inspired generations of nonfiction writers, and he has distinguished himself especially as a teacher of literary journalism." This is an interview with him about writing and teaching.

"Think of a topic from your own teaching that you wish your students cared more about. It could be social justice, evolution, literature, or anything that you really care about but some students do not. Now, how can you use these 5 pedagogical moves to make your topic relevant for students? To help you think through, I have 5 tips and questions-based in literacies research-that you can ask yourself to keep your teaching relevant to your students."

"We asked our community which works of literature were must-reads for high schoolers. Here are your top picks."

"Language merely reflects our way of trying to make sense of the world. - Frank Smith Frank Smith (1982) says 'writing touches every part of our lives'. One of the first reasons we write is because it is a tool for communication in culture. It gives us the ability the share information over time and space with multiple individuals (explaining, recounting & opinion). It can also be used as a permanent record or as a statement e.g. in history, geography  & science genres. The third cultural aspect for writing is artistry (narrative and poetry). Finally, there is also the personal aspect to writing. Writing allows us all to reflect, express our perceptions of self, to socially dream or to be critical (memoir). By writing, we find out what we know; what we think. Ultimately though, writing is a means for us to express ourselves in the world, make sense of the world or impose ourselves upon it. The question now is why do children write at school? For these purposes? - Not often. There is a massive discrepancy between the writing done in the real-world and that of the classroom. Donald Graves says 'all children want to write'. It is just a case of allowing them to write about the things they are interested in. As Frank Smith says, 'all children can write if they can speak it.' If they can talk about it, they can write it down. The transmission of narrow decontextualized writing skills; that English is just a formal system to be learnt. The insistence on task-orientated writing. The insistence on teacher-chosen writing tasks. The insistence on the use of external stimulus (literature units, film-clips, topic-writing) at the expense of children's knowledge, interests, loves, talents and idiosyncrasies. The formal rather than functional teaching of grammar. These examples embody the 'commonsense' assumptions which claim an authority which is supposedly natural and unshakable. Writing in classrooms at present isn't seen by children as important

"The Grapes of Wrath was published 75 years ago this month, a seminal masterpiece of American literature that seems freshly relevant to this era of wealth disparity, rapacious banks and growing poverty."

"The national myth of happiness pursued and won has always been contested in fiction - and its promise seems almost extinct in some contemporary novels"

"At the end of the day, I'm the kind of English teacher who struggles to reconcile an interior struggle between a traditional book snob and an anarchic punk rocker."

"I had tried everything from the traditional book report style assessment to more creative movie trailers, but I didn't feel like they accomplished what I wanted from a silent sustained reading assessment. It wasn't until I went to a book club meeting with some friends that inspiration struck. At our book club meetings we ate food, drank wine, and talked about literature for hours. Why couldn't our SSR assessment be more like that? (Sans the wine, of course.) I thought about what inspired me to read my book club books and the answer was that I really enjoyed that evening of food, conversation, and friends. So, I decided to design a book club style chat assessment for our silent sustained reading. The goal was to get my students having conversations about their various books. Ultimately, I hoped they would turn each other on to titles they had read and enjoyed. Below is a brief overview of the assignment. I've also included a link to a Google document with a detailed explanation of the assignment for any teacher interested in using it!"