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Paul Merrell

Assange Keeps Warning Of AI Censorship, And It's Time We Started Listening - 0 views

medium.com/...started-listening-e05d371ef120

AI Internet-censorship Google Twitter Facebook

shared by Paul Merrell on 19 Jan 18 - No Cached
  • Where power is not overtly totalitarian, wealthy elites have bought up all media, first in print, then radio, then television, and used it to advance narratives that are favorable to their interests. Not until humanity gained widespread access to the internet has our species had the ability to freely and easily share ideas and information on a large scale without regulation by the iron-fisted grip of power. This newfound ability arguably had a direct impact on the election for the most powerful elected office in the most powerful government in the world in 2016, as a leak publishing outlet combined with alternative and social media enabled ordinary Americans to tell one another their own stories about what they thought was going on in their country.This newly democratized narrative-generating power of the masses gave those in power an immense fright, and they’ve been working to restore the old order of power controlling information ever since. And the editor-in-chief of the aforementioned leak publishing outlet, WikiLeaks, has been repeatedly trying to warn us about this coming development.
  • In a statement that was recently read during the “Organising Resistance to Internet Censorship” webinar, sponsored by the World Socialist Web Site, Assange warned of how “digital super states” like Facebook and Google have been working to “re-establish discourse control”, giving authority over how ideas and information are shared back to those in power.Assange went on to say that the manipulative attempts of world power structures to regain control of discourse in the information age has been “operating at a scale, speed, and increasingly at a subtlety, that appears likely to eclipse human counter-measures.”What this means is that using increasingly more advanced forms of artificial intelligence, power structures are becoming more and more capable of controlling the ideas and information that people are able to access and share with one another, hide information which goes against the interests of those power structures and elevate narratives which support those interests, all of course while maintaining the illusion of freedom and lively debate.
  • To be clear, this is already happening. Due to a recent shift in Google’s “evaluation methods”, traffic to left-leaning and anti-establishment websites has plummeted, with sites like WikiLeaks, Alternet, Counterpunch, Global Research, Consortium News, Truthout, and WSWS losing up to 70 percent of the views they were getting prior to the changes. Powerful billionaire oligarchs Pierre Omidyar and George Soros are openly financing the development of “an automated fact-checking system” (AI) to hide “fake news” from the public.
  • ...2 more annotations...
  • To make matters even worse, there’s no way to know the exact extent to which this is going on, because we know that we can absolutely count on the digital super states in question to lie about it. In the lead-up to the 2016 election, Twitter CEO Jack Dorsey was asked point-blank if Twitter was obstructing the #DNCLeaks from trending, a hashtag people were using to build awareness of the DNC emails which had just been published by WikiLeaks, and Dorsey flatly denied it. More than a year later, we learned from a prepared testimony before the Senate Subcommittee on Crime and Terrorism by Twitter’s acting general counsel Sean J. Edgett that this was completely false and Twitter had indeed been doing exactly that to protect the interests of US political structures by sheltering the public from information allegedly gathered by Russian hackers.
  • Imagine going back to a world like the Middle Ages where you only knew the things your king wanted you to know, except you could still watch innocuous kitten videos on Youtube. That appears to be where we may be headed, and if that happens the possibility of any populist movement arising to hold power to account may be effectively locked out from the realm of possibility forever.To claim that these powerful new media corporations are just private companies practicing their freedom to determine what happens on their property is to bury your head in the sand and ignore the extent to which these digital super states are already inextricably interwoven with existing power structures. In a corporatist system of government, which America unquestionably has, corporate censorship is government censorship, of an even more pernicious strain than if Jeff Sessions were touring the country burning books. The more advanced artificial intelligence becomes, the more adept these power structures will become at manipulating us. Time to start paying very close attention to this.
Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 0 views

quod.lib.umich.edu/...n-workflows-start-with-the-web

OpenWeb XML XHTML-CSS HTML5-CSS3-JavaScript IDML

shared by Gary Edwards on 07 Nov 13 - No Cached
  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
  • ...44 more annotations...
  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Using the Web as a Production Platform
  • Gary Edwards on 07 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
  • Gary Edwards on 07 Nov 13
     
