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"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Contents 1 Studies 1.1 Evaluation of the effects of the HADOPI law 1.1.1 University of Delaware and Université de Rennes - 2014 - Graduated Response Policy and the Behavior of Digital Pirates: Evidence from the French Three-Strike (Hadopi) Law 1.1.2 M@rsouin - 2010 - Evaluation of the effects of the HADOPI law (FR) 1.2 People who share files are people who spend the more for culture 1.2.1 Munich School of Management and Copenhagen Business School - Piracy and Movie Revenues: Evidence from Megaupload 1.2.2 The American Assembly (Collumbia University) - Copy Culture in the USA and Germany 1.2.3 GFK (Society for Consumer Research) - Disappointed commissioner suppresses study showing pirates are cinema's best consumers 1.2.4 HADOPI - 2011 - January 2011 study on online cultural practices (FR) 1.2.5 University of Amsterdam - 2010 - Economic and cultural effects of unlawful file sharing 1.2.6 BBC - 2009 - "Pirates" spend more on music (FR) 1.2.7 IPSOS Germany - 2009 - Filesharers are better "consumers" of culture (FR) 1.2.8 Frank N. Magid Associates, Inc. - 2009 - P2P / Best consumers for Hollywood (EN) 1.2.9 Business School of Norway - 2009 - Those who share music spend ten times more money on music (NO) 1.2.10 Annelies Huygen, et al. (Dutch government investigation) - 2009 - Ups and downs - Economische en culturele gevolgen van file sharing voor muziek, film en games 1.2.11 M@rsouin - 2008 - P2P / buy more DVDs (FR) 1.2.12 Canadian Department of Industry - 2007 - P2P / achètent plus de musique (FR) 1.2.13 Felix Oberholzer-Gee (above) and Koleman Strumpf - 2004 -File sharing may boost CD sales 1.3 Economical effects of filesharing 1.3.1 University of Kansas School of Business - Using Markets to Measure the Impact of File Sharing o

"Data keeps debunking myths about Millennials and their music. Baby Boomers are famously self-important when it comes to the importance of their generation and the music it created. But a new study shows that the 55+ demographic actually listens to substantially less music than their 16-34 cohorts. In fact, Millennials - loosely defined as those born in the 80s, 90s, and early 2000s - listen to 75.1% more music on a daily basis, according to data shared this morning with Digital Music News."

"Data keeps debunking myths about Millennials and their music. Baby Boomers are famously self-important when it comes to the importance of their generation and the music it created. But a new study shows that the 55+ demographic actually listens to substantially less music than their 16-34 cohorts. In fact, Millennials - loosely defined as those born in the 80s, 90s, and early 2000s - listen to 75.1% more music on a daily basis, according to data shared this morning with Digital Music News."

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"July 24, 2013 Jacqueline Rosokoff 7 Comments When it comes to choosing a digital music distributor to get your music on sites like iTunes, Amazon MP3 and Spotify, you want to feel confident in your choice. If music is important to you, you want to know who's handling your music assets, the quality of the service and the value you're getting for the distribution fees you're paying."

"July 24, 2013 Jacqueline Rosokoff 7 Comments When it comes to choosing a digital music distributor to get your music on sites like iTunes, Amazon MP3 and Spotify, you want to feel confident in your choice. If music is important to you, you want to know who's handling your music assets, the quality of the service and the value you're getting for the distribution fees you're paying."

"The Internet has been a blessing for the music industry. Although the RIAA and IFPI frequently complain about piracy, their own research shows that only 10% of all illegal downloads are considered to be a loss in sales. Meanwhile, piracy has shown them how to monetize music online, and turn it into profit. Every year, RIAA's global partner IFPI publishes a digital music report, which can be best described as a one sided view of the state of digital music consumption. For several years in a row the report has shown that the sales figures of digital music have gone up, but still, the industry continues to blame piracy for a loss in overall revenue. One of the key statistics that is hyped every year, is the piracy ratio of downloaded music. Just as last year, IFPI estimates that 95% of all downloads are illegal, without giving a proper source for this figure. Interestingly, those who take a closer look at the full report (pdf), will see that only 10% of the claimed illegal downloads are seen as a loss in sales."

" Ernesto on March 18, 2013 C: 372 New research published by the European Commission's Joint Research Centre shows that online piracy doesn't hurt digital music revenues. The researchers examined browsing habits from 16,000 Europeans and found that there's a positive link between online piracy and visits to legal music stores, irrespective of people's interest in music. The study concludes that the music industry should not see piracy as a growing concern."

" Ernesto on March 18, 2013 C: 372 New research published by the European Commission's Joint Research Centre shows that online piracy doesn't hurt digital music revenues. The researchers examined browsing habits from 16,000 Europeans and found that there's a positive link between online piracy and visits to legal music stores, irrespective of people's interest in music. The study concludes that the music industry should not see piracy as a growing concern."

"It's almost a rite of passage every artist goes through in the modern music industry. The moment he accepts that he will not be able to rely on music sales to sustain his career. That people are not buying music like they used to. And never will again."

"It's almost a rite of passage every artist goes through in the modern music industry. The moment he accepts that he will not be able to rely on music sales to sustain his career. That people are not buying music like they used to. And never will again."

