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Shabbi Luthra

Seth's Blog: The Domino Project - 0 views

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    Seth Godin is launching this new publishing venture with Amazon that promises to change the rules of publishing.
Blair Peterson

The new way we read: 10 ways digital books are changing our literary lives - The Denver... - 0 views

  • PRINT BOOKS: We joined book clubs. DIGITAL BOOKS: We discuss them in booklogs.
  • PRINT BOOKS: We find them in libraries, bookstores and bookmobiles. DIGITAL BOOKS: For people who own personal computers, e-readers, smartphones, iPads and other tablets, there's 2 4/7 access to libraries and bookstores for purchasing, borrowing and downloading material.
  • PRINT BOOKS: Scribble notes in the margins. DIGITAL BOOKS: We use Kindle's Public Notes virtual annotation application.
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  • But they could be. Imagine looking up the notes that previous students leave in e-textbooks. Or seeing Jon Stewart's comments in the margins of Sarah Palin's latest tome.
  • PRINT BOOKS: Write to a favorite author, hope for a response by mail. DIGITAL BOOKS: Visit a favorite author's Facebook page to send a message and a friend request; follow that author's Twitter feed.
  • PRINT BOOKS: Collect an author's autograph at a bookstore reading. DIGITAL BOOKS:Use Autography, which debuts next month. It's a software program that allows writers to autograph an e-book using an iPad.
  • PRINT BOOKS: Want to publish a book? You'll need a proposal, an agent, an editor, a publisher and a marketing department DIGITAL BOOKS: Want to publish a book? There's an app for that, and authors can be quite successful. Amanda Hocking, JA Konrath and Karen McQuestion all are authors as famous for their aggressive self-promotion as for their books. However, self-publishing isn't always a good thing.
  • PRINT BOOKS: Donate used books to charity, sell them to a secondhand bookstore. DIGITAL BOOKS: "Used books" don't exist.
  • PRINT BOOKS:Swap books with friends. DIGITAL BOOKS: Until recently, the options were mostly limited to loaning your e-reader (and the books on it) to friends, or resorting to pirated files. Amazon's Lendle allows users to share certain (not all) Kindle titles for 14 days, similar to the way libraries arrange e-book loans.
  • PRINT BOOKS: Find an unfamiliar word in a book? Get a dictionary, look up the meaning. DIGITAL BOOKS:Use your e-reader to highlight the word and click on it, and the definition will display at the bottom of the page.
  • PRINT BOOKS:Collecting rare books, including first editions and antiquarian books. DIGITAL BOOKS:There's no equivalent so far.
Shabbi Luthra

Manifesto for 21st century school librarians - 1 views

  • You market, and your students share, books using social networking tools like Shelfari, Good Reads, or LibraryThing.
  • Your students blog or tweet or network in some way about what they are reading
  • You review and promote books in your own blogs and wikis and other websites. (Also Reading2.0 and BookLeads Wiki for book promotion ideas)
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  • You know that searching various areas of the Web requires a variety of search tools. You are the information expert in your building. You are the search expert in your building. You share an every growing and shifting array of search tools that reach into blogs and wikis and Twitter and images and media and scholarly content.
  • You open your students to evolving strategies for collecting and evaluating information. You teach about tags, and hashtags, and feeds, and real-time searches and sources, as well as the traditional database approaches you learned way back in library school.
  • You work with learners to exploit push information technologies like RSS feeds and tags and saved databases and search engine searches relevant to their information needs.
  • You know that communication is the end-product of research and you teach learners how to communicate and participate creatively and engagingly. You consider new interactive and engaging communication tools for student projects. ● Include and collaborate with your learners. You let them in. You fill your physical and virtual space with student work, student contributions—their video productions, their original music, their art.
  • Know and celebrate that students can now publish their written work digitally. (See these pathfinders: Digital Publishing, Digital Storytelling)
  • Your collection–on- and offline–includes student work. You use digital publishing tools to help students share and celebrate their written and artistic work.
  • You welcome and host telecommunications events and group gathering for planning and research and social networking.
  • You realize you will often have to partner and teach in classroom teachers’ classrooms. One-to-one classrooms change your teaching logistics. You teach virtually. You are available across the school via email and chat.
Shabbi Luthra

Nine Important Trends in the Evolution of Digital Textbooks and E-learning Co... - 0 views

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    Fascinating post on the changes in publishing.
Blair Peterson

International Music Score Library Project Raises Copyright Concerns - NYTimes.com - 0 views

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    Free Trove of Music Scores on Web Hits Sensitive Copyright Note By DANIEL J. WAKIN Published: February 22, 2011 It was only a matter of time. What are the implications of this for musicians and music educators?
Blair Peterson