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
Paul Merrell

Home - schema.org - 0 views

schema.org

schemas search html accesibility

shared by Paul Merrell on 22 Nov 13 - No Cached
  • What is Schema.org? This site provides a collection of schemas, i.e., html tags, that webmasters can use to markup their pages in ways recognized by major search providers. Search engines including Bing, Google, Yahoo! and Yandex rely on this markup to improve the display of search results, making it easier for people to find the right web pages. Many sites are generated from structured data, which is often stored in databases. When this data is formatted into HTML, it becomes very difficult to recover the original structured data. Many applications, especially search engines, can benefit greatly from direct access to this structured data. On-page markup enables search engines to understand the information on web pages and provide richer search results in order to make it easier for users to find relevant information on the web. Markup can also enable new tools and applications that make use of the structure. A shared markup vocabulary makes it easier for webmasters to decide on a markup schema and get the maximum benefit for their efforts. So, in the spirit of sitemaps.org, search engines have come together to provide a shared collection of schemas that webmasters can use.
Paul Merrell

International Digital Publishing Forum (formerly Open eBook Forum) - 0 views

www.idpf.org

epub idpf ocf opf ops

shared by Paul Merrell on 29 May 08 - Cached
  • EPUB Support from list of Publishers An Open Letter from AAP to IDPF
  • What is EPUB, .epub, OPS/OCF & OEB? ".epub" is the file extension of an XML format for reflowable digital books and publications. ".epub" is composed of three open standards, the Open Publication Structure (OPS), Open Packaging Format (OPF) and Open Container Format (OCF), produced by the IDPF. "EPUB" allows publishers to produce and send a single digital publication file through distribution and offers consumers interoperability between software/hardware for unencrypted reflowable digital books and other publications. The Open eBook Publication Structure or "OEB", originally produced in 1999, is the precursor to OPS. For the latest on IDPF standards, sample files and companies who have implemented our specifications, please visit our public forums.  Getting started? Visit our FAQ's.
  • Paul Merrell on 29 May 08
     
    Will ePub be the standard that converges the desktop, the server, devices, and the Web? ePub is an implementation of the W3C Compound Document Formats interoperability framework with excellent packaging, container, and markup components. ePub is also strongly integrated with Daisy XML for accessibility, "talking books," and document structure, hinting at a voice-interactive future for publishing. ePub has been developed as a vendor-neutral standard and is being implemented by a large number of major book publishers globally, a factor that should spur major development of both editing and rendering software and devices.
  • anonymous on 23 Sep 13
     
    Like this http://www.hdfilmsaati.net Film,dvd,download,free download,product... ppc,adword,adsense,amazon,clickbank,osell,bookmark,dofollow,edu,gov,ads,linkwell,traffic,scor,serp,goggle,bing,yahoo.ads,ads network,ads goggle,bing,quality links,link best,ptr,cpa,bpa
Gary Edwards

Official Google Webmaster Central Blog: Introducing Rich Snippets - 0 views

googlewebmastercentral.blogspot.com/...introducing-rich-snippets.html

rdfa rich-snippets google html5 odf ooxml w3c

shared by Gary Edwards on 17 May 09 - Cached
  • Gary Edwards on 17 May 09
     
    Google "Rich Snippets" is a new presentation of HTML snippets that applies Google's algorithms to highlight structured data embedded in web pages. Rich Snippets give end-users convenient summary information about their search results at a glance. Google is currently supporting a very limited subset of data about reviews and people. When searching for a product or service, users can easily see reviews and ratings, and when searching for a person, they'll get help distinguishing between people with the same name. It's a simple change to the display of search results, yet our experiments have shown that users find the new data valuable. For this to work though, both Web-masters and Web-workers have to annotate thier pages with structured data in a standard format. Google snippets supports microformats and RDFa. Existing Web data can be wrapped with some additional tags to accomplish this. Notice that Google avoids mention of RDF and the W3C's vision of a "Semantic Web" where Web objects are fully described in machine readable semantics. Over at the WHATWG group, where work on HTML5 continues, Google's Ian Hickson has been fighting RDFa and the Semantic Web in what looks to be an effort to protect the infamous Google algorithms. RDFa provides a means for Web-workers, knowledge-workers, line-of-business managers and document generating end-users to enrich their HTML+ with machine semantics. The idea being that the document experts creating Web content can best describe to search engine and content management machines the objects-of-information used. The google algorithms provide a proprietary semantics of this same content. The best solution to the tsunami of conten the Web has wrought would be to combine end-user semantic expertise with Google algorithms. Let's hope Google stays the RDFa course and comes around to recognize the full potential of organizing the world's information with the input of content providers. One thing the world desperatel
Gary Edwards

