Group items tagged

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

Version 1.0 Free/Libre Culture Forum Declaration [For details, see the extended version] We can no longer put off re-thinking the economic structures that have been producing, financing, and funding culture up until now. Many of the old models have become anachronistic and detrimental to civil society. The aim of this document is to promote innovative strategies capable of defending and extending the sphere in which human creativity and knowledge can prosper freely and sustainably. This document is addressed to policy reformers, citizens and free/libre culture activists and aims to provide practical tools to actively bring about this change.

"from the good-luck-with-that dept You'd think that after years and years of pointless banter along these lines that people in power would understand just how ridiculous they sound when they try to blame search engines for infringement. TorrentFreak points out that the UK's Culture Secretary Sajid Javid gave a barn raising speech to folks from the British recording industry. "

# ! ...No Idea of how the Internet (and the #Culture) work # ! or just another desperate -and useless- anti-culture measure. [#Clue: Pe@ple wants #more #accessible, #cheaper... and -essentially- #Better stuff. They (us) deserve it and can be easily #done.]

" Ernesto on November 20, 2014 C: 0 News New data published by the Canadian broadband management company Sandvine reveals that BitTorrent can be credited for one-third of all Internet traffic in the Asia-Pacific region during peak hours. That's an increase of more than 50% compared to the previous year." [ # aka 1/3 of Internet income... # ! ... comes from #sharers... # ! this is a collective action to be considered as 'The #Culture' # ! that has to be '#protected'... [culture The arts and other manifestations of human intellectual achievement regarded collectively http://www.oxforddictionaries.com/definition/english/culture] # ! Consider the Money regularly injected by this group -through # ! monthly fees- on the Internet itself...] # ! 1 out of every 3 Dollars come from sharers...

" Ernesto on November 20, 2014 C: 0 News New data published by the Canadian broadband management company Sandvine reveals that BitTorrent can be credited for one-third of all Internet traffic in the Asia-Pacific region during peak hours. That's an increase of more than 50% compared to the previous year." # ! 1 out of every 3 Dollars come from sharers...

[ Version 1.0 * Download here: FCForum Declaration: Sustainable Models for Creativity v1.0 (PDF) Free/Libre Culture Forum Declaration [For details, see the extended version] We can no longer put off re-thinking the economic structures that have been producing, financing and funding culture up until now. Many of the old models have become anachronistic and detrimental to civil society. The aim of this document is to promote innovative strategies capable of defending and extending the sphere in which human creativity and knowledge can prosper freely and sustainably. This document is addressed to policy reformers, citizens and free/libre culture activists and aims to provide practical tools to actively bring about this change. ...]

"PROGRAMA PROVISIONAL ¿Cultura o barbarie? Diez propuestas al borde del abismo Jueves, 5 de noviembre de 2015 Museo Nacional Centro de Arte Reina Sofía Mañana 10:30-12:00 h. Mesa institucional Intervienen: José Luis Acosta, presidente de la Sociedad de General de Autores y Editores (SGAE). Basilio Baltasar, director de la Fundación Santillana (área cultural). Fernando Carro, presidente de Bertelsmann España y miembro del Comité ejecutivo. Laura Halpern, directora de la Fundación Jesús Serra Ignacio Polanco, presidente de la Fundación Santillana. Pere Portabella, presidente de la Fundación Alternativas. 12:00-12:30 h. Pausa 12:30-14:00 h. El papel de las políticas y el Estado Modera: Luz Sanchez-Mellado, periodista de El País. Intervienen: Carmen Alborch, ex ministra de cultura y senadora. Juan Cruz, adjunto a la dirección de El País para Cultura y Babelia. Santiago Eraso, director de contenidos de Madrid Destino. Rosina Gómez-Baeza, presidenta de Factoría Cultural, Vivero de Industrias Creativas. Enric Juliana, periodista de La Vanguardia. César Antonio Molina, escritor y director de la Casa del Lector. 14:00-16:00 h. Almuerzo Tarde 16:00-17:30 h. Decálogo: exigencias y urgencias Modera: Joana Bonet, articulista de La Vanguardia. Intervienen: Antonio María Ávila, director ejecutivo de la Federación del Gremio de Editores. Jesús Cimarro, presidente de la Federación Estatal de Asociaciones de Empresas Productoras de Teatro y Danza de España. Ramon Colom, presidente FAPAE (Confederación de Productores Audiovisuales Españoles). Patricia Gabeiras, directora de Legal Music Producciones Vocal en la Junta Directiva de la Asociación de Promotores Musicales. Isidro López-Aparicio, artista plástico y miembro de la UAAV, Unión de Asociaciones de Artistas Visuales. Profesor de Bellas Artes de la Universidad de Granada y del I

