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"New to Creative Commons? [ Considerations before licensing ] [ How the licenses work ] Explore the Creative Commons licenses. [ Want public domain instead? ]"

"Fiona MacAlister September 1, 2016 In March we hosted the second Institute for Open Leadership. In our summary of the event we mentioned that the Institute fellows would be taking turns to write about their open policy projects. This week's post is from Fiona MacAlister, OER Specialist at Wits University in Johannesburg, South Africa."

"Fiona MacAlister September 1, 2016 In March we hosted the second Institute for Open Leadership. In our summary of the event we mentioned that the Institute fellows would be taking turns to write about their open policy projects. This week's post is from Fiona MacAlister, OER Specialist at Wits University in Johannesburg, South Africa."

"Download or listen to free music and audio This library contains recordings ranging from alternative news programming, to Grateful Dead concerts, to Old Time Radio shows, to book and poetry readings, to original music uploaded by our users. Many of these audios and MP3s are available for free download. Check our FAQ for more information. Contribute Your Audio Please feel free to upload your audio (Uploaders, please set a Creative Commons license as part of the upload process, so people know what they can do with your audio - thanks!) "

[Diane Peters, December 9th, 2011 We are pleased to announce the beginning of the public discussion process that we expect to result in version 4.0 of the Creative Commons license suite. Timeliness and Opportunity The 4.0 discussions held at the 2011 Global Summit confirmed for CC the need to commence the 4.0 discussion process now if we wish to consider issues relevant to important would-be adopters in a timely manner. As explained following legal sessions at the Summit, version 3.0 is working (and will continue to work) really well for many adopters, but the reality is different for others. ...]

[ " Below is a list of exemplary music communities that utilize our tools, typically by enabling users to upload content under one of our free licenses. If there is a community we are missing, please add it to our wiki as this page is periodically updated. For more information, see our related page on Creative Commons Record Labels." ...]

"Goals and objectives Creative Commons staff, board, and community have identified several goals for the next version of its core license suite, tied to achieving CC's goal and mission. These include: Internationalization - further adapt the core suite of international licenses to operate globally, ensuring they are robust, enforceable and easily adopted worldwide; Interoperability - maximize interoperability between CC licenses and other licenses to reduce friction within the commons, promote standards and stem license proliferation; Long-lasting - anticipate new and changing adoption opportunities and legal challenges, allowing the new suite of licenses to endure for the foreseeable future; Data/PSI/Science/Education - recognize and address impediments to adoption of CC by governments as well as other important, publicly-minded institutions in these and other critical arenas; and Supporting Existing Adoption Models and Frameworks - remain mindful of and accommodate the needs of our existing community of adopters leveraging pre-4.0 licenses, including governments but also other important constituencies. "

"Creative Commons worked for more than two years to develop the next generation of CC licenses - the version 4.0 CC license suite. The new licenses are more user-friendly and more internationally robust than ever before. We made dozens of improvements to the licenses. Most will go unnoticed by many CC licensors and licensees, but some of them deserve particular attention. For a much more in-depth rundown of the decisions reflected in 4.0, visit the 4.0 page on the Creative Commons wiki."

[...Paley avoided traditional film distribution deals and instead released the film under a Creative Commons Attribution-Share Alike license, writing: You don't need my permission to copy, share, publish, archive, show, sell, broadcast, or remix Sita Sings the Blues. Conventional wisdom urges me to demand payment for every use of the film, but then how would people without money get to see it? How widely would the film be disseminated if it were limited by permission and fees? Control offers a false sense of security. The only real security I have is trusting you, trusting culture, and trusting freedom]

"Collaboration, sharing, and cooperation are a driving force for human evolution. Creative Commoners have known this fact all along, and recently there has been a flurry of new research to explain why. We are hardwired for sharing. Harvard professor on evolutionary dynamics Martin Nowak calls it the essential "snuggle for survival" - evidence that sharing is not just a selfless act. Sharing has concurrent and lasting benefits, multiplied for the giver, the receiver, and communities at large."