RDFa, Drupal and a Practical Semantic Web - 1 views

www.cmswire.com/...ctical-semantic-web-004149.php

rdfa drupal semantic-web metadata

shared by Gary Edwards on 25 Mar 09 - Cached
  • Gary Edwards on 25 Mar 09
     
    CMSWire has a brief explanation of RDFa and why it's important. RDFa is also finding it's way into the Drupal CMS, which could be a game changer. Timothy Berners-Lee vision of a "Semantic Web" where the meaning of content is understood by both humans and machines depends on the emergence of capable information systems that make it transparently easy to add semantic markup. I'm not surprised that Drupal is jumping with both feet.

    "... In the march toward creating the semantic web, web content management systems such as Drupal (news, site) and many proprietary vendors struggle with the goal of emitting structured information that other sites and tools can usefully consume. There's a balance to be struck between human and machine utility, not to mention simplicity of instrumentation.

    With RDFa (see W3C proposal),  software and web developers have the specification they need to know how to structure data in order to lend meaning both to machines and to humans, all in a single file. And from what we've seen recently, the Drupal community is making the best of it.
Gonzalo San Gil, PhD.

What is good reference management software on Linux - Xmodulo - 1 views

xmodulo.com/management-software-linux.html

reference management software linux bibliography documentation

shared by Gonzalo San Gil, PhD. on 12 Oct 14 - No Cached
  • Gonzalo San Gil, PhD. on 12 Oct 14
     
    "Last updated on October 10, 2014 Authored by Adrien Brochard 3 Comments Have you ever written a paper so long that you thought you would never see the end of it? If so, you know that the worst part is not dedicating hours on it, but rather that once you are done, you still have to order and format your references into a structured convention-following bibliography."
  • Gonzalo San Gil, PhD. on 12 Oct 14
     
    "Last updated on October 10, 2014 Authored by Adrien Brochard 3 Comments Have you ever written a paper so long that you thought you would never see the end of it? If so, you know that the worst part is not dedicating hours on it, but rather that once you are done, you still have to order and format your references into a structured convention-following bibliography."
Gonzalo San Gil, PhD.

EU digital single market: Death by compromise - POLITICO (*) - 0 views

www.politico.eu/...gle-market-death-by-compromise

EU European Union Europe union digital single market death by compromise

shared by Gonzalo San Gil, PhD. on 07 May 15 - No Cached
  • Gonzalo San Gil, PhD. on 07 May 15
     
    By Ryan Heath and Zoya Sheftalovich 6/5/15, 5:30 AM CET Updated 6/5/15, 12:07 PM CET The long-awaited, much-ballyhooed Digital Single Market strategy is set to be published at noon Wednesday by the European Commission. Reaction will be quick, loud and vociferous, but look for clues to the answer to one key question: Will this document really change anything? [*The structure of Media supply/demand keeps on being vertical: Users will only access what Big Companies offer. There must be a way -via watermarking, perhaps- to allow people to consume whatever they want, and fairly monetize it later... If not, the contents will be keep restricted to editors will: that is censorship and restrictions in te age of abundance and freedom] "A user's guide to the Commission's latest brainstorm. By Ryan Heath and Zoya Sheftalovich 6/5/15, 5:30 AM CET Updated 6/5/15, 12:07 PM CET"
  • Gonzalo San Gil, PhD. on 07 May 15
     
    By Ryan Heath and Zoya Sheftalovich 6/5/15, 5:30 AM CET Updated 6/5/15, 12:07 PM CET The long-awaited, much-ballyhooed Digital Single Market strategy is set to be published at noon Wednesday by the European Commission. Reaction will be quick, loud and vociferous, but look for clues to the answer to one key question: Will this document really change anything? [*The structure of Media supply/demand keeps on being vertical: Users will only access what Big Companies offer. There must be a way -via watermarking, perhaps- to allow people to consume whatever they want, and fairly monetize it later... If not, the contents will be keep restricted to editors will: that is censorship and restrictions in te age of abundance and freedom] "A user's guide to the Commission's latest brainstorm. By Ryan Heath and Zoya Sheftalovich 6/5/15, 5:30 AM CET Updated 6/5/15, 12:07 PM CET"
Gonzalo San Gil, PhD.