"PROGRAMA PROVISIONAL ¿Cultura o barbarie? Diez propuestas al borde del abismo Jueves, 5 de noviembre de 2015 Museo Nacional Centro de Arte Reina Sofía Mañana 10:30-12:00 h. Mesa institucional Intervienen: José Luis Acosta, presidente de la Sociedad de General de Autores y Editores (SGAE). Basilio Baltasar, director de la Fundación Santillana (área cultural). Fernando Carro, presidente de Bertelsmann España y miembro del Comité ejecutivo. Laura Halpern, directora de la Fundación Jesús Serra Ignacio Polanco, presidente de la Fundación Santillana. Pere Portabella, presidente de la Fundación Alternativas. 12:00-12:30 h. Pausa 12:30-14:00 h. El papel de las políticas y el Estado Modera: Luz Sanchez-Mellado, periodista de El País. Intervienen: Carmen Alborch, ex ministra de cultura y senadora. Juan Cruz, adjunto a la dirección de El País para Cultura y Babelia. Santiago Eraso, director de contenidos de Madrid Destino. Rosina Gómez-Baeza, presidenta de Factoría Cultural, Vivero de Industrias Creativas. Enric Juliana, periodista de La Vanguardia. César Antonio Molina, escritor y director de la Casa del Lector. 14:00-16:00 h. Almuerzo Tarde 16:00-17:30 h. Decálogo: exigencias y urgencias Modera: Joana Bonet, articulista de La Vanguardia. Intervienen: Antonio María Ávila, director ejecutivo de la Federación del Gremio de Editores. Jesús Cimarro, presidente de la Federación Estatal de Asociaciones de Empresas Productoras de Teatro y Danza de España. Ramon Colom, presidente FAPAE (Confederación de Productores Audiovisuales Españoles). Patricia Gabeiras, directora de Legal Music Producciones Vocal en la Junta Directiva de la Asociación de Promotores Musicales. Isidro López-Aparicio, artista plástico y miembro de la UAAV, Unión de Asociaciones de Artistas Visuales. Profesor de Bellas Artes de la Universidad de Granada y del I

"Essay by Mike Linksvayer. Chapter 2 of the book Free Beer. The article is licensed under Creative Commons BY-SA 2.5 [1] Contents 1 Text 1.1 1. Obvious Software, Ubiquitous Culture 1.2 2. Freedom 1.3 3. Relative Progress of Free Software and Free Culture 1.4 4. How Free Can We Be? 2 References"

"Contents 1 2013 1.1 Neoliberal vs. P2P Culture 1.2 How to Change the World 1.3 The New Politics 1.4 Protecting and Sustaining the Commons 1.5 Reforming Education 1.6 Reforming Money 1.7 Open Science 1.8 The New Media 1.9 The New Public Sphere 1.10 New Subjectivities 1.11 New cultures of work and leadership 1.12 Sound and other Urban Commons 1.13 The continuing copyright culture wars"

"The Special Rapporteur has decided to devote her next thematic report to the Human Rights Council (March 2015) to the issue of the impact of intellectual property regimes on the enjoyment of right to science and culture, as enshrined in particular in article 15 of the International Covenant on Economic, Social and Cultural Rights. "

"from the free-culture-matters dept We're back again with another in our weekly reading list posts of books we think our community will find interesting and thought provoking. Once again, buying the book via the Amazon links in this story also helps support Techdirt. "

[... El coste de oportunidad de algo es aquello a lo que se renuncia por conseguirlo. Así de simple. Aunque si realmente fuera así de simple, esta definición no separaría a los genios de lo que no son y evidentemente en la industria cultural la genialidad brilla por su ausencia. ...]

[ "Once again this year we gather at the FCForum in Barcelona, ready to analyse the advances of the past twelve months and consider the future outlook in the struggle for democracy in the digital era, free culture and net neutrality. For several years at the FCForum we've worked tirelessly around the tools and problems of network democracy. Since the emergence of Web 2.0, user-generated content has gone from being an interesting social experiment to the digital reality that we immerse ourselves in each day. Meanwhile, the content generated by former "big" media outlets makes up less than 5% of Internet traffic in societies such as Spain." ...]

"Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."

"Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."

[# Via FB's Francisco George x Arif Yıldırım] Deadline July 18th 2014 "Call for Papers CALL FOR SUBMISSIONS We are looking for session submissions from Pirates, NGOs and Academia to following tracks: (other topics are allowed as well) Creativity: copyrights, patents, collaboration, citizen journalism, media, DRM, open access, FOI, public licensing, policy reform, education, etc… Human Rights: security, data protection, surveillance, FOI, basic income, emigration, voting rights, drones, non-proliferation, dual use technology, encryption, anonymity, transparency, net neutrality, open data, egovernment, society, whistle blowing, political science, etc… Activism|Hacktivism: Future, innovation, liquid democracy, transhumanism, cyborgs, startups, vision, 3d-printing, crowdsourcing, big data, participation, pirate parties, artificial intelligence, globalization, space travel, social networks, freemanning, freehammond, hacktivism, activism, civil disobedience, hacker culture, cyberpunk, cypherpunk, wikileaks, surveillance, digital activism, etc..."