School Library Monthly - The Changing Role of the School Library's Physical Space - 3 views

  • They argue (or school administrators hear) that it is now up to the teacher and a more modern classroom dynamic to manage this rapid, Internet-fed information stream to support learning (Bonk 2010). Persons outside the library profession often do not realize that much of the information found in lib
  • They assert that school libraries should continue providing access to both digital and print-based information for as long as possible, and that these goals are not mutually exclusive (Gray 2009)
  • Transform the library’s physical space into a collaborative work area that celebrates information gathering, analysis, and sharing. At the core of a digital library is an e
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  • Those 150,000+ nonfiction ebooks are not bargain-bin titles offered as a group purchase; they are high-quality titles selected from a wide variety of university presses and academic publishers. It is important to note that the library does not own most of them. T
  • They have created a Patron Driven Acquisitions (PDA) model that is a win-win for both publishers and end users.
  • These "partnerships" with EBL and Amazon allow for a Just-in-time (JIT) approach to collection development focused more on access than ownership.
Blair Peterson

200 Young Leaders Under 30 Meet in Lisbon to Plot the Future | Sandbox - 0 views

  • Over three days, Sandboxers from across the globe turned the city of Lisbon into a melting pot of the most innovative thinking, fresh ideas, and energy of a new generation of global leaders.
  • The key insights from these discussions will be published in the Sandbox Playbook, which we hope will inspire other innovators around the globe on how to maximize their positive impact”, s
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    While this organization is for 20+ kids, what do we do to provide our students with exposure to these ideas?
Blair Peterson

Parents as Partners - Building Learning Networks | Connected Principals - 0 views

  • Social Justice Teacher Preparation Technology Integration Networked Learning Twitter Parents as Partners – Building Learning Networks Posted by Shannon Smith on 2/20/12 • Categorized as Best Educational Practices,Distributed Leadership,Parental Involvement,Twitter 5 "fist bump" cc by Mark H. Anbinder on flickr Many schools are beginning to use social media to send out information to parents. Examples include twitter feeds and facebook pages. These initial forays into social media are a first step. They provide parents and the community with greater access to information regarding the school and the learning happening within its walls. A key facet of school leadership is developing relationships, both within staff and also with families and the community. This relationship building must include seeking feedback and listening. Most of this work is done face to face, through school events or outreach programs and even through informal conversations in the hallways or at drop off or pick up time. We live in a time w
  • top-down leadership and closed door meetings are no longer seen as the way to get things done. Stakeholders want to be involved in decision-making. They want to know what their school leader is thinking and what he or she values. They want, above all, to trust that their child is in the very best hands at school.
Blair Peterson

Figment.com Aims for Young Readers and Writers - NYTimes.com - 0 views

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    NY Times article on Figment. Figment is an experiment in online literature. Some pieces are from cell phone novels.
Blair Peterson

Figment: Write yourself in. - 0 views

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    Website where anyone can submit pieces of writing for people to read.
Blair Peterson

Siphoning the Fumes of Teen Culture: How to Co-opt Students' Favorite Social Media Tool... - 0 views

  • By forbidding the use of social media sites in 52% of our nation’s classrooms, schools are suppressing a learning revolution that is characterized by several truths: 1) facility with social media tools is critical to learning and working in the 21st century; 2) 75% of online adolescents are already social networking outside of school; 3) many students hack through Internet filters during class; and 4) exploration of social media sites is part of the adolescent identity.
  • Workshop reports that, on average, kids can actually stuff eight hours of media exposure into five hours of non-school time by media multitasking—phone texting while participating in seven separate Facebook chats and posting to Tumblr.
  • Dr. Howard Rheingold, on his final exam, asked his Stanford students to demonstrate their understanding of the literacies that accompany new media by creating, rather than writing, an essay. B
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  • Twitter and Youtube empower anyone with access to a computer, phone, or library to publish media. Television celebrates authority. Twitter dismantles authority, as witnessed by its use in Tunisia. Television celebrates the expert. Twitter fosters dialogue among amateurs.
  • "It’s slow and clunky. The design is bad. To talk to your friend, you can’t just go to their page and shoot them a message. The search box is worthless; I couldn’t find my friend, Tim, even when I know he’s in there. Every time you want to post to a particular class—every time—you have to select that class,
  • When social media supplements and transforms curriculum, students should experience this like play.
  • Don’t require students to write "correctly" in discussion forums. These spaces should encourage teens to advance tentative theories and experiment with different perspectives. You
  • Great online discussions thrive when students and instructors trust the community.
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