European Legal Network - FSFE Legal - 0 views

fsfe.org/...network.en.html

european legal network open source free software

shared by Gonzalo San Gil, PhD. on 20 May 14 - No Cached
  • Gonzalo San Gil, PhD. on 20 May 14
     
    "The European Legal Network is a neutral, non-partisan, private network of legal professionals facilitated by FSFE. Delegates share knowledge and cooperate to increase the availability of best practice information about Free Software licensing. The network has over 300 participants across 28 countries and 4 continents, and it is the largest legal support structure for Free Software in the world. "
  • Gonzalo San Gil, PhD. on 20 May 14
     
    "The European Legal Network is a neutral, non-partisan, private network of legal professionals facilitated by FSFE. Delegates share knowledge and cooperate to increase the availability of best practice information about Free Software licensing. The network has over 300 participants across 28 countries and 4 continents, and it is the largest legal support structure for Free Software in the world. "
Gary Edwards

Developer: Dump JavaScript for faster Web loading | CIO - 0 views

www.cio.com/...pt-for-faster-web-loading.html

HML6 JavaScript JSON

shared by Gary Edwards on 27 Mar 15 - No Cached
  • Accomplishing the goal of a high-speed, responsive Web experience without loading JavaScript "could probably be done by linking anchor elements to JSON/XML (or a new definition) API endpoints [and] having the browser internally load the data into a new data structure," the proposal states.
  • The browser "then replaces DOM elements with whatever data that was loaded as needed.
  • The initial data and standard error responses could be in header fixtures, which could be replaced later if so desired. "The HTML body thus becomes a templating language with all the content residing in the fixtures that can be dynamically reloaded without JavaScript."
  • Gary Edwards on 27 Mar 15
     
    "A W3C (World Wide Web Consortium) mailing list post entitled "HTML6 proposal for single-page Web apps without JavaScript" details the proposal, dated March 20. "The overall purpose [of the plan] is to reduce response times when loading Web pages," said Web developer Bobby Mozumder, editor in chief of FutureClaw magazine, in an email. "This is the difference between a 300ms page load vs 10ms. The faster you are, the better people are going to feel about using your Website." The proposal cites a standard design pattern emerging via front-end JavaScript frameworks where content is loaded dynamically via JSON APIs. "This is the single-page app Web design pattern," said Mozumder. "Everyone's into it because the responsiveness is so much better than loading a full page -- 10-50ms with a clean API load vs. 300-1500ms for a full HTML page load. Since this is so common now, can we implement this directly in the browsers via HTML so users can dynamically run single-page apps without JavaScript?" Accomplishing the goal of a high-speed, responsive Web experience without loading JavaScript "could probably be done by linking anchor elements to JSON/XML (or a new definition) API endpoints [and] having the browser internally load the data into a new data structure," the proposal states. The browser "then replaces DOM elements with whatever data that was loaded as needed." The initial data and standard error responses could be in header fixtures, which could be replaced later if so desired. "The HTML body thus becomes a templating language with all the content residing in the fixtures that can be dynamically reloaded without JavaScript." JavaScript frameworks and JavaScript are leveraged for loading now, but there are issues with these, Mozumder explained. "Should we force millions of Web developers to learn JavaScript, a framework, and an associated templating language if they want a speedy, responsive Web site out-of-the-box? This is a huge barrier for beginners, and right n
Gonzalo San Gil, PhD.

Could Docker replace package management? [*] | InfoWorld - 0 views

www.infoworld.com/...eplace-package-management.html

Docker replace package management structured metadata

shared by Gonzalo San Gil, PhD. on 30 Mar 15 - No Cached
  • Gonzalo San Gil, PhD. on 30 Mar 15
     
    "Linux's package management headaches could be solved by way of containers, but experts warn it's only half a solution" [* ... structured metadata...]
Gonzalo San Gil, PhD.

