Skip to main content

Home/ GNARP! The Graphic Narrative Academic Reference Project/ Group items tagged reviews

Rss Feed Group items tagged

Angela Becerra Vidergar

sidekicks -- graphic novel reviews for kids -- part of no flying no tights - 0 views

  •  
    reviewing graphic novels for kids. affiliated with "no flying, no tights" website.
Angela Becerra Vidergar

The Weekly Crisis - Comic Book Review Blog - 2 views

  •  
    Weekly comic book reviews
Angela Becerra Vidergar

JFR Review for India's Immortal Comic Books: Gods, Kings, and Other Heroes - 1 views

  •  
    Review in the Journal of Folklore Research of "India's Immortal Comic Books: Gods, Kings, and Other Heroes," by Jeremy Stoll of Indiana University.
Angela Becerra Vidergar

no flying, no tights - 0 views

  •  
    website reviewing graphic novels for teens.
Angela Becerra Vidergar

Comics Bulletin - 0 views

  •  
    The Internet's Most Diverse Comics Webzine - formerly known as Silver Bullet Comics, featuring daily comic book news, comic reviews, comic information, and comic book opinions.
Angela Becerra Vidergar

the lair - 0 views

  •  
    graphic novel reviews for older teenagers/adults, affiliated with "no flying, no tights" website
Angela Becerra Vidergar

drawn and quarterly - 0 views

  •  
    With cartoonists that have been instrumental in defining the literary comics medium for the past twenty years and a willingness to experiment with formats and concepts, Drawn & Quarterly has become one of the most influential art and literary comics publishers in North America, if not the whole world. Back in 1989, Chris Oliveros humbly went in search of artists to contribute to his yet-to-be-published magazine anthology named Drawn & Quarterly. Armed with a honed aesthetic, he advertised in different venues and approached promising artists. As a result, Oliveros assembled the most esteemed and distinct coterie of cartoonists since the days of Art Spiegelman's RAW. Oliveros's visual acumen and astute production values coupled with the complete editorial and creative freedom offered to the cartoonists enabled D+Q to make an immediate mark in the world of comics. After several anthologies, comic book series and graphic novels, D+Q has established an elite and varied roster of cartoonists that includes Adrian Tomine, Seth, Chester Brown, Joe Matt, Julie Doucet, and James Sturm, who are considered to be some of the medium's best and are synonymous with Drawn & Quarterly. Big Questions, Or Else, Optic Nerve, Berlin and Atlas have joined Peepshow and Palooka-Ville as D+Q's current ongoing comic book series. Exquisitely designed sketchbooks by iconic luminaries R. Crumb and Chris Ware joined sketchbooks by Julie Doucet and Seth. Graphic novels include war comics-journalism from Joe Sacco, travelogues by Guy Delisle, a charming teenage memoir by Michel Rabagliatti and translations of European masters Igort, Baru, and Dupuy & Berberian. The original magazine anthology became a lavish, oversized, coffee table annual. D+Q has also engaged in ambitious reprint projects, including the work of Frank King, Tove Jansson (Moomin), and Yoshihiro Tatsumi. Book lovers, who appreciate exceptional quality in literature and design, laud D+Q for creating elegant objects that transcen
Angela Becerra Vidergar

drawn and quarterly - 0 views

  •  
    With cartoonists that have been instrumental in defining the literary comics medium for the past twenty years and a willingness to experiment with formats and concepts, Drawn & Quarterly has become one of the most influential art and literary comics publishers in North America, if not the whole world. Back in 1989, Chris Oliveros humbly went in search of artists to contribute to his yet-to-be-published magazine anthology named Drawn & Quarterly. Armed with a honed aesthetic, he advertised in different venues and approached promising artists. As a result, Oliveros assembled the most esteemed and distinct coterie of cartoonists since the days of Art Spiegelman's RAW. Oliveros's visual acumen and astute production values coupled with the complete editorial and creative freedom offered to the cartoonists enabled D+Q to make an immediate mark in the world of comics. After several anthologies, comic book series and graphic novels, D+Q has established an elite and varied roster of cartoonists that includes Adrian Tomine, Seth, Chester Brown, Joe Matt, Julie Doucet, and James Sturm, who are considered to be some of the medium's best and are synonymous with Drawn & Quarterly. Big Questions, Or Else, Optic Nerve, Berlin and Atlas have joined Peepshow and Palooka-Ville as D+Q's current ongoing comic book series. Exquisitely designed sketchbooks by iconic luminaries R. Crumb and Chris Ware joined sketchbooks by Julie Doucet and Seth. Graphic novels include war comics-journalism from Joe Sacco, travelogues by Guy Delisle, a charming teenage memoir by Michel Rabagliatti and translations of European masters Igort, Baru, and Dupuy & Berberian. The original magazine anthology became a lavish, oversized, coffee table annual. D+Q has also engaged in ambitious reprint projects, including the work of Frank King, Tove Jansson (Moomin), and Yoshihiro Tatsumi. Book lovers, who appreciate exceptional quality in literature and design, laud D+Q for creating elegant objects that transcen
Angela Becerra Vidergar