"Author: Terry Hancock Keywords: free software; open source; free culture; commons-based peer production; commons-based enterprise; Free Software Magazine; Blender Foundation; Blender Open Movies; Wikipedia; Project Gutenberg; Open Hardware; One Laptop Per Child; Sugar Labs; licensing; copyleft; hosting; marketing; design; online community; Debian GNU/Linux; GNU General Public License; Creative Commons Attribution-ShareAlike License; TAPR Open Hardware License; collective patronage; women in free software; Creative Commons; OScar; C,mm,n; Free Software Foundation; Open Source Initiative; Freedom Defined; Free Software Definition; Debian Free Software Guidelines; Sourceforge; Google Code; digital rights management; digital restrictions management; technological protection measures; DRM; TPM; linux; gnu; manifesto Publisher: Free Software Magazine Press Year: 2009 Language: English Collection: opensource"

"Author: Terry Hancock Keywords: free software; open source; free culture; commons-based peer production; commons-based enterprise; Free Software Magazine; Blender Foundation; Blender Open Movies; Wikipedia; Project Gutenberg; Open Hardware; One Laptop Per Child; Sugar Labs; licensing; copyleft; hosting; marketing; design; online community; Debian GNU/Linux; GNU General Public License; Creative Commons Attribution-ShareAlike License; TAPR Open Hardware License; collective patronage; women in free software; Creative Commons; OScar; C,mm,n; Free Software Foundation; Open Source Initiative; Freedom Defined; Free Software Definition; Debian Free Software Guidelines; Sourceforge; Google Code; digital rights management; digital restrictions management; technological protection measures; DRM; TPM; linux; gnu; manifesto Publisher: Free Software Magazine Press Year: 2009 Language: English Collection: opensource"

[... How do ways of thinking change through time and space? British anthropologist Jack Goody posed this question in 'The Domestication of the Savage Mind', his 1997 publication covering new forms of communication within society. According to his study a culture which transmits its knowledge orally does not think in the same way as a writing-based culture. ...]

[ACTA is one more offensive against the sharing of culture on the Internet. ACTA (Anti-Counterfeiting Trade Agreement) is an agreement secretly negotiated by a small "club" of like-minded countries (39 countries, including the 27 of the European Union, the United States, Japan, etc). Negotiated instead of being democratically debated, ACTA bypasses parliaments and international organizations to dictate a repressive logic dictated by the entertainment industries. ACTA, a blueprint for laws such as SOPA, would impose new criminal sanctions and measures pushing Internet actors to "cooperate" with the entertainment industries to monitor and censor online communications, bypassing the judicial authority. It is thus a major threat to freedom of expression online and creates legal uncertainty for Internet actors. The European Parliament now has an ultimate opportunity to reject ACTA, and to shape the debate on an urgent adaptation of copyright law to new cultural practices.]

[El PIB de Internet, y de la cultura septiembre 20, 2011 gallir Resumen: Internet aporta de forma directa el 2.3% al PIB español, casi lo mismo que toda la [altamente subvencionada] actividad de la industria cultural. Para tener más datos, recomiendo la lectura del pequeño análisis (con muchas fuentes enlazadas) del aporte al PIB de las distintas industrias culturales. Allí veréis que el aporte al PIB de la industria editorial (sin prensa) es el 0.35%, contando prensa y libros es del 1%. El aporte aproximado de la industria discográfica y del cine es del 0.05%. Entre los documentos que enlacé se cifra que el volumen de la "industria cultural" total es de unos 25.000 millones de euros (2.5% del PIB). ...]

"Paris, 14 February 2014 - The European Commission's public consultation on copyright reform is open until 5 March [The European Commission extended the deadline by a month]. This consultation represents an important opportunity for European citizens to demand that access to culture and knowledge be recognised as their fundamental right. It also allows the interests of authors and creators to be defended against those of the cultural industries, major distributors and intermediaries, and heirs of rightholders who currently receive the greatest share of income from copyrighted works. La Quadrature du Net therefore calls on the maximum number of citizens and organisations to reply to the consultation and support a positive reform of copyright."

" copyright creative contribution LQDN's proposals mutualised funding Net neutrality proposal Printer-friendly version Send by email Français Now that the ACTA treaty has been rejected by the European Parliament, a period opens during which it will be possible to push for a new regulatory and policy framework adapted to the digital era. Many citizens and MEPs support the idea of reforming copyright in order to make possible for all to draw the benefits of the digital environment, engage into creative and expressive activities and share in their results. In the coming months and years, the key questions will be: What are the real challenges that this reform should address? How can we address them?"