FCForum » Declaration for Sustainable Creativity - 2 views

fcforum.net/...declaration

Fcforum declaration sustainable creativity

shared by Gonzalo San Gil, PhD. on 03 Oct 12 - No Cached
  • Gonzalo San Gil, PhD. on 03 Oct 12
     
    [ Version 1.0 * Download here: FCForum Declaration: Sustainable Models for Creativity v1.0 (PDF) Free/Libre Culture Forum Declaration [For details, see the extended version] We can no longer put off re-thinking the economic structures that have been producing, financing and funding culture up until now. Many of the old models have become anachronistic and detrimental to civil society. The aim of this document is to promote innovative strategies capable of defending and extending the sphere in which human creativity and knowledge can prosper freely and sustainably. This document is addressed to policy reformers, citizens and free/libre culture activists and aims to provide practical tools to actively bring about this change. ...]
Gonzalo San Gil, PhD.

The New Payola: Deals Landlords Cut with Internet Providers - Backchannel - 1 views

backchannel.com/nternet-providers-cf60200aa9e9

new payola landlords deals internet providers

shared by Gonzalo San Gil, PhD. on 28 Jun 16 - No Cached
  • Gonzalo San Gil, PhD. on 28 Jun 16
     
    "I live in an apartment. Chances are good that you do, too: Tens of millions of Americans live in apartment buildings, and in medium-to-large cities these structures account for between a quarter and a half of all housing units. More people are renting these days than ever before. And when you move into an apartment, you need the essentials: Water. Heat. And Internet access."
Gonzalo San Gil, PhD.

WSIS Forum 2012 - 0 views

groups.itu.int/...Home.aspx

WSIS forum ict participa participate future Internet Freedom of Expression Freedom of Speech

shared by Gonzalo San Gil, PhD. on 08 Feb 12 - No Cached
  • Gonzalo San Gil, PhD. on 08 Feb 12
     
    [ITU, UNESCO, UNCTAD and UNDP welcome all WSIS Stakeholders to the WSIS Forum 2012 website. WSIS Forum 2012 will be held from 14th to 18th May 2012 and will provide structured opportunities to network, learn and to participate in multi-stakeholder discussions and consultations on WSIS implementation. This event builds upon the tradition of annual WSIS May meetings, and its new format is the result of open consultations with all WSIS Stakeholders. The 2012 WSIS Forum will be hosted by ITU and will take place at the Conference Centre of the International Labour Organization (ILO). Remote Participation will be an integral component of the Forum details on both onsite and remote participation will be available soon. Onsite participants can network with each other using the imeetyouatWSISForum social networking platform...]
Gonzalo San Gil, PhD.

SOPA's ugly message to the world about America and internet Innovation - Ideas@Innovati... - 0 views

www.washingtonpost.com/...gIQATlhEYN_blog.html

SOPA international censorship Internet innovation ideas stifle

shared by Gonzalo San Gil, PhD. on 21 Nov 11 - No Cached
  • Gonzalo San Gil, PhD. on 21 Nov 11
     
    [This new legislation, if enacted, would strike at the very core of the way the Internet has been structured. Sharing, openness, and participation are at the core of what the Internet represents. When it comes to a choice between an open Internet and an Internet of walled gardens patrolled by government censors, there is no doubt which is preferable. As Booz & Co. pointed out in a recent study, the SOPA legislation could lead to a decline in Internet innovation.]
Gonzalo San Gil, PhD.

The Net vs. The Power of Narratives | TorrentFreak - 1 views

torrentfreak.com/the-power-of-narratives-120429

power narratives Falkvinge net lose win influence discourses

shared by Gonzalo San Gil, PhD. on 30 Jun 14 - No Cached
  • Gonzalo San Gil, PhD. on 30 Jun 14
     
    " By Rick Falkvinge on April 29, 2012 C: 76 Opinion The net changes the world's power structures in a much more fundamental way than changing the way a few groups of entrepreneurs are able to make money. The net is the greatest equalizer that humankind has ever invented. It is either the greatest invention since the printing press, or the greatest invention since written language. The battles we see are not a result of loss of money; they are caused by a loss of the power of narratives."
Gary Edwards

Silicon Valley Veteran Bill Coleman on The Business Of Disruption . . . - 0 views

www.siliconvalleywatcher.com/...thought_leader_6.php

Tom-foremski bill-coleman Cloud-Computing disruptive-technologies

shared by Gary Edwards on 22 Mar 09 - Cached
  • Cloud computing doesn't need government incentives because it is a disruptive technolo
  • Gary Edwards on 22 Mar 09
     
    Tom Foremski of Silicon Valley Watcher interviews Bill Coleman of VisiCorp-Sun-BEA fame with questions about the economy and disruptive technologies. Coleman references noted business guru Peter Drucker when he claims that a platform ill be successful if it has three characteristics. First, it has to be able to commoditize a market. Secondly, it has to obey the 10x better/cheaper rule - providing at least ten times the value of what it's displacing. And thirdly, a platform must allow you to add value with custom additions.

