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"Inspired by the success of our popular syndicated series Poem-a-Day, we're pleased to present Teach This Poem.  Produced for K-12 educators, Teach This Poem features one poem a week from our online poetry collection, accompanied by interdisciplinary resources and activities designed to help teachers quickly and easily bring poetry into the classroom. "

VIDEO: "Robert Frost's poem "The Road Not Taken" is often interpreted as an anthem of individualism and nonconformity, seemingly encouraging readers to take the road less traveled. This interpretation has long been propagated through countless song lyrics, newspaper columns, and graduation speeches. But as Frost liked to warn his listeners, "You have to be careful of that one; it's a tricky poem-very tricky." In actuality, the two roads diverging in a yellow wood are "really about the same," according to Frost, and are equally traveled and quite interchangeable. In fact, the critic David Orr deemed Frost's work "the most misread poem in America," writing in The Paris Review: "This is the kind of claim we make when we want to comfort or blame ourselves by assuming that our current position is the product of our own choices… The poem isn't a salute to can-do individualism. It's a commentary on the self-deception we practice when constructing the story of our own lives.""

"If this year's National Poetry Month inspires you to give daily poetry a go in your classroom, maybe even just for the month, consider these four reasons why starting class with a poem each day will rock your world. Just for good measure, I've included a few poem suggestions as well."

On Thursday, April 14, we'll be conducting a live-moderated discussion of a poem, using these three questions: What's going on in this poem? What do you see, or read, that makes you say that? What more can you find? Just as with our Monday forums, live moderation will take place from 9 a.m. to 2 p.m. Eastern, although of course students and teachers will be welcome to continue commenting after that point."

"Poetry 180 is designed to make it easy for students to hear or read a poem on each of the 180 days of the school year. Michael Collins selected these poems with high school students in mind. They are intended to be listened to, and he suggests that all members of the school community be included as readers. A great time for the readings would be following the end of daily announcements over the public address system.

"February is Black History Month, and to celebrate the contributions black poets have made, and continue to make, to the richness of American poetry, we asked twelve contemporary black poets from across the country to choose one poem that should be read this month and to tell us a bit about why."

"During my years as an English teacher, camouflage had been easy to come by. I concentrated on 19th-century writers Emily Dickinson, Walt Whitman and a bit of Edgar Allan Poe. I kept their poetry safely packaged in a crate padded with literary scholarship. But paging through a copy of the New Yorker and seeing a poem by, say, Terrance Hayes left me feeling like a dog trying to use his owner's iPhone. With "The Life of a Poet," this new quarterly series sponsored by the Library of Congress, I'd committed to what felt like an act of guaranteed humiliation: interviewing the most accomplished poets in the country without having the foggiest idea what their poetry meant. In the early years, I can't claim to have attained a great deal of insight, but a funny thing happened in the crucible of my quarterly terror: I stopped reading poetry like a panicked codebreaker. That is, I stopped demanding that every poem yield its concealed meaning, which I suppose is the legacy of outmoded high school English classes. Instead I just read - often aloud - letting the words flow over me and affect me however they could."

"The 10 young Black writers in this project - talented poets from Oakland, Houston, St. Louis, Chicago, New York, Nashville, New Orleans and Los Angeles - are using the tools at their disposal, whatever they have. There's the "Black vernacular" of Akilah Toney's poem, the unshakable end rhymes of Alora Young, the expansive lines of Nyarae Francis's sestina and the stunning yet harrowing fragments of Samuel Getachew's "justice for -." These fledgling June Jordans and Robert Haydens, who are youth poets laureate and organizers and rappers, examine and fight back against an America that threatens to swallow them. They redefine themselves ("I wish I understood what it is like to be a black girl / To know myself like a dictionary definition," begins Madison Petaway in her poem) and cite their own wisdom and traditions, even building their own gods ("I've come to learn that my Grandmother's God is not my own," Jacoby Collins writes)."

It's often hard to justify watching a two-hour film when there's so much else that has to be done. But, what about an eight-minute film? That's the average length of our Film Club features, and these short documentary films do much more than just entertain. They challenge assumptions and offer new perspectives. They tell stories that often remain hidden, and introduce us to people and places foreign to us. As with other short texts like stories, poems and articles, mini-documentary films can stimulate discussion, debate, thinking and writing. And, they can serve as a refreshing break from print media to help students explore curriculum themes and practice important literacy skills. Below, we present eight films we've featured in our Film Club series that have already captured students' and teachers' attention. In addition, we offer practical teaching ideas, along with responses from students and teachers, for how you can use these documentaries, or films like them, to teach close reading and critical thinking skills."

Our Found Poetry Contest is our oldest blog tradition, and one we're thrilled to see embraced by teachers across the curriculum. No matter what you teach, consider it an invitation to have your students find and closely-read relevant New York Times articles - and have a little fun while they do it. Everything you need to know is below, with links and tips galore."

Happy National Poetry Month! Not only do we offer this month's Poetry Pairing, featuring Kirby Knowlton's "viewfinder" matched with a 2014 article, "Tangled Web of Memories Lingers After a Breakup," by Nick Bilton, but we are also currently running a Found Poem Student Contest as well as an open poetry discussion forum. Join us. To view all of the Poetry Pairings we've published in collaboration with the Poetry Foundation since 2010, and to find activity sheets to help with teaching them, visit our collection.

"Explore the power of language, look at the world with a fresh sense of wonder, and build reading and writing skills. These video segments, drawn from the PBS Poetry Everywhere series, capture some of the voices of poetry, past and present." Poems can be browsed through categories.

Use the creative writing prompts and creative writing ideas to create stories, poems and other creative pieces from your imagination. The writing prompts can even help you come up with creative content for blogs and blog stories

""We're all going to die - and poems can help us live with that." In a charming and funny talk, literary critic Stephen Burt takes us on a lyrical journey with some of his favorite poets, all the way down to a line break and back up to the human urge to imagine."

"The Life of Poetry is a sublime read in its entirety. Complement it with James Dickey on how to enjoy poetry, Edward Hirsch on how to read a poem, and Mary Oliver on the secret of great poetry."

Two high school English teachers wrote a poem and had this video created as a message to students. Definitely worth watching and perhaps sharing with students

"so much depends upon a red cup filled with coffee or holiday latte fixins.  But does it really? Rutherford's William Carlos Williams started his famous 1923 poem "The Red Wheelbarrow" in a similar fashion, yet a recent controversy swirling around one particular red cup is either a non-issue unworthy of verse or a revealing commentary on modern culture, depending upon who you ask."

"When it comes to creating a community of writers, there is no perfect formula. Trial and error, as well as a few specific steps, may help you begin the process in your classroom, no matter what subject matter or age you teach. Like every other worthy endeavor, writing requires practice. That's why from day one, students should see writing as an integral part of your class. You might even consider incorporating writing into your ice-breaker. Have your students mimic a poem, do a random autobiography, or draft scavenger hunt questions. Let students experience variety and choice. They shouldn't craft only formal, academic papers in your class. They should see that writing fits a variety of purposes and patterns. Online blogs, creative writing, written instructions, and other forms of written expression should be part of your curriculum."