[Several music industry organizations in the UK have launched an application for a judicial review after the government passed legislation allowing citizens to copy their own music for personal use. The group says that in order for the system to be fair, the public must pay a new tax. ...] # ! Definitely... # ! ... '#Music #watchmen' -th@se who persecute aficionad@s # ! just for #sharing- are 'watching' for everything BUT The Music... # ! Let's The #sharing #protect -effectively- the #Culture... (# ! perhaps, 'someone' thinks we don't pay enough taxes yet... # ! ...while Billions 'disappear' yearly from the public coffers....)

[Several music industry organizations in the UK have launched an application for a judicial review after the government passed legislation allowing citizens to copy their own music for personal use. The group says that in order for the system to be fair, the public must pay a new tax. ...]

"disrupt the music industry by rewarding listeners for discovering and investing in quality music"

"disrupt the music industry by rewarding listeners for discovering and investing in quality music"

"disrupt the music industry by rewarding listeners for discovering and investing in quality music"

"Yesterday, Digital Music News published a leaked Apple Music contract confirming that no royalties will be paid to rights owners during a three-month trial period. In response, highly-influential independent label organization A2IM offered this word if caution to its members."

"Yesterday, Digital Music News published a leaked Apple Music contract confirming that no royalties will be paid to rights owners during a three-month trial period. In response, highly-influential independent label organization A2IM offered this word if caution to its members."

"On Tuesday, Josh Tillman, the lead singer and songwriter of the band Father John Misty, announced a phony, satirical music-streaming service called Streamline Audio Protocol, or, better put, SAP. ... On the site, Tillman calls his music-delivery system "a new signal-to-audio process by which popular albums are 'sapped' of their performances, original vocal, atmosphere, and other distracting affectations so the consumer can decide quickly and efficiently whether they like a musical composition, based strictly on its formal attributes, enough to spend money on it. ..."

"On Tuesday, Josh Tillman, the lead singer and songwriter of the band Father John Misty, announced a phony, satirical music-streaming service called Streamline Audio Protocol, or, better put, SAP. ... On the site, Tillman calls his music-delivery system "a new signal-to-audio process by which popular albums are 'sapped' of their performances, original vocal, atmosphere, and other distracting affectations so the consumer can decide quickly and efficiently whether they like a musical composition, based strictly on its formal attributes, enough to spend money on it. ..."

"After a challenging decade for the music industry, growth will return. Based on growth in digital and growth in live music, overall spending on music will grow from US$49.9bn in 2012 to US$53.8bn in 2017, a CAGR of 2%. EMEA will remain the largest region by revenues, thanks to contributions by the UK, France and Germany, the three largest music territories in the region."

"In this article, I am going to focus on the hardware, software, and configuration issues that we need to resolve to set up a Linux-based music server as part of the home music system. Specifically, I'll look at the Raspberry Pi, Cubox-i, and Fit-PC as options for hosting your digital home music system. Some of the material in this article can equally be applied to my previous article on the Linux laptop as a high-quality music player"

" MIXA/Getty Images Music Careers Industry Basics Education Being a Musician Contracts and Royalties Industry Profiles By Heather McDonald Updated April 29, 2016 It is unfortunately easy to get ripped off in the music industry.. Getting caught up in a music industry scam might not damage your career, but it could cost you money you probably don't have. You can avoid a lot of music business rip-offs simply by knowing what you should pay for and what you shouldn't."

"Learning about Bolero's recent entry into the public domain made me think about the concept of "open music" in general. Where is it found? What characteristics define open music? And so I've let my favorite search engine help me do detective work to see what a hunt for open music turns up."

"The long drawn out demise of recorded music revenue is well documented, as is the story of artists, labels and managers all trying to make sense of a world in which music sales can no longer be counted upon. But the contraction of recorded revenue has occurred at the exact same time that the live music sector has undergone a renaissance"

"By some measures, recorded music is doing great. Overall music volume (counting sales and streaming) is up 14 percent to date in 2015, Nielsen's David Bakula said Tuesday at the Music Biz conference in Nashville. Streaming alone is up 91 percent year-over-year."

"By some measures, recorded music is doing great. Overall music volume (counting sales and streaming) is up 14 percent to date in 2015, Nielsen's David Bakula said Tuesday at the Music Biz conference in Nashville. Streaming alone is up 91 percent year-over-year."

"June 8th: Apple unveils Apple Music, while promoting an 'indie artist' that doesn't exist. The company confidently declares that Apple Music will reach 100 million paying subscribers."

[# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.

[# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.

[# ! Is not copyright to promote creation? so, it should we enough -for the 'creators' to hold the rights DURING Author's Life...? Everything beyond is a swindle...] Baiting the Pie Last year's hearings on music licensing at the House Judiciary Committee's IP Subcommittee revealed an old argument from broadcasters and a new twist on that argument adopted by webcasters. We already pay for music-you people go fight over that pie.

"Make your Raspberry Pi stream! Welcome to the Swiss Army Knife of streaming music using the Raspberry Pi. With Pi MusicBox, you can create a cheap (Sonos-like) standalone streaming music player for Spotify, Google Music, SoundCloud, Webradio, Podcasts and other music from the cloud. "