    In the interview, Coleman backs up his assertions with bullseye examples. Clearly his passion is for Cloud Computing, especially the next generation.

    ......"As the cloud computing platform becomes more sophisticated, he predicts that there will be an acceleration in the use of the cloud driven by a "quadruple conversion." Video, audio, and IT data all become IP based, and productivity applications become integrated with social networks.

    "As we move forward from Web 2.0 to Web 3.0, all your productivity tools become integrated with your social networking, which becomes your business networking. Your mobile life and your online life will become the same. So now the client moves into the cloud and that's when we'll see a dramatic change in the cost structure of computing and of the capabilities you can have."....

    Good interview. I hope Tom publishes the rest of the session soon.
Paul Merrell

HTML presentation markup deprecated - 0 views

blog.mediafetcher.com/CSS.html

HTML CSS presentation layer

shared by Paul Merrell on 30 Dec 08 - Cached
  • Prior to CSS, nearly all of the presentational attributes of HTML documents were contained within the HTML markup; all font colors, background styles, element alignments, borders and sizes had to be explicitly described, often repeatedly, within the HTML. CSS allows authors to move much of that information to a separate stylesheet resulting in considerably simpler HTML markup. Headings (h1 elements), sub-headings (h2), sub-sub-headings (h3), etc., are defined structurally using HTML. In print and on the screen, choice of font, size, color and emphasis for these elements is presentational. Prior to CSS, document authors who wanted to assign such typographic characteristics to, say, all h2 headings had to use the HTML font and other presentational elements for each occurrence of that heading type. The additional presentational markup in the HTML made documents more complex, and generally more difficult to maintain. In CSS, presentation is separated from structure. In print, CSS can define color, font, text alignment, size, borders, spacing, layout and many other typographic characteristics. It can do so independently for on-screen and printed views. CSS also defines non-visual styles such as the speed and emphasis with which text is read out by aural text readers. The W3C now considers the advantages of CSS for defining all aspects of the presentation of HTML pages to be superior to other methods. It has therefore deprecated the use of all the original presentational HTML markup.
Paul Merrell

XML.Gov - Home Page - 0 views

xml.gov

XML USA government federal

shared by Paul Merrell on 02 Dec 08 - Cached
  • Extensible Markup Language (XML) embodies the potential to alleviate many of the interoperability problems associated with the sharing of documents and data. Realizing the potential requires cooperation not only within but also across organizations. Our purpose is to facilitate the efficient and effective use of XML through cooperative efforts among government agencies, including partnerships with commercial and industrial organizations.
  • Paul Merrell on 02 Dec 08
     
    The U.S. Feds' home site for XML-related initiatives. Activities include coordination of federal actions to capture the power of structured data information systems in XML formats. Site includes federal strategic plan.
Gary Edwards

The Next-Gen Web: HTML5 - Will We Ever See A Real Standard? - 0 views

www.techcrunch.com/...ll-we-ever-see-a-real-standard

air css3 html5 javascript ria silverlight webkit

shared by Gary Edwards on 21 Sep 08 - Cached
  • Gary Edwards on 21 Sep 08
     
    "...some browsers and plug-ins were adopting storage-related API's that are a part of the new HTML5 draft specification. While Gears, Opera and Webkit have implemented structured storage API's, the remainder of the HTML5 spec currently remains mostly unimplemented and also in a state of flux. HTML5 is a super-sized effort to bring all the browsers under a single, standard markup language and set of API's - but with Microsoft, Adobe and others racing ahead with their own next-gen web technologies, will we ever see a real HTML5 standard?" This article was posted in August of 2008, before the surprise release of the WebKit based "Google Chrome" .... the WebKit RiA alternative to Adobe AiR and Microsoft Silverlight
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