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in title, tags, annotations or urlLearning From Culture Pirates - 0 views
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The history of publishing is swimming with pirates—far more than Adrian Johns expected when he started hunting through the archives for them. And he thinks their stories may hold keys to understanding the latest battles over digital publishing—and the future of the book.
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Along with the practice itself, "pirates" in publishing just keep resurfacing, and Johns argues that the label is no accident. He sees it as the pirates' attempt to evoke romantic notions of seafaring swashbucklers. Sure, the copying done by culture pirates may be technically illegal, but they have long claimed the moral high ground, arguing that they are not petty thieves, but principled heroes rightfully returning creative work to a public commons by making free or cheap copies available.
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The weighty work, more than 550 pages, covers hundreds of years of history of copyright and intellectual property in the West, focusing on the stories of those angling to disrupt prevailing practices.
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The Growth of Intellectual Property: - 0 views
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Where did these claims come from? How did it come to pass that, in the United States, one can now own the décor of a restaurant, and lawyers argue seriously about exclusive rights to athletic moves? This essay seeks to answer those questions.
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The various circumstances and forces that have contributed to the proliferation of intellectual-property rights have reinforced one another
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the opponents of the growth of intellectual property should not be overly optimistic. A mutually reinforcing combination of economic, ideological, political, and discursive conditions makes further expansion of these entitlements likely.
COPYRIGHT SYSTEM IN JAPAN - 0 views
ハリポタ著作権問題とは - 0 views
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2001年の冬から2002年の春にかけて、ハリー・ポッターの各権利者は「ファン活動」に好意的でなく、このジャンルでの活動は危険だというウワサが流れました。
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どうして"ハリポタ"だったのか
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ところが、「ハリー・ポッター」は海外児童文学であり、同人への理解の低さからより強い反撥を受けたり、一足飛びに海賊版とみなされる危険性があります。権利獲得の考え方の差異もあるかもしれません。海外では、自分の主張を通すため裁判を起こすことは、日本より簡単にあり得ます。また、邦訳を出版している静山社は以前に同人と係わりがあるような作品を出版していません。そのため、反撥を受ける危険性が他の出版社に比べて高いと感じます。先
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二次創作物 - 0 views
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許諾と黙認
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このような具体的な許諾を受けていなくても、作品の宣伝になるなどの理由で著作権者が二次創作物を法的手段で規制しようとせず、むしろ歓迎する姿勢を示すことがある
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好意的黙認
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漫画キャラクタ-の保護期間は永遠か--最高裁平成9年7月17日判決を分析する - 0 views
同人誌と著作権 - 0 views
知って欲しい事件 - 0 views
Abstracts - 0 views
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Different periods of literary and philosophical thought place emphasis more strongly on either continuity or originality, and thinkers of modernity often privileged originality and artistic genius as they laid the groundwork for a value system that still affects the landscape of contemporary popular culture.
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Countering this ascribed modernist valuation of originality, postmodern theorists and artists have emphasized pastiche, appropriation, and intertextuality.
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copyright laws and marketplace expectations have helped establish aesthetic discourses within fan communities that often mirror modernist emphases on originality and authenticity.
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