Signs: Studies in Graphic Narratives - 0 views

  •  
    From the site: "SIGNs - Studies in Graphic Narratives - is a new, peer-reviewed journal focusing on Comics (or, in contemporary jargon, Graphic Novels), from modern times up to the early decades of the 20th century."
Angela Becerra Vidergar

The Graphic Novel Archive: trade paperbacks, manga, comic strip collections, original g... - 0 views

  • The Graphic Novel Archive's mission is to catalog these tomes of sequential art. To sort, organize and categorize these books, and make this information available to visitors like you. And there's more. Be it history, news, reviews, previews, release schedules, shipping updates, solicitations, comparison shopping, or just some friendly conversation - if you enjoy graphic novels, you've found yourself a great little web site. Be sure to set your graphic novel preference (western, eastern, or both) and then have a look around. It only gets better from here. And don't forget - creating your free MyGNA account will allow you to track your collection, set up a wish list; even monitor prices for graphic novel bargains! If you'd like to help out in improving the Graphic Novel Archive, feel free to join the GNA's community of contributing editors. Everyone is welcome - readers, publishers, and creators alike.
    • Angela Becerra Vidergar
       
      Mission statement, purpose
Angela Becerra Vidergar

The Graphic Classroom - 0 views

  •  
    The Graphic Classroom is a resource for teachers and librarians to help them stock high quality, educational-worthy, graphic novels and comics in their classroom or school library. I read and review every graphic novel or comic on this blog and give it a rating as to appropriateness for the classroom.
Angela Becerra Vidergar

Advance Review: Area 10 - 0 views

  •  
    "Area 10 tells the story of NYPD Detective Adam Kamen as he investigates a series of brutal murders. The killer has caught the media's attention, having been given the moniker "Henry the Eighth" as all of the victims are found headless. ... A good chunk of the story centers around trepanation, a practice dating back thousands of years that involves drilling holes into the skull of a live human."
Angela Becerra Vidergar

Gateway to Comics on tor.com - 0 views

  •  
    In the Gateway to Comics feature, Stephen Aryan focuses on reviewing/recapping a "gateway" trade or issue to a genre, series, or character. Meaning you will be able to pick it up without having read any other comic before, and with no prior knowledge of the characters. This is the golden rule. (A lot of these gateway picks will be first volumes of trades, but not always.) He tackles a range of genres, such as western, sci-fi, slice of life, horror, adventure, biography, comedy, history, and many more.
Angela Becerra Vidergar

300 - IMDB - 0 views

  • First lets analyze what exactly this film is made of. Basically, the whole thing is just one epic fighting scene after another. Most noticeably is the camera work and the visual effects. Every shot seems like it was intended to be a work of art. The colors, the characters, the costumes, the backgrounds... every little detail has been given so much attention. During the big fights you'll also instantly notice the unique editing. There are a lot of "time slowdowns" throughout the battles which show what exactly is happening. Fatal wounds that slowly leak blood spatters in the air, decapitated heads traveling in slow-motion across the screen... it's all there. The story on the other hand isn't very complicated, in the sense that the whole movie could probably be described in a sentence or two. The dialogs are simple and most often talk about moral values like freedom and honor. If you would look at the script, it would probably look like another movie that has nothing more to offer then idealistic visions of how life should be.Reviewers of this title seem to be split up in two groups. They either love it with passion calling it an epic movie of the 21th century, or hate it even more and throw it off like a piece of garbage consisting of mindless action and silly cliché phrases. I feel reluctant to take a position in this argument. Normally it's tolerable to weigh out both sides of this matter to result in a fair judgment about a movie. Not in this one. On the one hand the visual are surely among the best to be witnessed in a movie. Every detail, every background, every special effect set to the scenes are so mindblowingly stunning. On the other hand the plot and dialogs are of the most simplistic and quite frankly dumb kind. "I fight for freedom! I'd rather die in honor then live in shame!" Sounds familiar?
  • If you are easily impressed by beautiful landscapes, wonderful camera-work and editing and powerful acting then go see this. Right. Now. You'll be missing out if you don't. There is so much to see, so much power in the way this comic is translated to the big screen... It'll leave you in awe.
  •  
    Contains an interesting discussion of what happens when a comic is adapted into a movie. Specifically "300," in 2007.
  •  
    Internet Movie Database for "300." Contains comments on the adaption of the comic/GN to the big screen.
1 - 20 of 25 Next ›
Showing 20 items per page