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Garry Golden

What is engagement, and when is it meaningful? | Museum Questions - 0 views

  • Garry Golden commented, “There is always risk of being seen as trendy or just buzz– but ‘engagement’ is a huge concept being explored today by people across the learning world…. I think engagement is a concept worth exploring.” And blogger Gretchen Jennings responded, in a post on her Museum Commons blog,  that she has and continues to “[urge] museum educators to focus less on formal education materials and methods and more on interpretive planning in exhibitions and visitor engagement in the museum, both on site and online. So I have decided to explore engagement in more depth. What is it, anyway? What would it mean for the-profession-formerly-known-as-museum- education to facilitate visitor engagement?
Ruth Cuadra

The Single Most Important Experiment in Higher Education - Jordan Weissmann - The Atlantic - 0 views

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    A dozen major universities announced that they would begin providing content to Coursera,..making  college classes available to the public free on the web. capable of delivering lessons to more than 100,000 students at a time. 
Gina Hall

Is the Educational Revolution About Videos: Ted-Ed and Khan Academy? « User G... - 0 views

  • Tinkering and experimenting; engaging in the arts; going out into the community; tapping into students’ talents, interests and passions are not part learning process.
  • it does not honor learning-by-doing
  • I think that the flipped classroom is an interesting idea if you want to do learning that is largely based on presentation.
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  •   I am interested more in moving beyond the flipped classroom to learning by doing at the center than a kind of the intermediate step that still centers on largely on tacit assimilation
  • Thomas Edison’s thoughts about how film would change education. It is possible to teach every branch of human knowledge with the motion picture. Our school system will be completely changed inside of ten years. (http://quoteinvestigator.com/2012/02/15/books-obsolete/)
  • TED is about ideas worth sharing.  I am curious if the kids, after being directed through the Ted-Ed lessons, will develop and spread their own ideas with their peers.
Ruth Cuadra

Shedding and Repurposing. - Wednesday, 3rd October 2012 at 4Hoteliers - 0 views

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    Virtually every category of consumer is spending less on physical products and more on non-physical ones such as digital products, online education, and personal experiences.
Garry Golden

One Plant Per Class (oneplantclass) on Twitter - 0 views

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    Is this an analog for Education / Experience design   embedding museum obe cts inside other institutions
Ruth Cuadra

Revitalizing the Museum Visit - WSJ.com - 2 views

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    A new take on museum tours could shake up educator- and docent-led programs. See also "inspirational art tours" at artmusela.com.
Ruth Cuadra

The DNA Association - Edutainment - 0 views

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    New Models and Opportunities for 4D/5D Experiences in Leisure Facilities
Ariane Karakalos

The future museum and the future school at newlearningonline - 0 views

  • A team of researchers across Europe is conducting an experiment to bring the museum into the school using virtual reality technology.
  • CONNECT project
  • The CONNECT project team believes that by linking the classroom with science centres, museums, planetariums and observatories, it can marry the best elements of formal curricula with informal learning.
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  • Heads covered by virtual-reality visors,
  • link four science centres with participating classrooms in each country.
  • demanding technical challenges. A museum needs a series of access points around the various exhibits, for example, so students can really ‘visit’ the museum instead of watching a series of presentations. ‘In some museums that’s easy because there are high ceilings to fix the access points, in others it’s quite a challenge,’ explains Sotiriou …
  • In its software, CONNECT has produced a stunning virtual museum, featuring colourful, exciting graphics that allow a student to try experiments and then view the results. This advanced learning environment is called the CONNECT Virtual Science Thematic Park –
Ruth Cuadra

More women in their 40s are having babies - 0 views

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    Older mothers make sense when young adults are living with the parents longer. How will this change what museums need to provide in terms of family experiences?
Lisa Eriksen

EdX To Examine Personalized MOOC Experience | News | The Harvard Crimson - 1 views

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    Personalized MOOCs - an opportunity for museums?
Ariane Karakalos

