Stephen Marche rebels against digital formats (sort of) by creating an interior layout that can't possibly be read on a device...not sure I agree... but it's an interesting look at an author seeing books as art. That I can agree with.
Amazon started life as a book retailer, and as a book retailer they made books cheaper. Then they were pioneers in the e-book industry where they made books cheaper. Their recently announced plan to give readers free e-book copies of books they buy in physical form doesn't make books cheaper per se, but it does give readers greater value for their book-buying dollar. This is all great stuff.
But not everyone agrees. Emily Gould complains that "When ebooks and pbooks are bundled, the ebooks are sold at a loss. That's authors', publishers' and, associatively, non-AMZN retailers' loss" and "frustrating we have to keep explaining that ebook production is not free. digital objects are not made by elves."
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Traditional publishers are discussing an industry-wide digital storefront where Apple tablet users could buy digital issues without going through iTunes.
Capitalizing on Oprah Winfrey's huge role recommending books to her fans, the
iPad edition of O, The Oprah Magazine, that's expected in the fourth
quarter will let users buy e-books and read them within the app itself.
Hearst sees a lot more potential in iPad advertising than just reproducing and
enhancing print ad pages.
once enough consumers own tablet computers, targeted and tailored advertising
will be much more important
Hearst is already seeing its digital ad rates increase steadily, partly because
of its ability to serve ads to visitors based on their behavior and demographics
My audience does things like buy five or ten copies at a time and distribute them to friends and co-workers. They (you) forward blog posts and PDFs. They join online discussion forums. None of these things are supported by the core of the current corporate publishing model.