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in my view there is no need for a digital editor as such in a trade publishing house, rather an editor who understands the digital world:

two key issues: accuracy of conversion, which we set at 99.999999%, instead of some competitors’ 99.95%, and attending to the reader experience by providing accurate and appropriate metadata, which is one of the points I want to illustrate later on to show why I believe editors need new knowledge not new skills

Writing that uses new media by incorporating visuals, sound, movies and so on in different delivery platforms such as the new Sony Reader, Alternate Reality Games mixing narrative and interaction by readers and contributors, self-published material, collaborative wikinovels and other kinds of informal, or extra-formal creativity, are exactly the kind of material that a traditional trade publishing house such as Pan Macmillan, however innovative, finds it very difficult to use, or even acknowledge, in a publishing process, and it’s unlikely to be seriously practical in the short term, which means until someone can think of a way to make money out of it, not least because digital projects are typically seen by customers and authors as free or very low-cost, when in fact they’re often more expensive than traditional ones because of the high set-up and development costs

In the U.S., public figures have to prove that statements about them are false and made with malice -- but in Britain a statement that harms one's reputation is enough to justify a libel action. Defendants must prove that statements are true or "fair comment." This has a chilling effect on the reporting of damaging facts.

"If information cannot be freely exchanged, if journalists must fear being sued over information reported in good faith on matters crucial to our defense, matters such as the financial networks supporting jihadist terror, then we cannot make sound security policy," former federal prosecutor Andrew McCarthy said at a recent conference on "libel lawfare." This is a useful term to describe lawsuits to suppress facts about radical Islam and terrorism.

The Web means that publishing anywhere means publishing everywhere, thus subjecting authors and publishers to litigation in pro-plaintiff jurisdictions

"What I believe—and this is what we're putting to the test—is that as you're putting something online free of charge, you may lose a few sales, but you'll gain other sales because more people will know about it," said Frances Pinter, Bloomsbury Academic's publisher.

She would like Bloomsbury Academic to demonstrate that publishers can add editorial value to scholarship without having to choose between locking it down or giving it all away.