The Cost of "Free": Admission Fees at American Art Museums - 0 views

  • Museum theorists such as Elaine Heumann Gurian point out that admission fees may be the single biggest obstacle preventing museums from fulfilling their missions as educational institutions that are open and accessible to the widest range of visitors from all income levels and backgrounds. But is the financial position of most art museums so precarious that the 5 percent of operating budget provided by admissions fees is indispensable to the survival of the institution? Is there a middle ground between free admission and a standard entrance fee?
  • Potential visitors—especially families with children—are often concerned about the financial costs associated with a museum visit, such as transportation, parking and lunch. As the costs have risen, visitors expect greater value for their admission dollars.
  • Many of us have visited museums and seen the words “suggested donation” or “recommended amount” next to the admission fees. The actual amount collected per visitor is often significantly lower than the suggested amount
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  • he Art Institute of Chicago switched from free Tuesdays to free Thursday evenings, from 5-8 p.m.
  • At the time of this writing, there is not much more than anecdotal evidence available on the desired result of racially and ethnically diverse visitors during free evening hours, but the Art Institute of Chicago has every reason to believe its change in free hours achieved this. “We had Chicagoans in the museum who reported that it was their first-ever visit,” Lee said. “We had parents telling us that they were grateful that the free hours allowed them to easily bring their children after work. We had more visitors per free hour than we did when the free hours were on Tuesdays.
  • the competing priorities of ideology, practicality and economics. By designating periods of free admission to attract the infrequent visitor, museums can more easily justify charging an entrance fee on a regular basis
  • Cool Culture, an inventive nonprofit formed in 1999, has created a family pass to 71 cultural institutions in New York City. The pass is intended for low-income families, and the program’s primary clients are Head Start and other subsidized child-care centers. Two-thirds of participants have household incomes below the federal poverty line.
  • Although transportation is not provided, participants can visit at any time and return as many times as they wish.
  • Cool Culture’s success is in the numbers: Families who have the Cool Culture Pass are four times more likely to visit a museum than families without the pass, according to Linda Steele, executive director.    
  • one might logically conclude that museums with no admission fee will attract larger audiences and thus have a better chance at earning more revenue within the museum: more visitors, more sales in shops or restaurants. Upon closer scrutiny, this assumption may not be true.
  • museum visitors who did not pay an admission fee were likely to spend even less on additional goods or services than the average visitor who paid a fee to enter, even they were not museum members.
  • responses from museums of various sizes, settings and budgets. The most commonly mentioned benefits of free admission were service to the community and accessibility to a more diverse audience. Increased exposure, attendance and public relations opportunities also ranked high, as did improved opportunities for individual, corporate and foundation support. The primary drawbacks were lost revenue and the inability to build a membership base. Security concerns also figured prominently.
  • Do Not Touch” signs in art exhibitions. Of the 15 responding museums that offered limited free admission days or hours, more than half reported a significant difference in visitor demographics: seniors, large family groups, school groups, disabled persons and drug or alcohol recovery groups were most likely to attend at these times. Museums in Seattle, Scottsdale, San Diego and the San Francisco Bay area all reported an increase in student visitors on free admission days. Sue Cake, a longtime docent at the Oakland Museum of California, observed that free admission days enabled teachers to assign a museum visit as part of a class lesson, likely a factor for increased student visitation at many museums.
  • can discount or waive admission fees on a case-by-case basis. “The experience should have value like a movie, going out to eat, a concert or any other leisure-time activity,” said Deputy Director Amy Oppio. “It is . . . important for guests to believe in supporting the organization and its mission.” 
  • Not all respondents shared Oppio’s view. One of the survey questions asked about the ideal admission fee structure. Of the 24 museums that responded to this question, 30 percent said that free admission is the way to go. Midge Bowman, executive director of the Frye Art Museum, responded that art museums “should be free as public libraries are. Without this open admission, they remain elitist institutions.”
  • ents we write and the act of imposing an entry fee,” she wrote. “Museums, if they remain oriented toward their paying customers will not . . . feel motivated to become essential elements within the community and an important educational resource for all individuals wishing to learn.”
Garry Golden

Makerspace | Creating a space for young makers and educators - 3 views

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    In March, our mobile outreach program is participating in the LA County Science Fair. In their exhibit area for hands-on participating, they've planned a "Mini-Maker Fair."
Gina Hall

Why It's Time to Eliminate Class Schedules - Education - GOOD - 0 views

  • What if we removed the passive course-to-course drudgery of the school day? What if there was no schedule?
  • What if teachers were seen as mentors for projects designed to help students meet those benchmarks?
  • What if the students initiated these projects and the teachers spent their time recording TED-style talks that would serve as inspiration and help students generate benchmark-related ideas?
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  • If students spent their time producing authentic projects instead of driving toward test scores, it would provide tangible measurement of what they can do, and the tug-of-war over the meaning of grades would end. But as long as we keep the current way classes are scheduled, we will continue claiming that we just don’t have time for learning.
    • Garry Golden
       
      I think there is growing support for this type of approach to learning/teaching. For me it is a pleasant vision to move from high stakes testing - to more continual process based learning. I see a big role here for gaming mechanic design principles. Good scan hit..
Elizabeth Merritt

Opinion | Who's Unhappy With Schools? The Answer Surprised Me. - The New York Times - 0 views

  • home-schooling is back to its prepandemic rate of 4 percent, and data from the National Center for Education Statistics found that by far the steepest drops in public school enrollment during the 2020-21 school year were among children in pre-K or kindergarten.
  • All of this at least raises the question of whether some of the people driving the outrage, even animus, against schools might not have much skin in the game and might not have any recent experience with teachers or curriculum.
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